Four notebooks and a series of disbound notebooks and loose leaves, [c. 1900]-[c. 1902], containing parts of a projected first novel by John Cowper Powys comprising substantial drafts of a romance set on the Sussex Downs; together with numerous, shorter fragments of narrative, mainly passages of prolix theological and philosophical discussion, and Rabelaisian fantasy, involving characters based on the author's friends. Also included are heavily worked drafts of unpublished poems (NLW MS 23672E, ff. 57-60 and ff. 135-137 verso, 138 verso, 139 verso-140, inverted text; NLW MS 23673E, ff. 146 recto-verso, 147 verso, 154 recto-verso, 155 verso, 156 verso-60 verso, 161 verso-162, inverted text; NLW MS 23676E, ii, ff. 250 verso-251, 253 verso-255, 259 verso, 260 verso, 261-262 verso, 263 verso, 264 verso-265 verso, 266 verso, 267 verso-268 verso, 269 verso, 270 verso, inverted text); and notes on Shakespeare's The Tempest, Macbeth, Richard III and The Taming of the Shrew (NLW MS 23673E, ff. 148-153 verso, inverted text), possibly for use in Powys's lecturing work.

An autograph fair copy, [1918], of the poem 'The Soul's Companions' by W. H. Davies. It was first published in the Nation, 20 April 1918, p. 64, and collected in William H. Davies, Forty New Poems (London, 1918), p. 33.
The poem is written on '14, Great Russell Street, W.C.' notepaper. A pencil note 'Poetry for this week' (partially erased) indicates it was used as the printer’s copy.

An autograph fair copy, [1914], of the poem 'Sweet Night' by W. H. Davies. It was first published in W. H. Davies, The Bird of Paradise (London, 1914), p. 20.
The manuscript contains a different reading of line 3, 'Take thou a lover’s grateful heart' rather than the published 'A lover gives his grateful heart', and two corrections in lines 9 and 10, conforming to the printed version. The poem is written on '29 Clarence Gardens, N.W.' notepaper with the address changed by Davies to '22, Priory Gardens, Highgate'.

An autograph fair copy, dated 14 August 1920, of the poem 'Lamorna Cove' by W. H. Davies, used as the printer's copy for the Nation. It was first published in the Nation, 21 August 1920, p. 642, and collected in W. H. Davies, The Hour of Magic (London, 1922), p. 12.

Two autograph poems, [1951], by Idris Davies, entitled 'In Glasnevin Cemetery' (ff. 113-116) and 'Mists upon the sea' (f. 117), first published in Dock Leaves, 3.8 (Summer 1952), 28, and ibid. 2.6 (Michaelmas 1951), 36, respectively.
Both appear in The Collected Poems of Idris Davies, ed. by Islwyn Jenkins (Llandysul, 1972), pp. 60-61, 167, and in The Complete Poems of Idris Davies, ed. by Dafydd Johnston (Cardiff, 1994), pp. 161-163.

Diary of Raymond Garlick containing entries for the period 8-22 July 1990, kept during a two week cruise, mostly of the Baltic (ff. 1-51, text on rectos).
The ship called at Amsterdam, Netherlands (ff. 7-8), Leningrad (ff. 19-27) and Riga, USSR (ff. 33-36), Visby, Sweden (ff. 37-39), Copenhagen, Denmark (ff. 40-42), and Oslo, Norway (ff. 43-45). Also included are an incomplete draft of the poem 'Leningrad', dated 18 July 1990 (ff. 77 verso-8) and an apparently unpublished poem entitled 'At the Winter Palace', dated 14 July 1990 (ff. 78 verso- 9).

Two incomplete manuscript drafts, 1954, of 'The Nightingale Silenced', an unpublished autobiographical work by Margiad Evans, describing the worsening of her epilepsy.
Also included is an apparently unpublished draft poem, 'Dedication. The Egotist' (f. i verso), and a list of poems written whilst a patient in the Kent and Sussex Hospital, Tunbridge Wells (f. 112).

An apparently complete manuscript draft, 1955, of 'The Nightingale Silenced', an unpublished autobiographical work by 'Margiad Evans', together with a draft poem, 'The Crows Answer' (f. 100 verso).

Notebook, 1905-1907, of T. Gwynn Jones, mostly written in pencil, used by him during his stay in Egypt during the Winter of 1905-6 as a diary and for composing English poetry.
The volume contains diary entries for his voyage to Egypt, 21 October-5 November 1905 (ff. 22 verso, 23-28 rectos only), the beginning of his stay there, in Alexandria, Cairo and Helouan, 6 November-23 December 1905 (ff. 28, 29, 30, 31, 32, 33, 34-37), and the return voyage, 28 April-13 May 1906 (ff. 21 verso-22). Also included are some eighteen poems in English, dated 4 December 1905-6 April 1906, mostly drafts, some crossed through or heavily revised, the majority being love poems to his wife (ff. 2 verso-5, 6, 7-17, 18-19, 20, 21). Some are published: 'The Ferry' (f. 7 recto-verso) in David Jenkins, Thomas Gwynn Jones: Cofiant (Denbigh, 1973), p. 169, 'I saw thee' (ff. 8 verso-9) in ibid., p. 109, and 'A Memory' (f. 10 verso) in the Western Mail, 30 September 1920, p. 4; while 'The Rising Sun' [published as 'Come my love'] (f. 11) and 'I will come to thee' (f. 13 verso) were set to music by Robert Bryan (both scores published 1921). Three further verses, October 1905 and February 1907, are in Welsh (ff. 23 verso-24, 37 verso). Eight pages are written in shorthand (ff. 17 verso, 24 verso-31 verso, versos only), these remain undeciphered by the cataloguer. Jones's travel book Y Mor Canoldir a'r Aifft (Caernarfon, 1912), which relates incidents recorded in the diary, such as the Coptic wedding (ff. 34-35 verso), is based mostly on his letters to his wife rather than on the present manuscript.

Drafts of unpublished short stories by Margiad Evans, comprising a manuscript draft, [c. 1950-1], of 'The Equerry's House'; typescript drafts of 'And Every Day of their Lives', [c. 1951-3]; 'The Haunted Window', 1953, 'Knight's Move', 1953, and 'The Basilisk', 1953; an unfinished manuscript draft, [c. 1954], of 'A Borrower'; a typescript draft, 1954, of 'The Dome'; and a typescript fragment, [c. 1951-3], of an untitled and unidentified story.
Also included are two related letters to the author and two apparently unpublished draft poems, 'Ode. After Illness' (ff. 1-3) and 'Glass' (f. 99 recto-verso).

An album containing pasted-in cuttings from newspapers and journals and other miscellaneous material by, or relating to, R. J. Derfel, 1855-1904, including manuscript and printed poetry; letters and cards to R. J. Derfel, including a letter, n.d., from Eliseus Williams ('Eifion Wyn'); and programmes and leaflets.

Eight typescript poems, [1970]-[1972], by R. S. Thomas, published in Poetry Wales, 6.1 (Summer 1970), 37-38, and ibid. 7.4 (Spring 1972), 9-14.
The poems are 'Vocation', [1970], 'Alma Mater', 'Dimensions', 'No', 'God's Story', 'The Hand', 'Ann Griffith' and 'Amen', [1972]. However, 'Saunders Lewis', also published in the Spring 1972 number, is not present.

A volume containing autograph fair copies, [c. 1916], of fifteen poems by W. H. Davies, some of them apparently unpublished, submitted to James Guthrie for publication by the Pear Tree Press as a collection entitled 'Quiet Streams'; annotations have been added by Lord Kenyon.
A letter, 1916, from Davies to Guthrie, originally loose in the volume, has been tipped in on f. 16.

A notebook containing love poetry with a few poems on loose sheets.

A presentation typescript copy by the author, H. W. Badley, Mold, afterwards of Hawarden, of a poem written in March, 1933, under the title of 'Y Gwir yn erbyn y byd. Here followeth ye (Poster) Prize Poem of ye Welsh National Eisteddfod, Wrexham, 1933. Dedicated, without permission, but with due respect, to the Appeals Committee. Not for competition.'

A collection of sonnets and other verse by Frederick Samwell Henderson (1857-1931). Typescript.

Manuscript and typescript poems, in Welsh and English, by the Rev. T. W. Llynfi Davies, including poems entered for competition at the Corwen Chair Eisteddfod, 1913, and the National Eisteddfod of Wales, Wrecsam, 1933, and Fishguard, 1936.

Holograph and typescript copies and cuttings of poetry by Idris Davies, among them being press and proof copies of The Angry Summer (London, 1943) and a press copy of Tonypandy and Other Poems (London, 1945) (vol. I); a typescript entitled 'The Valleys of My Fathers', with a revised copy entitled 'Gwalia My Song' (vol. II); and drafts of some 200 other poems.

Autograph and typescript drafts and fair copies by Dannie Abse of the poems 'In the Theatre' (see Funland and Other Poems, 1973), 'Snake' (see Way Out in the Centre, 1981) and 'The Test' (see Collected Poems, 1977) with a printed version of 'Lunchtime', 1974; and drafts and fragments of autobiographical notes and essays, including 'Princeton Journal', 1973-1974, 'The Crowning of Kid Brother', c. 1977, and 'Sorry, Miss Crouch', all published in A Strong Dose of Myself (1983).

Manuscript and typescript drafts, [c. 1946]-1956, of poems by Margiad Evans, including penultimate and final drafts of her first published volume of poetry, Poems from Obscurity (London, 1947). Drafts of other published poems, [1953]-[1956], include eleven sonnets published in A Candle Ahead (London, 1956), pp. 32-38 (ff. 71-81), 'The Sufferer' (f. 85; marked 'published in Saskatchewan'), and 'In memory of a little god' (ff. 98-105). Unpublished poems include 'Yesterday and Today' and 'Poem' (ff. 87-89), and 'Cassandra desolated' (ff. 91-97).