[Back of Salem Chapel, Bethesda]
- Llyfr Ffoto 4686/80.
- Eitem
- [1968]
Rhan oKyffin Williams Archive
The gable end and sidewall of Salem chapel in Carneddi, Bethesda.
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[Back of Salem Chapel, Bethesda]
Rhan oKyffin Williams Archive
The gable end and sidewall of Salem chapel in Carneddi, Bethesda.
Rhan oKyffin Williams Archive
A dusty alley with children playing in the middle distance.
[Backyards & Gardens, Holyhead Mountain]
Rhan oKyffin Williams Archive
The backs of a row of cottages, possibly at Llaingoch, Holyhead Mountain.
Rhan oKyffin Williams Archive
Pencil and watercolour sketches of three badgers.
Rhan oKyffin Williams Archive
Three pencil and watercolour sketches of badgers.
Rhan oKyffin Williams Archive
A steeply sloping hillside (dotted with boulders and small trees) running top left to bottom right.
Rhan oKyffin Williams Archive
The railway bridge spanning the Mawddach estuary as seen from Barmouth.
Rhan oKyffin Williams Archive
A barn in the centre of the frame in the middle distance. On the right is a stand of poplars. This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia."
Rhan oKyffin Williams Archive
This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia." See also slides 4689/210-211.
[Barn off Avenida John D Evans, Trevelin]
Rhan oKyffin Williams Archive
A closer view of a dilapidated barn near Trevelin.This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' (Gomer, 1991) on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia."
[Barn silhouetted against an evening sky]
Rhan oKyffin Williams Archive
Small barn silhouetted against an evening sky. Mountains are visible in the distance.
[Barn, Avenida John D Evans, Trevelin]
Rhan oKyffin Williams Archive
A bird flies over a desolate looking barn. This is the barn mentioned on page 194 of 'A Wider Sky' (Gomer, 1991) " ...one day I drew onto a canvas an old wooden barn that stood beside the Avenida John D Evans. I started to paint and as I did so the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia."
Rhan oKyffin Williams Archive
The photograph is dominated by a dilapidated barn in the centre of the frame viewed from across a field. On the right is a stand of poplars. This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia."
[Base of cliff, Puerto Madryn]
Rhan oKyffin Williams Archive
The base of the cliff where it meets the beach. The limestone has been smoothed and rounded by the actions of the sea.
Rhan oKyffin Williams Archive
A painting of a group of children and adults in swimming costumes on a rocky shore.
Williams, Claudia, 1933-
Rhan oKyffin Williams Archive
A bay horse on a piece of waste ground walks towards the camera, probably in Esquel.
Rhan oKyffin Williams Archive
A bay horse in the middle distance standing next to a fence. In the foreground is a tall plant with small white flowers, in the background poplars.
[Beach and sea front, Cricieth]
Rhan oKyffin Williams Archive
The beach and sea front as seen from the beach below the castle.
Rhan oKyffin Williams Archive
A deserted sandy beach with low cliffs in the distance on the right hand side. Similar to 4690/35.
Rhan oKyffin Williams Archive
A framed oil painting of two men and a dog walking along a seashore. Beyond them are rough seas under a dark grey sky. The painting has been photographed with a Kodak Colour Control Patch and a Gray Scale card visible in the bottom of the frame.