A Dyffryn Camwy headstone carved by Humphrey Williams, Bangor
- Llyfr Ffoto 4689/261.
- Item
- 1968.
Part of Kyffin Williams Archive
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A Dyffryn Camwy headstone carved by Humphrey Williams, Bangor
Part of Kyffin Williams Archive
Part of Kyffin Williams Archive
A farmer holding a Patagonian conure (Cyanoliseus patagonus) by it's right wing. The farmer is holding a stick in his right hand on which the bird is perched. This may be the incident mentioned on page 148 of 'A Wider Sky' (Gomer1991). See also slide 4689/160.
Part of Kyffin Williams Archive
A farmer and his dog walking down a steep path with a rickety fence on their left hand side.
[A horse drawn cart, a pig, a dog and a saddled horse]
Part of Kyffin Williams Archive
Animals milling about in what may be a farmyard.
[A man seated, clutching a gourd and bombilla]
Part of Kyffin Williams Archive
Light from a window to the left illuminates the sitter. He is a middle aged man sitting on a chair with his right arm resting on a table. A gourd and bombilla are held in his left hand.
[A man standing next to a blue pickup]
Part of Kyffin Williams Archive
A smartly dressed man stands next to an elderly, but well cared for, blue pickup truck. Capel Nazareth, Drofa Dulog is in the background. This is probably Kenny Evans and his Pontiac, immortalised on pages 154 - 155 of 'A Wider Sky' (Gomer, 1991).
[A mountainous view near Rhyd Ddu I]
Part of Kyffin Williams Archive
First in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils. Three photos from this sequence appear in an article 'The Heart of the Landscape' in 'The Studio' for April 1962, p132-137. These are credited to Dr Gwilym Wynne-Griffith.
[A mountainous view near Rhyd Ddu II]
Part of Kyffin Williams Archive
Second in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils. Three photos from this sequence appear in an article 'The Heart of the Landscape' in 'The Studio' for April 1962, p132-137. These are credited to Dr Gwilym Wynne-Griffith.
[A mountainous view near Rhyd Ddu III]
Part of Kyffin Williams Archive
Third in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils. Three photos from this sequence appear in an article 'The Heart of the Landscape' in 'The Studio' for April 1962, p132-137. These are credited to Dr Gwilym Wynne-Griffith.
[A mountainous view near Rhyd Ddu IV]
Part of Kyffin Williams Archive
Fourth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
[A mountainous view near Rhyd Ddu IX]
Part of Kyffin Williams Archive
Ninth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
[A mountainous view near Rhyd Ddu V]
Part of Kyffin Williams Archive
Fifth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
[A mountainous view near Rhyd Ddu VI]
Part of Kyffin Williams Archive
Sixth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
[A mountainous view near Rhyd Ddu VII]
Part of Kyffin Williams Archive
Seventh in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
[A mountainous view near Rhyd Ddu VIII]
Part of Kyffin Williams Archive
Eighth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
[A mountainous view near Rhyd Ddu X]
Part of Kyffin Williams Archive
Tenth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
[A mountainous view near Rhyd Ddu XI]
Part of Kyffin Williams Archive
Eleventh in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
[A mountainous view near Rhyd Ddu XII]
Part of Kyffin Williams Archive
Twelfth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
[A mountainous view near Rhyd Ddu XIII]
Part of Kyffin Williams Archive
Thirteenth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
Part of Kyffin Williams Archive
A thin strip of land at the very bottom of the photograph emphasises the vastness of the empty sky above.