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The file comprises scripts of three broadcasts concerning David Jones and his work: a review of an exhibition of his paintings in Edinburgh, 21 November 1954; a review of The Anathemata, 19 December 1952; and a talks feature entitled 'David Jones', compiled and introduced by Goronwy Rees and with contributions by T. S. Eliot, Saunders Lewis, Nicolette Gray and Gwyn Williams, 29 Oct. 1954, produced by Aneirin Talfan (two copies of the script, one corrected by David Jones).

The file comprises manuscript drafts of prose writings. Many of these drafts appear to be of letters from David Jones to private correspondents. Amongst the subjects discussed are various matters of Welsh interest (ff. 2-15, with two drafts concerning Saunders Lewis), and the relationship between the Last Supper, the Crucifixion and the Mass and between the nature of the Mass and the nature of art. There is one draft of what appears to be the end of a letter to Petra Tegetmeier (née Gill).

The file comprises miscellaneous manuscript notes and drafts by David Jones, including a poem entitled 'Isys' dated 12 September 1956 (f. 2) and a poem entitled 'The Heart of Time' (f. 3), a complete letter to Sister Ursula, 1967 (f. 21), and to Saunders Lewis, 1967 (f. 22). There is also a proof copy of a poem by René Hague (f. 5).

The file comprises letters and post cards to David Jones from A. S. Hartrick, Rex Nan Kivell, Tom Burns, Janet Stone, Sir Kenneth Clark, Aneirin Talfan Davies, Harman Grisewood, Illtud Evans, Moelwyn Merchant, Anthony Steel, Saunders Lewis, Christopher Dawson, William Hayward, Bryn Griffiths, Colin Hughes, Nancy Sandars, August Closs, [Arthur Giardelli], E.V.C. Plumptre, Jack Sweeney and others.

The file comprises manuscript drafts of letters from David Jones to some of his dearest friends: René Hague, Valerie Wynne Williams (and to her mother Mrs Price), Harman Grisewood, Helen Sutherland, Tom Burns, Jim Ede, Morag [McLennan], and Saunders Lewis.

The file comprises papers found in the Library of David Jones which was deposited at the National Library of Wales in 1975 (see The Library of David Jones. A Catalogue, 1995). They include galley proofs of 'Religious Enthusiasm' by Christopher Dawson with manuscript corrections by David Jones; University of Wales Press copy of O'Donnell lectures, 'Angles and Britons' by J R R Tolkien, 1963, with manuscript notes by David Jones; 'For the pyre at Oeta' a poem by Harman Grisewood; typescript article 'La reve du Simple Soldat Clitus' translated by Professor Louis Bonnerot; typescript article by Saunders Lewis, 'A note on the asumption', 1951; typescript poem by Mrs I K Moon, 1941; BBC radio broadcast script of 'The dying God' series, 1951; typescript review of Lucerna: studies of some problems in the early history of England by H. P. R. Finberg, 1964; and newspaper cuttings, 1950-1967.

The file comprises typescript, manuscript and printed copies of poems by various authors (in many cases the author's name is not noted). Includes a typescript copy of a poem by Peter Levi entitled 'Thirty ways of drowning in the sea', with a letter from Alasdair Clayre at All Souls College, Oxford, dated 17 Sept. 1965, asking David Jones whether he would like 'a drawing or two drawings of yours to be used as illustrations for a limited edition of this poem?' (for drafts of a reply to this letter see A2/1), and typescript copies of poems by Charles Madge ('The Storming of the Brain', dated 2 July 1950), Dylan Thomas ('Elegy'), Saunders Lewis ('The Choice', translated by R. Wynne), Stefan George ('Come in the Park described as dead and see', translated by Vernon Watkins and signed by him), William Hayward, Herbert Read, and a translation of 'Wales' by Gwenallt Jones.