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Ink full score and vocal score, both dated June 1976. Typescript copies of the poems are included, and a photocopy of the full score.

A setting of 'Come away, death' (Shakespeare). Ink full score, dated 17 November 1949; together with ink piano score (undated); and pencil sketches.

Bound photocopy of ink full score; and photocopy of ink vocal score.

Letters and details, 1991-1992, of the commissioning of 'A May Song', performed at the opening ceremony of the Garden Festival Wales, 1 May 1992.

Ink full score; photocopy of ink full score; photocopy of full score without woodwind and brass instruments (corrections in red ink); photocopy of ink reduced score; photocopy of reduced score (with corrections in red ink), with a letter from Alun Hoddinott to Gwyneth [Jones] and a list of 'adjustments' relating to the soprano part; and another copy of the reduced score (with corrections in red ink).

Ink score of a song beginning with the words 'A widow bird ...', for tenor and piano.

Letters, 1995-2008, from the Associated Board of the Royal Schools of Music (ABRSM), regarding commissions and publications.

Accumulated material, 1963-2008, comprising mainly libretti and various scripts which were apparently not set to music; and typescript copies of plays and volumes of poetry. The manuscript of a carol dedicated to the composer and his wife is included.

Ink full score, dated 28 November 1947.

Three ink full scores, one dated 3 May 1949, and the others dated 13 October 1949.

Memorandums of agreement, 1954-1981, between the composer and OUP, relating to named works. Royalty statements, 1967 and 1968 are included.

Letters from Alfred Lengnick & Co., Ltd Publishers, 1990-1997, relating to contracts and the publication and promotion of works. Minutes of a meeting with Lengnick, 7 February 1992, and a catalogue of Alun Hoddinott's works are included.

Letters, 1992-1998, from Alice Bliss, Atlanta, Georgia, mainly relating to the commissions ‘Three Motets’ and ‘One must always have love’. Five letters, 1992-1998, from Alfred Calabrese, Emory University, relating to the above commissions, are included.

An additional group of paper collated by Rhiannon Hoddinot. Some items, including letters to Rhiannon and press articles post-date the death of Alun Hoddinott in 2008. The additional group of papers include, interviews and talks, 1965-2013; certificates and awards, 1938-2007; letters, 1958-2013; some personal and biographical papers, 1948-2010; programmes and press articles, 1964-2012.

Ink score, dated July 1977; and pencil sketches. Words by Emyr Humphreys.

Papers, 1954-2006, comprising mainly articles, reviews, interviews and talks by Alun Hoddinott, and articles by others relating to the composer. Drafts of a proposed book on Alan Rawsthorne, together with a few bibliographies and biographies, are included.

Manuscript drafts, typescripts, proofs and press cuttings, [1960x1993], of a number of articles, reviews and obituaries written by Alun Hoddinott. A handwritten list of articles which were written between 1958 and 1965, with dates and names of publications, mainly the Western Mail, is included.

A few articles, 1954-2006, written by others, relating to the composer; together with a bound typescript copy of a treatise entitled 'The Choral music of Alun Hoddinott: an analysis and related conclusions concerning performance', by Stewart J. Clarke and presented to the Faculty of the Graduate School of The University of Texas at Austin in partial fulfillment of the requirements for the Degree of Doctor of Musical Arts (The University of Texas at Austin, May 1977).