Showing 44 results

Lis Hughes Jones' papers relating to productions performed during 1981, including Branwen, Rhiannon, Rhosys Cochion and Gaeafdaith comprising production scores for Branwen and Rhosys Cochion, Branwen work notes, general production notes and other related documents and production texts for Rhiannon and Gaeafdaith.

Lis Hughes Jones' papers relating to the Manawydan and Gwaed neu Fara productions, comprising production song scores and lyrics and texts for the Gwaed neu Fara production.

Lis Hughes Jones' papers relating to the Pedole Arian, Rhydcymerau and Lleuad, Lleuad/Luna, Luna (Farfa) productions including Lis Hughes Jones’ workbook, comprising [research] sources, production texts, and general production notes, including songs, scenarios, ideas and notes on actions.

Lis Hughes Jones' papers relating to the 8961 - Caneuon Galar a Gobaith production including draft texts and notes, research material and Lis Hughes Jones’ workbook.

Papers relating to the A Oes Heddwch production including photographs, photocopies of video stills and a cassette cover.

Handwritten notes that appear to be notes on actions and also texts and ideas.

Photographs and papers relating to the performance of Ar y Traeth/Patagonia Remics at the National Eisteddfod, including suggestions for the production and papers relating to the arrangement and promotion of the production; together with papers of the production manager Giles Parbery.

Various articles, reviews, publications and essays relating mainly to the work of Brith Gof, the company, site-specific theatre and theatre in Wales, including previews and reviews for various productions between 1981 and 1988; interviews with company members; and articles and chapters by Mike Pearson and Clifford McLucas; together with an article regarding Clifford McLucas' visual diary artwork.

Papers and photographs relating to productions that were part of the Auturius Rex Project, including press, marketing and publicity material, production information, notes and ideas, and production texts/scripts.

Papers relating to the Boris production, including copies of the John Berger texts, a Welsh script, devising notes and notes regarding general arrangements.

Correspondence and papers relating to the Brith Gof archive, including the safekeeping of the archive and details of the contents of the archive.

Papers relating to company business and information including a variety of company information papers, finance papers and papers relating to activities with other companies/groups.

Company information papers including a review of work and a copy of an interview with Mike Pearson and Clifford McLucas.

Company publications and proposals, including discussion papers and company prospectuses, regarding training and pedagogy, digital media developments, television and theatre projects, and an installation.

Correspondence, papers and photographs relating to three productions of the Disasters of War project, including Part 3/Besatt, Part 8/Y Gadair Ddu and Part 10, comprising reviews, work notes, research material, production information, publicity material, and design and production notes; together with papers relating to the project in general.

Correspondence and papers relating to the general arrangements and planned activities for the Brith Gof stall during the Eisteddfod.

Correspondence and papers relating to the Estronwyr/Work in Progress (Strangers) production with La Fura del Baus, including devising notes and sketches, production texts, a project information document, a funding application, photographs and photocopies of photographs, La Fura Del Baus company publications, publicity material, performance organising principles, and research material.

Papers and photographs relating to the EXX-1 production comprising mainly stage directions, prospectus, scenographic designs, reviews, and a soundtrack information leaflet; together with a copy of Clifford McLucas’ visual diary artwork which was based on the EXX-1 production and a file of the production manager, Giles Parbery's papers.

Lis Hughes Jones' papers relating to the Gernika! production including a copy of the production score and melody lines, together with production notes and notebooks.

Correspondence, papers and photographs relating to the Gododdin production, regarding the performances in Scotland, Holland, Italy, Germany and Cardiff and the production in general, comprising mainly scenographic designs and sketches, production workbooks, work plans, scenarios, previews, reviews and publicity material; together with papers relating to the exhibition held at the Chapter Arts Centre relating to the Gododdin production and Clifford McLucas’ visual diary artwork.