Dangos 2 canlyniad

Disgrifiad archifol
Morris, Lewis, 1701-1765 Welsh poetry -- To 1100 -- Old Norse influences
Dewisiadau chwilio manwl
Rhagolwg argraffu Gweld:

Bardism; miscellanea,

A volume (pp. i-xxii; 1-449) containing miscellaneous items, many relating to Welsh bardism, in the hand of Edward Williams ('Iolo Morganwg'). The contents include pp. 1-3, a note re the proclamation in 1795 of a bardic meeting to be held at Pen Bryn Owain in co. Glamorgan in 1796; 3-7, notes re the times of holding bardic meetings ('Cadair a Gorsedd wrth Gerdd a Barddoniaeth'), etc.; 7-16, eleven rules under the superscription 'Darbodau Gorsedd Gyfallwy Cadair Morganwg . . . ar Benn Brynn Owain ym Morganwg . . . 1795' relating to the conduct of bardic meetings, the measures, content, and language of poems, the bards, etc.; 25-8, a note of a proclamation in 1798 of a 'Cadair a Gorsedd ar Gerdd a Barddoniaeth' to be held at Pen Brynn Owain in co. Glamorgan in twelve months time, notes on the times of holding future bardic meetings '. . . ymmraint Cadair Orsedd Morganwg . . . ar ben Twyn Owain', and a geographical definition of the term Morgannwg in this context; 35-44., notes headed 'Coelbren y Beirdd herwydd Llyfr Llywelyn Siôn' being notes relating to the special alphabet reputedly devised by the Welsh bards for carving or notching on wooden surfaces and different modes of constructing wooden appliances or so-called 'books' which could be used as writing surfaces when utilising this alphabet; 51, an incomplete version of a 'question and answer' conversation between a teacher and his disciple; 55-6, notes relating to early British bards called 'gwyddoniaid', a bardic meeting between Prydain ab Aedd Mawr and three of these bards called Plennydd, Alawn, and Gwron ('Tri Phrif Feirdd Ynys Prydain'), rules for the bardic order formulated then, etc.; 57-60, English definitions of, or notes in Welsh on, terms of bardic relevance, e.g. 'Alban', 'Gorsedd Arddangos', 'Arwest', 'Cerdd Arwest'; 63-73, extracts of varying length from the works of Welsh poets ? illustrating bardic or poetic terms ('Bardic Allusions from the Welsh Bards'); 79, a note on 'Colofn Prydain (sef felly y gelwir y Gyhydedd Gyrch yn Llyfr Gm. Tew)'; 80-82, notes on Welsh literary production up to and including the fifteenth century mentioning Dafydd ap Gwilym, Llawdden, Harri ap Rhys ap Gwilym, Ieuan Brechfa, Edeyrn dafawd aur, Einiawn offeiriad, Dafydd Ddu Hiraddug, and Hopkin ap Thomas; 82-6, notes relating to an 'eisteddfod' held under the patronage of Gruffydd ap Rhys ap Tewdwr in Aberteifi and to rules concerning the order of bards and musicians formulated there; 87-8, brief notes on the bardic 'cadair arddangos' and 'cadair dwmpath'; 89, a note relating to the original of Shakespeare's Romeo and Juliet, an extract from the said work, and a note on 'a circumstance . . . exactly similar' in a poem by Dafydd ap Gwilym; 90-91, notes on Dafydd ap Gwilym and his poetry; 92-4, notes on the Welsh alphabet; 95-? 104, the rules and customs of the bardic chair of Tir Iarll ('Trefnau a Defodau Cadair Tir Iarll'); 111-13, bardic miscellanea; 119- 22, notes relating to the rights, etc., of the bardic order with the superscription 'Llyma ddangos amrafaelion o arferion a breiniau a defodau a barnau a chyfarwyddyd a berthynent i Feirdd a gwyr wrth gerdd o'r hen Lyfrau'; 127-33, notes on 'Cerdd Gadair', 'Cerdd Deuluaidd', 'Clergerdd', 'Datgeiniad Cadair', and 'Datgeiniad Penpastwn'; (continued)

135-7 + 145, further notes re rules for bardic meetings; 142, two triads; 143-4 + 155, notes relating to ? the Welsh bardic alphabet; 154, a note on 'Tair colofn Barddoniaeth'; 157-9, notes relating to the alleged association between (a) Gruffudd ap Cynan and Bleddyn ap Cynfyn and the code of rules for the bardic order, (b) Bleddyn ap Cynfyn and 'regulations for genealogies and armorial bearings', (c) Rhys ap Tewdwr and the introduction of the 'Bardic Laws of the Round Table' from Armorica, and (d) Gruffudd ap Cynan and 'a musical sessions in Glyn Achlach in Ireland . . . 1096'; 171-4, a transcript of twelve stanzas of Welsh verse attributed to Siencyn o'r Crwys y Prydydd; 174, a list of 'Plant Caw o Brydyn'; 175, a transcript of a twelve-line Welsh stanza allegedly composed by Thomas Glyn Cothi on the occasion of the French landing at Fishguard in 1797; 176-7, genealogical data relating to the family of Iestyn ab Gwrgan and related families; 178, a transcript of an 'englyn' relating to Owain Glyn Dyfrdwy attributed to Ieuan Gethin ap Ieuan ap Lleision; 179, a few entries relating to events in Welsh history, 870-959; 180, a transcript of 'englynion' ? attributed to Hywel Ystoryn; 181-6, an anecdote and notes relating to ? the reputed poetesses of Ty Talwyn, parish of Llangynwyd [co. Glamorgan]; 187 + 193, skeleton notes on Llanilid, Llanharan, Llanhari, Llantrisaint, St. Donats, and Flimston [co. Glamorgan]; 188-9, historical and other notes relating to the parish of Merthyr Tydvil [co. Glamorgan]; 190, a list of 'Antiquities in and about Merthyr'; 191, a note on Mallt Walbi 'a Brecon virago' and leader of a gang of freebooters, and a list of 'Remarkable Parishes' [in Glamorgan]; 192, a list of 'Antiquities in and about Lantwit Major' [co. Glamorgan]; 205, extracts relating to 'Melchin, an ancient British author', 'Hu Gadarn', etc., 'Ex Celtic Remains by Lewis Morris'; 206-07, a note on heroic poetry and the attitude of the 'descendants of the Celts' towards it; 219- 22, comments on orthography arising out of [William] Owen [Pughe]'s innovations with regard to Welsh orthography; 223-7, notes relating to the formation of compounds and plurals of monosyllabic words in ancient Cimbric and modern Welsh; 227-39, notes relating to the original home of the Cymry and early druidism and bardism, etc.; 241, a short list of Welsh words relating to worship with English definitions; 242-4, notes on the principles of druidism; 246-51, notes relating to the 'Great Eisteddfod at Caermarthen' [? 1451], 'the system of versification that received the sanction of that Eisteddfod', the adoption of this system by the bards of North Wales and some of those of South Wales, its rejection by the bards of Glamorgan and their compilation of 'a system of discipline, of Poetical Criticism, of Versification, and of whatever appertained to their science', the death of the Carmarthen system during the reign of James I, Gronwy Owen's verse, and the Gwyneddigion Society's annual Welsh poetry competition and its attempt 'to restore the system of the Carmarthen Eisteddfod'; 252-4, notes relating to an 'eisteddfod' held at Nant Gonwy, 1 Edward IV, incorporating 'englynion' attributed to Dafydd ap Edmund and Twm Tegid Brydydd 'o Langower ym Mhenllyn'; 259-66 + 274-82, an outline journal of a journey from South to North Wales and back, July-August 1800, the places mentioned on the northward journey including Cowbridge, Bridgend, Neath, Caeo, Dolau Cothi, Pumsaint, Clydogau Mountain, Llanfair Cludogeu, Llandewi Brevi, Tregaron, Pont Rhyd Fendigaid, Hafod, Pont ar fynach, Llanbadarn, Aberdyfi, Towyn, Dolgelleu, and Blaeneu (a visit to [Rhys Jones, antiquary and poet] and transcribing of manuscripts), and on the return journey Llanfachreth, Dolgelley (mention here of harpists and of the origin of the triple-stringed harp), Carneddi Hengwm, Tal y llynn, Abergyrnolwyn, Aberdyfi, Aberystwyth, Llanrhystid, Tal y sarn, New Inn, Abergwily, Caerm[arthe]n, Llangyndeyrn, Pont y Berem, Llan Nonn, Cydwely, Llanelly, Pont ar Ddulais, Swansea, Llangynwyd, and Bridgend; 262, a transcript of twelve lines of English verse entitled 'Loyalty by a Cobler'; 264, a transcript of an 'englyn' attributed to Huw Llwyd Cynfel; 270-73, a Welsh saints' calendar; 306, a plan of a 'Sheepfold at the foot of Cadair Idris, another in ruins on the same plan Cefn Merthyr, several more in Glamorgan'; (continued)

307, a transcript of the 'title-page' of Edward Jones: The Bardic Museum of Primitive British Literature . . .; 308-13, a series of eleven Welsh triads ('Llyma Drioedd y Beirdd') with an English translation thereof extracted from pp. 1-4 of the aforementioned Bardic Museum by Edward Jones; 316, a medicinal recipe for rheumatism in the head; 317, a 'Plan of a school house or accademy'; 323-38, extracts from Sharon Turner: History . . . of the Anglo-Saxons [vol. IV], relating to the language, literature, and music of the Anglo - Saxons; 339-43, notes on, and extracts from, [Walter] Scott's 'Lay of the Last Minstrel'; 359-62, extracts from a review of Edward Moor: The Hindu Pantheon which appeared in The Edinburgh Review, February 1811; 367-70, brief notes relating to the poetic dialect of the Welsh bards, the 'ancient [Welsh] Prose dialect', 'the modern [Welsh] literary Dialect', and 'The Venedotian Dialect' and its use in literature, and comments on the efforts of 'A Welsh (would-be literary) Society in London . . . to patronize the Welsh Language'; 373-80, notes relating to the introduction of Scaldic bardism into North Wales in the time of Gruffudd ap Cynan and the consequent disappearance of the old British bardism in that part of the country, the preservation of the old bardism in Glamorgan, and the invigorating effect of the 'Scaldic manner or system' on Welsh poetry and the Welsh language, general comments on the moral tone of Welsh literature, etc.; 381, three 'grammatical' triads; 382, a very brief list of Irish words in the Venedotian dialect; 383, an extract 'Ex Vol. 35 Plas Gwynn Mon' [i.e. Panton MS 35 now NLW MS 2003] relating to the 'dymchwelawl' poetic metre; 384, a note relating to an old manuscript volume containing Welsh miracle plays in the possession of 'Dr. Thomas yn Llwyn Iwrch' in the eighteenth century; 385-6, comments on the practice of calling 'the ancient British Religion Druidical'; 387-9, general observations on the development of the 'system of versification and of poetical criticism . . . of the Welsh Bards'; 390, a brief note on 'Bardism or Druidism'; 391-2, a list of fourteen chapter headings for a proposed 'History of the Bards' [? by Edward Williams], with a note at the beginning 'A Bad Plan' and at the end 'The above is only the first rude sketch of 1791 and here only retained as containing a few hints that may be useful' (in addition to material on British / Welsh bardism and druidism and Welsh music this work was to contain chapters on Irish and Highland bards, Scandinavian scalds, Provencal troubadours, and Saxon and English minstrels); 392-4, a list of thirty-six topics or subject or chapter headings being 'Another arrangement' [presumably for the proposed 'History of the Bards']; 395, a transcript of three 'englynion' attributed to Gutto'r Glyn, the third being attributed also to H[ywel] D[afydd] I[eua] n Rhys (an accompanying note mentions an 'eisteddfod' at Cardiff Castle); 396-7, a list of six 'Topics for the Bards Common Place book'; 398, a list of dates ? in connection with the holding of 'eisteddfodau' at Ystrad Ywain [co. Glamorgan]; 399-400, notes relating to the 'Polity or Discipline' of the druids and bards; 407, a list of fourteen 'names given by the ancient Bards to the Coronog faban' (part Welsh, part English, and derived from [Thomas] Pugh [: Brittish and Out-landish] Prophesies . . . [ London, 1658]); 408-18, notes relating largely to early British bardism and druidism with mention of [James] MacPherson and the Ossianic poems; 423-5, miscellaneous triads, etc.; 426 + 430-31, general reflections relating to etymology; 427-9, reflections on the use of conjecture in history particularly 'with respect to the peopling of Europe and America' if no historical records were available; 431-3, notes relating to the dissension between the bards of North Wales and those of Glamorgan consequent upon the 'succesful attempt of Daf[ydd] ab Edmund at the Caermarthen Congress [? 1451] to establish his own system [of versification]', the researches undertaken by the Glamorgan bards into 'Bardic history and science' and their discovery of 'the true principles of Poetry and versification', etc.; 435-7, notes containing general reflections on changes in the Welsh language and poetry from the late thirteenth century onwards; and 438, a list of six Welsh triads.

Miscellanea,

Miscellaneous papers containing notes, transcripts, extracts, etc., in the hand of Edward Williams ('Iolo Morganwg') bound together into one volume. The contents include pp. 1-16, extracts from the works of various Welsh bards under the superscription 'Bardic allusions to ancient usages, institutions, ideas, &c.'; 16, a list of the seven attributes of God ('Saith Angheneddyl Duw'); 16-17, a group of eight Welsh triads attributed to Syr Wiliam Herbert of Raglan; 18-19, a brief note on the Irish in Anglesey and North Wales; 19-20, Biblical allusions to the practice of writing on wood; 22-3, further extracts from the works of Welsh poets similar to those on pp. 1-16; 25, Welsh triads; 26, a transcript of an 'englyn' attributed to Evan Evans y Prydydd Hir; 27, three stanzas of a Welsh poem headed 'Pennillion Iolo Morganwg'; 34-5, a list of thirty-six 'Southwalian Gogynfeirdd'; 35, a brief note on Gruffudd ap Cynan's introduction of 'Scaldic Literature', etc., into Wales; 36-7, notes on the use of the 'englyn milwr' measure by 'Southwalian Bards', and on the meaning of the word 'anaw' and of the element 'chwyfan' in the name of the Flintshire antiquity 'Maen chwyfan'; 38-9, a list of 'Writers on the Art of Poetry now Extant' in South Wales and N[orth] Wales; 41, a query relating to 'the Caerwys Bards or Eisteddfod'; 41, a note on the Welsh bards' refusal to introduce fiction into poetry; 42-4, notes headed 'On Coelbren y Beirdd'; 45-50, notes headed 'Bards of the 11th to the 13th centuries' stressing the impact on Welsh poetry of the Scandinavian Scaldic influence introduced via the court of Gruffudd ap Cynan; 51-9, notes headed 'Bards of the 15th Century in S[outh] Wales' dealing mainly with the influence of Norman and Provencal poetry on the twelfth century Welsh poet Rhys Goch ap Rhys ap Rhiccart and other Welsh bards via the courts of the Norman lords in Glamorgan, its continuance in the work of Dafydd ap Gwilym, etc.; 60-73, notes headed 'Modern Poetry of North Wales' containing general, mainly derogatory comments on North Wales poetry from the seventeenth century onwards with references to Lewys Morris, Edward Morris, Hugh Moris, Rice Jones of Blaenau, Goronwy Owain, and other poets, the practice of borrowing or imitating metres from English songs and ballads, the results of the literary competitions inaugurated by the Gwyneddigion Society, etc.; 74-92 notes headed 'Modern South Walian Poetry' dealing mainly with the 'song writing' or 'popular poetry' tradition in South Wales as contrasted with North Wales; 93-6, notes relating largely to the tale called 'Cyfarwyddyd Einiawn ap Gwalchmai a Rhiain y Glasgoed'; 97-102, miscellanea headed 'Mân bethau perthynas (sic) i'r Beirdd a Barddoniaeth'; (continued)

104-08, notes relating to the society commonly known as 'Gwyr Cwm y Felin' which existed at Cwm y Felin in Betws Tir Iarll [co. Glamorgan], with references to its connection with the druidical and bardic tradition and its association with Lollardy in the past and Unitarianism in the present (see NLW MS 13121B above); 109, a transcript of three stanzas of Welsh verse headed 'Myned yn y maen. To take the chair. . .'; 110, notes on a theory that there were two poets called Dafydd Nanmor, the one a grandson of the other; 121, a list of seven rules headed 'Some Rules of Welsh versification'; 122, a 'scheme' or chapter headings for a 'History of the Bards'; 123-46, a short essay or article on the 'History of the Welsh Language' containing observations on the three main dialects, viz. Silurian, Demetian, and Venedotian, their use in Welsh literature, etc.; 147-9, lists of early bishops of Llandaf and of the bishops of Wales before the time of Garmon ('Escobion Cymru Cynog Amser Garmon'), and notes on the meaning of the words 'cor' and 'bangor'; 151-3, a pedigree of the ? Williams family of Aberpergwm; 163-88, notes and extracts relating to the manufacture of beet sugar, the cultivation of trees and potatoes, the making of varnishes, wines, etc., and medicinal recipes; 201-02, a note headed 'Bards secret and gripe'; 203, a list headed 'Proverbial and idiomatic expressions in Glamorgan'; 215-18, transcripts of miscellaneous Welsh verse including two 'englynion tawddgyrch cadwynog' attributed to Edward Evan 'o Aberdar' and Lewys Hopcin of the parish of Llandyfodwg [co. Glamorgan], an 'englyn' attributed to Siôn Tudur, and six stanzas headed 'Y Credadyn ar farw idd ei enaid' being reputedly a translation from Pope's ode entitled 'The dying Christian to his soul', and extracts from 'cywyddau' attributed to Edmund Prys; 228, notes headed 'Gwehelyth y Simwniaid'; 229, a note on madness in dogs; 240-41, a list of Welsh names of fruits; 247-53, extracts from The Monthly Review, 1790, vol. I, including a transcript of 'Robinson's Elegy on leaving Westminster College'; 278, a note referring to the tradition relating to the alleged Trojan colonization of Italy; 285-6, a ? draft of proposals for publishing a Welsh religious and literary journal to be called 'Goleugrawn Deheubarth Cymry', publication to be annually or quarterly, the first number to appear towards the beginning of 1817; 303- 05, an extract relating to 'healing wounded trees'; 310-11, notes on a proposed 'water wheel at ye present forge [at Kevan] . . ., 29 Jan. 1787'; 315-16, a horticultural note and a medicinal recipe; and 321-7, transcripts of three 'cywyddau' ? attributed to Dafydd ap Gwilym. Also found on various pages are groups or lists of Welsh words, miscellaneous Welsh triads, and other miscellaneous items. Some of the notes have been written on the blank verso or in the margins of copies of printed leaflets advertising 'Sea Bathing' and 'Genteel Lodgings' at the Ball, Swanbridge, seven miles from Cardiff, the wares of Tucketts and Fletcher, Bristol (Tucketts and Fletcher, grocers and tea-dealers, no. 11, Corn-Street, Bristol ([Bristol], [1795?], ESTC T230410)), and the wares of E. M. Downing at his 'Grand Musical Repository', Bristol, and a printed copy of 'An Elegy on the late Reverend John Wesley'.