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Undated holograph letter, [1945], by Dylan Thomas to Caitlin, written in black ink on air mail paper (ff. 1r, 2r) and sent from Paulton[s] Square, Chelsea, possibly shortly after the shooting incident at Majoda, expressing his love for his wife as he lies bedridden with influenza in London.

Holograph letter, dated 31 December 1941, by Dylan Thomas to his parents D. J. and Florence Thomas, written in black ink on lined paper (ff. 1r-3r) and sent from Chiswick, thanking them for the Christmas presents; writing from London, he refers to the time spent in Oxford with Alan and Margaret Taylor over the Christmas holiday, the urgency to find somewhere for Caitlin and Llewelyn to stay near the capital, his recent work on short information films and a radio script, a visit from Vernon Watkins, and a poem published in Lilliput. The envelope is postmarked January 1942.

Correspondence, 1953-1954 and 1958, comprising twenty-two mainly typescript letters, mostly from the literary agent David Higham, of Pearn, Pollinger & Higham Ltd, to Daniel Jones, and including five replies (two unsigned) from Daniel Jones, one being a 9 ff. draft letter. Among the topics discussed are the collection of Dylan Thomas letters, edited by Daniel Jones and Vernon Watkins; the publication of a collection of radio talks by Dylan Thomas; the radio production of 'Under Milk Wood'; the publication of Under Milk Wood in Mademoiselle, the serialisation of the work in the Sunday Observer, the edition published by Dent containing a preface by Daniel Jones, and the Acting Edition of the play; incidental music to Under Milk Wood, including the composer's rights; the poet's papers in America; the circumstances surrounding his death; and Caitlin Thomas.

A collection of six letters, [1936]-1950, from Dylan Thomas, comprising one letter to Caitlin Thomas, [6 September 1945], mainly concerning money, work and their living arrangements (f. 3), and three letters to his parents, D.J. and Florence Thomas, sent from Oxford, 12 January 1947 (ff. 4-9), from Florence, Italy (but giving as his address that of the family's next destination on Elba), 19 July 1947 (ff. 10-12), and from New York, 26 February 1950 (f. 13); together with typescript copies, possibly by Thomas, of two letters from him, dated 9 March 1936 and 13 July 1938, to Wyn Henderson (the presumed original letters are in the University of Texas at Austin, Harry Ransom Humanities Research Center Library) (ff. 1-2).
All the letters appear in Dylan Thomas, The Collected Letters: New Edition, ed. by Paul Ferris (London, 2000).

Papers, 1953-1990, of Glyn Jones, including four letters, 1953-1979, by him to various recipients, and one letter, 1958, to GJ from A. G. Prys-Jones, all of which relate to Dylan Thomas; together with a script, [1979], containing autograph corrections and additions, of a talk by GJ which appears to be an introduction to a performance of 'Under Milk Wood'; and photostat copies of seventeen letters, 1934-1953, to GJ from Dylan Thomas, with typescript copies of the same annotated by GJ and Ralph Maud. Also included is a manuscript draft of a series of five articles by GJ about Dylan Thomas published in The Western Mail, 1958; a postcard, 1958, from Richard Evans praising the articles; a scrapbook belonging to GJ containing articles and papers, 1953-1986, mostly relating to Dylan and Caitlin Thomas; additional notes and drafts of talks, [1954x1970], by GJ about Dylan Thomas; and papers relating to the Dylan Thomas summer schools at Swansea (1974) and Aberystwyth (1990) attended by GJ.

The file comprises obituaries of the John family extracted from newspapers: Robin John, [?], 1986, Romilly John, The Times, 1986, by [Michael Holroyd], Vivien John, The Independent, 1994, Poppet Pol, The Independent and The Times, 1997, together with obituaries for Caitlin Thomas, The Guardian and The Independent, 1994, and Lady Pansy Lamb, The Independent, 1999. -- [Dorelia John's obituary by Michael Holroyd is in his Unreceived opinions (London, 1973)].

Nineteen letters, notes and postcards to Dylan Thomas, 1952-1953, mainly concerning work, publications and his last trip to America (ff. 1-19), and copies of contracts, 1951-1953 (ff. 20-28).
The correspondents include John [Brinnin], September-[October] [1953], J[ohn] D[avenport], 23 June 1953, Francis Dillon, 22 September 1953, John Griffiths, 21 September 1953, David [Higham], 9 October 1952, Fred [Janes], [13] August 1953, Donald A. Kershaw, 16 June 1953, Arabel J. Porter, 28 September 1953, Liz Reitell, 4 June [1953], Ceri Richards, [?April] 1953, Amos Vogel, June-August 1953, Boris [Watson], [early 1953], and Oscar [Williams], 31 July 1953. There is also a note, 19 October 1953, from 'Evelyn', suggesting he contact the film director Edgar G. Ulmer (f. 5), and a note from Pearn, Pollinger & Higham to Caitlin Thomas, 30 June 1953 (f. 13). There are miscellaneous notes by Dylan Thomas on ff. 1 verso, 4 verso, 8 and 11 verso. The contracts relate to the proposed publications 'American Journal', 19 December 1951 (ff. 20-21), 'Welsh Fairy Tales and Legends', 23 February 1953 (ff. 22-24), and 'Under Milk Wood', 24 July 1953 (ff. 27-28), and to a recording session for Caedmon Publishers, 17 May 1953 (ff. 25-26). Also included is a bank statement, 22 June 1953 (f. 29), and his Temporary Entry Permit into the USA, 20 October 1953 (f. 30).

Eighty letters, 1939-1966, to John Davenport, literary critic and friend of Dylan Thomas, much of the correspondence relating to literary matters (ff. 1-91). There are references to Thomas throughout, including detailed (and contrasting) accounts, by John Malcolm Brinnin (ff. 12-13) and George Reavey (ff. 71-72 verso), of events surrounding his death.
The correspondents include Kingsley Amis, 1955-1965 (ff. 1-6), John Malcolm Brinnin, 1952-1953 (ff. 11-13), Walford Davies, 1963-1965 (ff. 16-23), Constantine FitzGibbon, 1950-1966 (ff. 27-52), Glyn Jones, March-April 1965 (ff. 57-59), T. H. Jones, 9 November 1961 (f. 60), George Reavey, [November 1953] (ff. 71-72), Roger Roughton, 1939-1940 (ff. 73-80), Caitlin Thomas, 1947-[?1952] (ff. 81-85, including a postcard also signed by Dylan Thomas), and Vernon Watkins, 1956-1965 (ff. 86-90). Also included are further papers relating to Dylan Thomas, comprising manuscript notes by Davenport, [1956x1966] (ff. 92-100); a postcard, [?1950], to Thomas from Jack Lindsay in Prague (f. 101); a typescript, 10 November 1953, of a radio obituary to Thomas by Davenport (ff. 102-104); a typescript article, [mid-1950s], on Thomas by Davenport (ff. 105-114); and press cuttings, 1954-1965 (ff. 115-121). A typescript table of contents is ff. i-iii. Three of the Kingsley Amis letters (ff. 1, 2, 4) are published in The Letters of Kingsley Amis, ed. by Zachary Leader (London, 2000) (pp. 448-50, 464-5, 527-8).

The file comprises letters, [1968]-[1998], from Charles Tennyson (3), Peter Terson (5), Caitlin Thomas (2), Lisa T[ickner] (3), Ruthven Todd (2), William J. Weatherby (3), Sir Charles Wheeler (3), Emlyn Williams (2) and Dora Yates (11). Letters from unidentified correspondents are also included.

Eighty-four letters, 1904-1988, from various artists, addressed to various recipients, and seemingly brought together as examples of autographs.
Among the correspondents are Edward Bawden, 1967 (f. 12), Clive Bell, [?1920s] (f. 85), George Bissill, 1956-1961 (ff. 14-56), Mark Gertler, 1916 (f. 86), Duncan Grant, 1942 (f. 87), Augustus John, 1953-1958 (ff. 4-7, 88), Gwen John, [?1904] (ff. 89-90), Clare Leighton, 1934 (ff. 9-11), Lord Methuen, 1972-1973 (ff. 67-70), Henry Moore, 1950-1951, 1961 (ff. 1-2, 91), John Nash, 1967 (f. 71), Paul Nash, [early 1940s] (f. 92), Sir William Nicholson, 1904-1906 (ff. 93-94), John Piper, 1941-1943 (ff. 72-75), Sir William Rothenstein, 1932 (ff. 96-97), Kenneth Rowntree, 1957 (ff. 78-82), and Sir Matthew Smith, 1950, 1957 (ff. 3, 99). The main recipients are Daniel George, 1953-1962 (ff. 4-8), Cyril Lakin, 1934 (ff. 9-11), Peter Rhodes (ff. 12-56, 58, 65-71, 83-84) and his wife Felicity Rhodes (ff. 57, 59-64, 72-82). The letters include references to the sale of pictures by Peter De Wint (ff. 16, 22-29, 37-40, 44-47) and comments by Augustus John on Caitlin Thomas’s autobiography (f. 6).

Passports of Dylan Thomas, 1947-[1953], Caitlin Thomas, 1947-[1956], and Colm Thomas, 1956-[1961].
Caitlin's name is originally given as Caithie Thomas (pp. 1, 9, 29), being corrected to Caitlin in September 1954 (p. 1). Each passport contains a photograph of the holder; that of Colm Thomas also contains a photograph of another young boy, possibly Francesco Fazio (p. 3).

Correspondence, 1975-2000, of Paul Ferris, including letters sent by him to Daniel Jones, Gwen Watkins and Jeff Towns, relating to his biographies of Dylan and Caitlin Thomas, and The collected letters of Dylan Thomas (London, 1985). Also enclosed are copies of three letters from Dylan Thomas to Caitlin, [1936], John L[?], 1942, and John [?Arlott], [c. 1945], and a letter-poem about New Quay, dated 1945.

Printed material, 1953-1998, comprising mostly press cuttings of articles and obituaries about Caitlin Thomas, together with a postcard of Augustus John's portrait of her, and a copy of her funeral brochure, 1994.