Showing 812 results

Correspondence and papers relating to the administration and arrangement of the Hafod project, including budgets, enquiries regarding materials, transcribed copies of letters from Mariamne Johnes, performance outline and details, notes on artistic researches, and some prop designs.

Correspondence and papers relating to the arrangement and administration of re-stagings of the Haearn production in Wrexham, Amsterdam, Douai, Copenhagen and Birmingham, including funding applications, income and expenditure figures, budgets, project information, proposal, timetables, a paper regarding the principles of performing Haearn abroad and a copy of a production prospectus.

Correspondence and papers relating to the administration and arrangement of the Haearn production, including publicity material information, minutes of various meetings, site/venue plans, scenographic plans and designs, performance structures, work and task lists, a schematic scenario, timetables and action plans, together with a preliminary budget.

Papers relating to the administration and arrangement of the Prydain production, including a budget checklist, task lists, timetable, notes, and various contact details.

Correspondence and papers relating to the administration and arrangement of the production, including letters relating to the arrangement of staging the production in a disused church, a quote for the hire of seating, contact details, accommodation arrangements, and an agenda and minutes of the production meetings.

Papers relating to the [arrangement of performing the Once Upon a Time in the West production in the Sibiu Festival, Romania], including a Carnet de Passages for the transportation of professional equipment, directions to Sibiu, and a contract between Brith Gof and Owain Huw Wright to assist with the production in the Sibiu Festival; together with equipment invoices and a letter regarding a performance of the production in Theatr Gwynedd.

Clifford McLucas' administrative and production papers, mainly relating to the Pax Aberystwyth production, including a strategy, appraisal, proposed scenario, draft production scores and plans of the railway station; together with sketch designs for a production brochure, general devising notes and sketches and a scenographic design for Glasgow.

Administrative papers relating to company productions, including Pax and a number of others; together with company business and information papers and miscellaneous papers and items.

Correspondence with members of the Pax Advisory Panel mainly regarding the arrangement of a Pax concert at various venues, together with panel members' contact details and photocopies of research material.

Papers relating to the Angelus production including press reviews and photographs, notes on performance and action directions, new ideas and texts, research material, and publicity material for this and other productions.

Research material and copies of production text for Lis Hughes Jones' production, Ann Griffiths, including booklets regarding shawls, Penrhiw Chapel, Plygain Carols, and Stable-loft songs and a hymn sheet for a performance in Capel Bethel, Glyncorrwg.

Lis Hughes Jones' workbook for her solo performance Ann Griffiths, containing notes on songs and hymns, notes on sources, many of which are copies of letters and notes that are presumably production texts.

Photographs of the Ann Griffiths touring production, including photographs of chapels, performances and publicity photographs.

An annotated copy of production texts, possibly showing the selections of text from the full version for the shorter televised version.

Photographs and papers relating to the performance of Ar y Traeth/Patagonia Remics at the National Eisteddfod, including suggestions for the production and papers relating to the arrangement and promotion of the production; together with papers of the production manager Giles Parbery.

Correspondence and papers relating to the arrangement and administration of the Tri Bywyd production, including correspondence regarding publicity material, props, sets, equipment, accommodation and general arrangements and information; production budgets, draft and master copies of the project proposal, draft copies of the text for publicity material, research material, contracts and task and budget checklists; together with papers relating to the production including set designs, notes regarding production music, scripts and texts, and details of the performance structure.

Papers relating to the arrangement and administration of the From Memory I production, including an invitation list, a note regarding props, a poster mailing list, a contract between the University of Warwick and Mike Pearson, and a flyer for the performance at the University of Warwick Arts Centre.

Correspondence and papers relating to general arrangements for the Brith Gof stall during the Eisteddfod and to the planned activities, including correspondence regarding lectures/talks, a paper regarding Brith Gof’s activities at previous eisteddfodau and for the week at this eisteddfod, scenographic designs and an information leaflet.

Correspondence and papers relating to the arrangement and administration of the Sawl Bywyd performances at the 1996 National Eisteddfod, including stall/set arrangements, a basic performance plan for the week and scenographic designs; together with correspondence relating to financial and sponsorship matters, organising materials for the set, arrangements with performers and a letter of response to the work.

Papers relating to the arrangement and promotion of the Patagonia production at the National Eisteddfod, including a work schedule, a poster, and notes and sketches for the promotional material; together with notes relating to the sale of Patagonia t-shirts and a newspaper preview of Patagonia at the Taliesin Arts Centre, Swansea.