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Photocopy of a typescript index, 1977, to Dock Leaves, with introductory remarks; a letter, 1978, addressed to Roland Mathias from Annette Thomas, who compiled the index, and a copy of his reply. Also included is a copy of the first newsletter of the Welsh Society of the Southern Tier, 1978.

The file includes drafts, 1976, of the poem by John Tripp, 'Poet in the village', on the occasion of the publication of Selected poems, and a copy of the script of the play 'It's not by his beak you judge a woodcock', 1972, adapted by John Tripp from the short story by Glyn Jones; typescript copies of poems by Roland Mathias, [1944x1980], some of which contain manuscript amendments; and copies of plays by Dedwydd Jones, with printed leaflets and covering letter [?1963x1973].

The file includes letters, 1944-1978, from Anna Kavan (35), Robert Macbryde (2), Raymond Marriott (8), Roland Mathias (4), Bill Naughton (6), and Count Potocki of Montalk (5), together with a booklet No English horse, published in 1967, containing translations of poems from the Magyar by him and a check list of publications by or concerning him published in 1974. There are also letters from Louis F. Quinain (4), Keidrych Rhys (7) and Richard Rhys (3), together with transcripts of letters from D. H. Lawrence to Rhys Davies, 1929, and of letters from Frieda Lawrence to him, 1928-1929.

Includes letters from Sue Moules; Roland Mathias (5); Angela Morton (2, including poems); Mark Morris (4); Ian McMillan (2); Andrew Motion (7); and Judith Maro (2).

Over a hundred and fifty letters, 1961-88 in English, Welsh and French, from various correspondents (surnames Jones-W). The letters, some of which include fair copies of published poems, are chiefly concerned with contemporary writing in Wales in both English and Welsh and with the recipient's work as editor of a number of volumes in this field. The correspondents include Glyn Jones (36, and three poems) 1967-86, Gwyn Jones (6) 1967-87, Saunders Lewis (1) 1974, Roland Mathias (17) 1961-86, Leslie Norris (32, and one poem) 1967-86, Eigra Lewis Roberts (2) 1970-3, R. S. Thomas (1) 1975, John Tripp (8) 1968-78, Harri Webb (14) 1967-79, and Kyffin Williams (8) 1970-1.

The file comprises 322 letters to Sam Adams, from Graham Allen (11), Ruth Bidgood (9), Alison Bielski (5), Duncan Bush (4), Joseph Clancy (6), Gillian Clarke (7), Tony Curtis (8), John Davies (13), Jon Dressel (7), Raymond Garlick (11), Jeremy Hooker (36), B. S. Johnson (4), Glyn Jones (15), Roland Mathias (60), Robert Morgan (21), Leslie Norris (44), John Ormond (5), Philip Pacey (15), Alun Rees (11), John Tripp (13), and Harri Webb (16). -- The correspondence mainly relates to poetry, especially Poetry Wales, The Triskel poets series, Ten Anglo-Welsh poets (1974), and to the anthology of short stories, The Shining Pyramid (1970). There are also copies of poems by B. S. Johnson, Leslie Norris, and John Tripp; English translations by Joseph Clancy of poems by Bobi Jones; and biographical information provided by Graham Allen, Alison Bielski, Gillian Clarke, John Davies, Robert Morgan and Alun Rees.

The file comprises letters to David Jones from various people including T. Charles Edwards, Margaret Aeron-Thomas (3), Moelwyn Merchant, William Cookson (3), William Blissett (4), Douglas B. Hague (2), Ruari McLean, Helen Kapp (2), Illtud Evans (2), Aneirin Talfan Davies, Michael Fussell, John Lehmann, Roland Mathias, Bruce Griffiths, Nicholas Jacobs (2), Peter Orr (2), Bernard Bergonzi, Gerald Morgan, Ffransis Payne, Stuart Piggott (2), Ruth Nanda Anshen, John Russell (2), Tudor David, John H. Johnston (4) Ceri Richards, Arthur Giardelli (2, 1 incomplete), René Hague (3), Donald Nicholl (incomplete), Keidrych Rhys, Vernon Watkins (6, 3 incomplete) and Walter Shewring.

The file contains correspondence relating to the nominating and electing of members, 1976-1977, and a few nomination papers. Those elected were Bill Meilen, Gerard Casey, George Ewert Evans, Ioan Williams, Alison Morgan, Walford Davies, Bernice Rubens and Jon Dressel. The file also includes a letter from Roland Mathias giving his views on the nomination process.

The file contains correspondence regarding proposed changes to membership structure together with a draft report on membership by Glyn Jones. Correspondents include G. O. Jones, Roland Mathias and Belinda Humfery who had specific complaints about the present system. The file also contains a few election nomination forms.

Original ink score with pencil annotations, titled 'Canticle for Tenor and Strings' and arranged into parts for violins 1 and 2, viola, cello, and double bass. The score includes three parts based on Harries' work 'Words by 20th-century Anglo-Welsh Poets': Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; and Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961. Parts 1, 2, 4 and 5 are wanting.

Facsimile copy of ink score, dated 1956-1961, titled Opus 10: 'Canticle for Voice and Piano', and incorporating 'Words by Twentieth-Century Anglo-Welsh Poets'. Consisting of Part 1, 'Lean on the Rail' by Randal Jenkins, dated 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I Was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; and Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961.

Ink score with pencil annotations, dated 1956-1961 and titled Opus 10: 'Canticle for Tenor and Piano: Words by 20th-century Anglo-Welsh Poets'. The score is in seven parts: Part 1, 'Lean on the Rail' by Randal Jenkins, dated 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated 16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961.

Ink score in five parts, [1978], titled Opus 45: 'Canticle No.2: Five Poems of Roland Mathias for Voice & Piano'. The score was commissioned by the Cardiff Festival of 20th Century Music, with the assistance of the Welsh Arts Council.

Partial score, in ink and pencil, [1978], titled Opus 45: 'Canticle No.2: Five Poems of Roland Mathias For Voice and Piano'. The score was originally commissioned by the Cardiff Festival of 20th Century Music, with the assistance of the Welsh Arts Council.

Letters to Sam Adams from A.O.H. Jarman (1), Meic Stephens (5), R. George Thomas (1), Dora Polk (1), Stewart Conn (4), Duncan Glen (1), Edwin Morgan (3), Gus Martin (1), Ulla-Lena Lundberg (1), William Cookson (3), John Ackerman (2), John Barnie (1), Norman Schwenk (1), Ruth Bidgood (1), Lewis Davies (1), Malcolm Parr (1), Christopher Meredith (1), Peter Gruffydd (1), John Harris (2), John Stuart Williams (1), John Davies (1), Glyn Tegai Hughes (2), Pennar Davies (2), Raymond Garlick (1), Roland Mathias (5), Sally Roberts Jones (3), Nest Cleverdon (1), Howell Daniels (1), Tony Curtis (1), Ioan Bowen Rees (1), Nigel Jenkins (1), Chris Torrance (1), Walford Davies (1), Robert Morgan (2), Alexander Cordell (1), Desireé Hirst (1) and Glyn Jones (5) concerning literary, social and personal matters, especially relating to poetry, Poetry Wales and Welsh literature, including comments on Adams's own poems and reviews, together with copies of two poems by Bobi Jones (one of them in Welsh), one poem by Tony Curtis and three by Meic Stephens.

The file comprises papers, [1975]-1976, relating to Poems '76, ed. Glyn Jones (Llandysul, 1976). The poems included in the anthology appeared between 1974 and 1976, though it seems they were composed, and some published, before this period. Some of the notes are written on typescript drafts of works which appear to have been composed by Glyn Jones. -- In addition the file contains correspondence, 1975-1976, including draft letters by Glyn Jones and copies of a letter by him requesting the authors' permission to use their poems in the anthology, and letters from the following, mostly contributors: John Ackerman (2), Sam Adams (3), Graham Allen (2), Ruth Bidgood, Alison Bielski (2), Joseph Clancy, Bobi Jones, Anthony Conran (2), Tony Curtis (2), Elwyn Davies (3), Jon Dressel, Dannie Abse, Tom Earley, Raymond Garlick, Jeremy Hooker (3), Emyr Humphreys (2), Nigel Jenkins, Sally Roberts Jones (3), Edward Lloyd (4), Roland Mathias (3), Robert Minhinnick (2), John Ormond (2), Richard Poole, A. G. Prys-Jones, Harri Gwynn, Sheenagh Pugh (3), Meic Stephens, R. S. Thomas (1), J. P. Ward (2), Harri Webb, Gwyn Williams and John Stuart Williams (2). Copies of poems are enclosed with some letters.

The file comprises papers, [1950]-1990 (with gaps), relating to various poetry and prose readings and performances which include poems by Glyn Jones, and events which he arranged or in which he participated. These include notes for a reading by Glyn Jones which appears to have been delivered during the funeral or memorial service of Gwyn Thomas, 1981; a passage from The valley, the city, the village, [?1987]; and notes for a reading by Glyn Jones on the occasion of Roland Mathias's 75th birthday, 1990. A number of events were presented by, or in association with, the Arts Council of Great Britain Welsh Committee and later the Welsh Arts Council. The file also contains programmes, correspondence and notes, including a draft review of the poetry festival, Poetry at the Mermaid, pertaining to poetry festivals held in England, 1954 and 1961.

The file comprises papers, 1977-1981 and 1985, relating to Profiles : a visitors' guide to writing in twentieth century Wales, by Glyn Jones and John Rowlands (Llandysul, 1980), including a typescript draft of the work, various related manuscript and typescript notes, [1977]-[1980] and correspondence, 1977-1981 and 1985, including draft letters by Glyn Jones, letters from John Rowlands (58), Meic Stephens (2), Roland Mathias, Richard Vaughan, Peter Haining, Philip Pacey, Tony Bianchi, Malcolm Parr and Bernice Rubens, and an article by Glyn Jones, 'Writing Profiles', 1980, for Book News.

The file comprises letters to David Jones from publishers and editors (other than Fabers), relating to anthologies, magazines, reviews and recordings, printing David Jones's works etc., including letters from Douglas Cleverdon, Peter Orr, J. H. Johnston, Henry Rago, Louis G. Cowan, Roland Mathias, Sebastian Carter, Will Carter, William Cookson, Gwen Watkins, David Blamires, Tony Stoneburner, Moelwyn Merchant, Dedwydd Jones, Caradog Prichard, William Hayward and others.

Among the correspondents are Bernice Rubens; Roland Mathias; and Angela Morton (2).