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Correspondence and papers relating to the arrangement of the performance of Patagonia at the various venues, including details regarding equipment, technical and production facts and figures, venue plans, and a handbook and information regarding the Sherman Theatre.

An article written by Lis Hughes Jones regarding [native language] whilst referring to various Brith Gof productions; together with a diagram of Brith Gof productions.

Articles and interviews relating to the company, their work and theatre in Wales, in which Brith Gof is mentioned, including articles regarding the funding cuts to the company.

Papers regarding various Brith Gof productions collected for symposiums and presumably in preparation for [presentations] by Lis Hughes Jones; together with an article written by Lis Hughes Jones regarding [native language] with reference to various Brith Gof productions.

Articles relating to other theatrical companies, theatre traditions, shows, artists and including a number of articles relating to Robert Wilson (b. 1941), an American avant-garde stage director and playwright, and his work.

Copies of Window in Wales and Golwg magazines, which contain articles regarding the Bible banners.

Articles, reviews and previews, some of which are translations or copies of original articles, relating to works by Brith Gof, including a seminar with Farfa and Brith Gof, Ymfudwyr, Ann Griffiths and Camlann.

Various articles, reviews, publications and essays relating mainly to the work of Brith Gof, the company, site-specific theatre and theatre in Wales, including previews and reviews for various productions between 1981 and 1988; interviews with company members; and articles and chapters by Mike Pearson and Clifford McLucas; together with an article regarding Clifford McLucas' visual diary artwork.

Papers relating to the Arturius Rex production, including press previews and reviews, publicity material, production information, notes and ideas and a notebook of devising notes.

Reviews of Arturius Rex in Barn magazine and Live Art Magazine.

Papers and photographs relating to productions that were part of the Auturius Rex Project, including press, marketing and publicity material, production information, notes and ideas, and production texts/scripts.

Correspondence and papers relating to the Arturius Rex production, regarding general arrangements and arrangements for the performances, publicity, publicity material and equipment, and also including information/press releases, photographs (to be used in the publicity material), contracts, work schedule and production timetable, details of production costs and budgets.

Proof and master copies of artwork and images used for visuals in production publicity material and publications and including pages of the Los Angeles prospectus.

Lists of zip and SyQuest files/disks for various productions.

Instructions for members of the audience.

Presentations to the audience before the installation presentations.

Notes and background notes on the development of the Prydain production.

A letter concerning arrangements for the Barclays New Stages gala, together with a plan of the Royal Court Theatre. Details of the Brith Gof production are unknown.

A review in Barn relating to the Hafod project, together with a translation of the review.

Correspondence and papers relating to an International Theatre Seminar held in Aberystwyth with Grenland Fritaetr, Norway and to a tour of the performance of Besatt! (Disasters of War 3) in Wales, the Oslo and Bergen Festivals, Porsgrunn and Ardal, including reports on the seminar in Aberystwyth and tour of Norway, requests for financial assistance, statements of accounts and budgets, reviews, photographs and publicity material for Grenland Fritaetr, Besatt and other productions.