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Diary notes, written in the hand of John Barnie, covering the period from May 1978 to February 1985, discussing various personal matters such as dreams; poetry and prose submissions and rejections; and his time in Memphis,Tennessee.

Photographic colour print of White Castle, Monmouthshire, [2000]x[2010], originally included with correspondence; sender unknown.

Programmes and printed material relating to the Poesie International Poetry Festival, Austria (2005); including schedule and related correspondence.

The series consists of papers, 1995-2016, relating to national and international poetry festivals and conferences attended by John Barnie.

Printed material relating to UK poetry festivals and poetry readings attended by John Barnie, 1996-2016, including the Wales in London festival (1996); St Davids Day Poetry Festival, Harlech (1997); Aberystwyth International Poetry Festival (1998); University of Birmingham Centre of West African Studies poetry reading (1999); ‘R.S. Thomas: A Celebration’ poetry reading (2001); the book launch for John Barnie's work 'Ice' (2001); the Cross Fertilisations conference (2004); the Darwin Festival, Cambridge (2009); Wenlock Poetry Festival (2010); Talgarth Festival of the Black Mountains (2010); and Oxford Poets in Residence (2016). The file also contains notes in the hand of John Barnie ([c.2000] x [c.2010]); an ink sketch of John Barnie, artist unknown (2009); programme notes for a performance entitled 'Witch' (2012); and four photographs, of John Barnie, Gillian Clarke, Robert Minhinnick, Geoffrey Hill, Jason Walford Davies and Roy Birch, Aberystwyth (2000).

Contains book reports and reviews relating to John Barnie’s published works, 1975-[?2012], including 'War in Medieval English Society' (1974); 'Lightning Country' (1987); 'The City' (1993); 'Heroes' (1996); 'The Roaring Boys' ([?2012]); and 'At The Salt Hotel' (2003). The file also includes various press cuttings and promotional material, 1974-2008, relating to John Barnie’s published works and Planet magazine.

The series consists of press cuttings, book reports, press releases and reviews, 1974-[?2012], relating to John Barnie’s published works.

The group consists of papers, 1974-2016, relating to poetry readings, conferences, and music and poetry performances; including printed material, press releases, reviews, articles, programmes and press cuttings.

Typescript draft for John Barnie's 'The City'.

Typescript draft of 'The Confirmation'.

Printed material and correspondence, [?2000]-2010, relating to the music and poetry group The Salubrious Rhythm Company, the members of which were John Barnie, Jen Wilson, and Nigel Jenkins. The file consists of correspondence (2001), including letters from Nigel Jenkins (5) and John Barnie (3); performance material; leaflets; posters; a press cutting; and event programmes. The file also contains six black and white photographs of group members ([?2000]x[2005]); and a number of photographic prints (2001).

Typescript draft for John Barnie's 'The Wine Bird'.

Two black and white photographic prints, and one black and white photocopy, depicting various international cultural scenes.

The series consists of typescripts and proofs, 1986-2006, for a number of John Barnie’s published works; the series also contains three black and white prints [c.2004] possibly intended for inclusion in Planet magazine.

The file contains mainly correspondence, notes, and documents, 2001-2005, relating to the music and poetry group Y Bechgyn Drwg and their performances, whose members included John Barnie, Twm Morys, Nigel Jenkins, and Iwan Llwyd. The file contains correspondence (2002-2003); song list and notes (2001); poster (2001); a programme produced for Gwyl y Gair (2002); a programme for Tŷ Llên Swansea (2005); and four black and white photographs of the group members ([2001]x[2005]).

Typescript English language draft for John Barnie's Welsh language publication 'Y Felan a Finnau' (published 1992).