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Material relating to Unison Cymru/Wales Women's Committee's Celebrating the Bicentenary of the Abolition of Slavery 1807-2007 - Women in Slavery: Past or Present? conference, held 21 November 2008, at which Jen Wilson presented a talk titled A Nobler Strife: Welsh Women Abolitionists in America, comprising conference schedule and registration form, with covering letter, and lobbying Unison postcard calling for the recognition of National Slavery Memorial Day.

Material relating to an illustrated talk titled A Nobler Strife: Swansea Abolitionists and the Cincinnati Trail, 1820-1907, presented by Jen Wilson to Cwmdulais Historical Society at Canolfan, Seven Sisters, 9 April 2009, including Cwmdulais Historical Society programme of events and correspondence.

Material relating to the North American Association for the Study of Welsh Culture and History's International Conference held at Bangor University, 26-28 July 2012, at which Jen Wilson presented a talk titled Jazz in Wales between the Wars 1919-1939: fascists, feminism, fashion and some o' that Old Time Religion, including call for papers; draft and fair-copy texts of Jen Wilson's talk, together with her name badge; conference schedule; list of speakers; map of Bangor University campus; and correspondence.

Notes relating to a multi-media presentation on jazz music during World War I given by Jen Wilson and others at the National Waterfront Museum, Swansea as part of Black History Month, 19 October 2014.

Script relating to Jen Wilson's talk on Jazz in Wales, presented to the University of the Third Age (U3A) at Sketty Park, Swansea, 19 November 2015.

Script of illustrated talk titled Café Society, presented by Jen Wilson at Swansea Museum, 21 October 2016.

Material relating to Jen Wilson's (failed) application for a fellowship within the Clore Leadership Programme for 2004-5, including completed application forms and correspondence.

Material relating to Women in Music, of which Jen Wilson/Women's Jazz Archive/Women in Jazz was a member, including newsletters; details of Annual General Meetings; members' lists; details relating to the Women in Music Commissioning Fund; and correspondence.

Material relating to Swansea Women's History Group, of which Jen Wilson was a member, including a significant amount of material relating to Swansea during the Second World War, with a particular focus on the rôle of women in wartime.

Material relating to Honno Welsh Women's Press, in which Jen Wilson was a shareholder, including meeting agendas and minutes; details relating to a day of events to celebrate Honno's eighteenth year of publishing; and correspondence.

Draft article by Jen Wilson titled 'Women in Jazz: Heroines or Victims?'.

Annotated text of what appears to be an article titled 'Discrimination in British Jazz: Issues of Race, Class and Gender Between the Wars 1918-1939'.

Correspondence between Jen Wilson and John Barnie, editor of Planet magazine, relating to Jen Wilson's article 'Wales and Negro Minstrelsy: a socio-cultural interchange 1830-1910', which appeared in the June 2006 edition.

Material relating to playwright and screenwriter Alan Plater's three-part radio play The Devil's Music (2001), a work based on stories from the Women's Jazz Archive, particularly that of the Fisk Jubilee Singers, and for which Jen Wilson acted as music/history consultant. Material includes scripts, cast list, recording schedule, agreements and correspondence, largely between Jen Wilson, Alan Plater and the BBC.

Material relating to playwright and screenwriter Alan Plater's production Only A Matter Of Time, comprising theatre programme and email to Jen Wilson from Plater and his wife Shirley Rubenstein.

Ink score, [1965], titled Opus 22: 'Clarinet Concertino'. The score includes parts for violin 1, violin 2, viola, cello, double bass, flute 1, flute 2, oboe, horn 1, and trumpet 1, and was originally commissioned by the BBC, [1965].

Ink score in separate parts arranged for binding, [1968], including parts for violin 1, violin 2, viola, and cello each with a note in the hand of David Harries giving instructions for binding.

Published copy of David Harries' Opus 8, 'Three Stanzas for Harp Solo' (London: Stainer & Bell, 1973). The piece was first composed May-June 1956.

Facsimile copy of ink score for tenor, string quartet and piano, composed between February and May 1983, dated 27th June 1983 and titled Opus 51: 'Canticle No.3 The Sleeping Lord: Fragments of a Poem by David Jones.' The work was commissioned by the Guild for the Promotion of Welsh Music in association with the Welsh Arts Council for the Swansea Festival, 1983. The file also includes a typewritten copy of the poem 'The Sleeping Lord' by David Jones.

Facsimile copies of ink score, in four separate parts for violin 1, violin 2, viola, and cello, [1983], and titled Opus 5: Canticle No.3 The Sleeping Lord: Fragments of a Poem of David Jones'.