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A little song composed for Miss H. M. Bootes,

A single leaf containing two songs, possibly incomplete, [c. 1830], one in English, 'A little song composed for Miss H. M. Bootes by J. Parry' (f. 179), and the other in French, 'Air François' (f. 179 verso, deleted), written in a hand resembling that of John Parry (Bardd Alaw), but which may be that of his son, John Orlando Parry.

[A man standing next to a blue pickup]

A smartly dressed man stands next to an elderly, but well cared for, blue pickup truck. Capel Nazareth, Drofa Dulog is in the background. This is probably Kenny Evans and his Pontiac, immortalised on pages 154 - 155 of 'A Wider Sky' (Gomer, 1991).

A Maori Progamme

R12/1122/1/10.
A Maori Programme, arranged by Francis Worsley.
First broadcast: 1931.
Children's radio programme originally recorded for The Children's Hour.
UID: Unknown.
Typed Script with written annotations.
A program dedicated to Maori's including the love story of Hine Moa and Tut-an-eki, A Maori Dragon Story (or Pitaka , a Dragon Killer), a story of heroism, and The Warrior's Departure about a chief out for revenge when a magician eats his pet whale.
Subjects: Romance, Heroism, Revenge, Magic, Dragons, Maori.

A Masque of Bristol

R12/1122/1/11.
A Masque of Bristol by Francis Worsley.
First broadcast: 1931.
Children's radio programme originally recorded for The Children's Hour.
UID: Unknown.
Typed Script with written annotations.
Uncle visits a Masque (pageant) held in Bristol. There are three sketches comprising one about King Richard II, one about Pirate Teach and the last one about Robinson Crusoe, however this one doesn't go according to plan.
Subjects: Masque, Pageants, Bristol, Comedy, Pirates, Robinson Crusoe, Royalty, King Richard II, Entertainment.

[A mountainous view near Rhyd Ddu I]

First in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils. Three photos from this sequence appear in an article 'The Heart of the Landscape' in 'The Studio' for April 1962, p132-137. These are credited to Dr Gwilym Wynne-Griffith.

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