Dangos 144 canlyniad

The file comprises letters, 1968-2000, from Kathleen Hale (9), Edna Clarke Hall (3), James Hanley (3), Ethel C. Hatch (2), Beshlie [Heron] (6), Bevis Hillier (1), Richard Hughes (4), Daniel Huws (2) and H. Montgomery Hyde (1).

The file comprises letters, [1968]-[1998], from Charles Tennyson (3), Peter Terson (5), Caitlin Thomas (2), Lisa T[ickner] (3), Ruthven Todd (2), William J. Weatherby (3), Sir Charles Wheeler (3), Emlyn Williams (2) and Dora Yates (11). Letters from unidentified correspondents are also included.

The file comprises letters, 1968-[1998], from foreign repositories including the Albright-Knox Gallery, Buffalo, New York; Archives of American Art, Detroit; Art Gallery of Ontario; Brooklyn College; University of California, Los Angeles; Davis & Langdale Company, New York; Department of National Defence, Ottawa; Dunedin Public Art Gallery, New Zealand; Havard University Archives; Houghton Library, Havard University; Huntington, California; University of Michigan; Mount Holyoke College, Massachusetts; Musée Picasso, Paris; Musée Rodin, Paris; New York Public Library; Johannesburg Art Gallery; South African National Gallery; University of Auckland; University of Texas and Yale University Library, and also letters, 1996, from his book publishers Farrar, Straus & Giroux in New York.

The file comprises photocopies of letters from Augustus John to Daniel George, 1950-1961; Elmer [Gertz], 1932; Oliver Gogarty, 1918-1947; Conger Goodyear, [1923]; William Robert Gregory, [?1907]; Pamela Grove, 1941-[1953]; and Ned [Grove], [1941x1953].

The file includes photocopies of letters from Augustus John to Philip Heseltine, 1920-1929; a transcript, 1972, of a letter, 1923, from the artist to Thomas Hardy, from the Thomas Hardy Memorial Collection, thanking the latter for sitting for him and stating that his portrait had been purchased by the Fitzwilliam Museum; Mary [Keene], [1945]-[1948]; and Dame Laura Knight, 1938, together with a press cutting from The Evening Standard, 1968, containing a profile of her.

The file comprises photocopies of letters, [1917]-[1955], from Augustus John to Lady Cynthia Asquith.

The file comprises photocopies of letters and telegrams, 1923-1926, to Homer Saint-Gaudens, Director of Fine Arts, Carnegie Institute of Pittsburgh, and his replies relating to arrangements for Augustus John's first visit to the States in 1923 and his exhibition, together with a letter, 1930, from Augustus John to him.

The file comprises photocopies of letters from Augustus John to Lady Gregory, [1904]-1926.

The file includes photocopies from New York's The Art News, 1923, of an article entitled 'Augustus John will paint our negroes'.

The file comprises photocopies of letters, [1949]-1960, together with a biographical note on Tim Phillips from the Evening Standard, 1961.

The file comprises photocopies of letters and telegrams, [1917]-[1959].

The file comprises photocopies of letters and telegrams, [1952]-1961, together with a letter, 1968, from the archivist at McMaster University, Ontario, Canada.

The file comprises photocopies of letters from Augustus John to Alick Schepeler, [?1906]-[1956], one of his sitters and his mistress, together with some letters in French with translations.

The file comprises photocopies of letters from Augustus John to Hope and Edgar Scott, 1930-[1952]. The file also includes photocopies of letters from Caspar John, 1961-1962, and from Poppet Pol, 1938, to Hope Scott; extracts from newspapers relating to Augustus John's portrait of Hope Scott and notes from Hope Scott's scrapbook, 1930-1938.

The series comprises extracts from letters mainly from Augustus John relating to his writings, arrangements for portraits and exhibitions, with personal and family news; photocopies from John Quinn's diary, 1911, and his diaries, 1917-1923; together with articles about the artist and papers relating to his exhibitions held in Britain and America.

The file, comprises letters, 1973-[1982], discussing The art of Augustus John published in 1974, including comments and corrections by Michael Holroyd, 1973, of sections of the original text entitled 'Painter's moon: the art of Augustus John', together with a photocopy of a letter, 1973, from Caspar John to Malcolm Easton, with his comments on the text, chronology and list of plates. The letters also discuss preparations for the National Portrait Gallery's exhibitions in 1975.

The file comprises photocopies of correspondence, 1924-1962, mainly between Augustus John and his publisher Jonathan Cape relating to the artist's autobiography originally called 'In search of oneself: fragments of autobiography', together with William Plomer's reader's report, 1948.

The file comprises two printer's copies, [1974], without the preface, notes and acknowledgements, but including the preface in typescript form in one of the volumes.