Dangos 47 canlyniad

The file contains correspondence, quiz papers and various other papers relating to the literary quiz night held at the Oriel in Cardiff. Many prominent writers contributed rounds and there are letters from Glyn Jones, Roland Mathias, Peter Finch, John Tripp, Meic Stephens and others.

The file includes letters from Glyn Jones and Roland Mathias regarding the presidency of the Academi.

Manuscript vocal score of 'Craswall' (words, Roland Mathias). Published in 'Three songs on poems' by Roland Mathias, Magor: Mansel Thomas Trust, Ref: MT164 and MT220 [1998?].

The file includes letters, 1944-1978, from Anna Kavan (35), Robert Macbryde (2), Raymond Marriott (8), Roland Mathias (4), Bill Naughton (6), and Count Potocki of Montalk (5), together with a booklet No English horse, published in 1967, containing translations of poems from the Magyar by him and a check list of publications by or concerning him published in 1974. There are also letters from Louis F. Quinain (4), Keidrych Rhys (7) and Richard Rhys (3), together with transcripts of letters from D. H. Lawrence to Rhys Davies, 1929, and of letters from Frieda Lawrence to him, 1928-1929.

Includes letters from Sue Moules; Roland Mathias (5); Angela Morton (2, including poems); Mark Morris (4); Ian McMillan (2); Andrew Motion (7); and Judith Maro (2).

Includes letters from A. G. Prys-Jones (6, including poems); Harriet Zinnes (including poems); Roger Conover (3); Talat Halman; Michael J. Collins (3); Joseph Clancy (including a poem); Jean Earle (3); Sylvia Kantaris (4); Angela Morton (14, including poems); Greg Hill (2); Lesley Grant-Adamson (7); Roger Garfitt; Anne Stevenson (10, including a poem); Paul Hyland (7); Jane A. Wight; Tom Rawling (2); Irene E. Thomas (11); Meic Stephens (2); Jeremy Hooker (5); Huw Jones; Meredydd Evans; Michael Horovitz (11); Fay Godwin (4); Roland Mathias (3); Joyce Herbert; Berenice Moore (5); Thomas Owen Clancy (4, including a poem); R. S. Thomas (4); Donald Swann (3); Tony Curtis (2); Christine Evans (7, including poems); Glenda Beagan (5, including a poem); Sue Moules (12); John Tripp; John Latham (3); Carole Satyamurti (2); Gloria Evans Davies (2, enclosing poems); Gwyn Parry (5); and Chris Bendon (2).

Includes letters from Betty Mulcahy (2); Mavis Carter (6); Robert Minhinnick; Gwyn Parry (11, including a poem); Shelagh Hourahane (2); Berlie Doherty (3); Christine Evans (2); Mary Oldham; Lesley Grant-Adamson (4); Candyce Clayton (2); Berenice Moore (3); Cary Archard; Irene E. Thomas; Angela Morton (6, including a poem); Howard Bowcott; Anna Jauncey (3); Julia Bell; Moelwyn Merchant (2); Cora Greenhill; Alison Leonard (including a poem); Michael Horovitz; Maggie Hannan (including poems); Myra Schneider (including a poem); Gerard Casey; Gwyn O. Jones (2); Bill Headdon; Tony Curtis (copy); T. A. Owen (2); Roland Mathias (2); Glyn Jones (2); Eric Alexander (enclosing poems); Maurice Rutherford (3); Michael Holroyd (2); Roger Garfitt; Enid Luff; Meic Stephens; Carys Bell; Kate Foley; and Jeremy Hooker.

The file comprises correspondence, 1955-1984 (with gaps), including draft letters by Glyn Jones, relating to The valley, the city, the village (London, 1956 and 1980), mostly from the publishers, J. M. Dent & Sons Ltd, and includes letters from Jack Jones (copy), Raymond Garlick, Gwyn Jones (2), Gwyn Thomas, Les Faber, Elwyn Davies, Aneirin Talfan Davies, Elwyn Evans, A. G. Prys-Jones (2), and Roland Mathias. Some letters contain references to The island of apples. -- Also included are royalty statements, 1956-1960 and 1980-1983, drafts of extracts from the novel which appear to have been adapted for radio [1963], miscellaneous notes, 1956-1958, printed reviews of the novel, 1956-1957, and a copy of the introduction to the 1980 reprint of the book.

The file comprises papers, [1975]-1976, relating to Poems '76, ed. Glyn Jones (Llandysul, 1976). The poems included in the anthology appeared between 1974 and 1976, though it seems they were composed, and some published, before this period. Some of the notes are written on typescript drafts of works which appear to have been composed by Glyn Jones. -- In addition the file contains correspondence, 1975-1976, including draft letters by Glyn Jones and copies of a letter by him requesting the authors' permission to use their poems in the anthology, and letters from the following, mostly contributors: John Ackerman (2), Sam Adams (3), Graham Allen (2), Ruth Bidgood, Alison Bielski (2), Joseph Clancy, Bobi Jones, Anthony Conran (2), Tony Curtis (2), Elwyn Davies (3), Jon Dressel, Dannie Abse, Tom Earley, Raymond Garlick, Jeremy Hooker (3), Emyr Humphreys (2), Nigel Jenkins, Sally Roberts Jones (3), Edward Lloyd (4), Roland Mathias (3), Robert Minhinnick (2), John Ormond (2), Richard Poole, A. G. Prys-Jones, Harri Gwynn, Sheenagh Pugh (3), Meic Stephens, R. S. Thomas (1), J. P. Ward (2), Harri Webb, Gwyn Williams and John Stuart Williams (2). Copies of poems are enclosed with some letters.

The file includes drafts, 1976, of the poem by John Tripp, 'Poet in the village', on the occasion of the publication of Selected poems, and a copy of the script of the play 'It's not by his beak you judge a woodcock', 1972, adapted by John Tripp from the short story by Glyn Jones; typescript copies of poems by Roland Mathias, [1944x1980], some of which contain manuscript amendments; and copies of plays by Dedwydd Jones, with printed leaflets and covering letter [?1963x1973].

Original ink score with pencil annotations, titled 'Canticle for Tenor and Strings' and arranged into parts for violins 1 and 2, viola, cello, and double bass. The score includes three parts based on Harries' work 'Words by 20th-century Anglo-Welsh Poets': Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; and Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961. Parts 1, 2, 4 and 5 are wanting.

Facsimile copy of ink score, dated 1956-1961, titled Opus 10: 'Canticle for Voice and Piano', and incorporating 'Words by Twentieth-Century Anglo-Welsh Poets'. Consisting of Part 1, 'Lean on the Rail' by Randal Jenkins, dated 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I Was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; and Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961.

The file comprises correspondence, 1964-1971, including draft letters by Glyn Jones, relating to The Dragon Has Two Tongues (London, 1968), mostly from the literary agents, Laurence Pollinger Ltd, and publishers, J. M. Dent & Sons Ltd, and includes letters from Brynmor Jones (4), Gerald Morgan, Gwyn Thomas, Maxwell Fraser, Gwyn Jones (2), Keidrych Rhys, D. Gwenallt Jones, Roland Mathias (4), Meic Stephens, Richard Morris Jones, Alun R. Jones, editor Mabon (copy), Ron Berry, A. G. Prys-Jones (2), W. C. Elvet Thomas, Bryn Griffiths and Elwyn Davies. A number of letters concern permission to quote from the works of writers featured in the book and the Welsh Arts Council prize awarded to Glyn Jones for the work; some letters contain references to The Island of Apples. -- Also included are royalty statements and other related papers including manuscript drafts of sections of the essay on Dylan Thomas, and a hand-painted design by Glyn Jones for the dust jacket. In addition, the file contains a programme of the Theatr Clwyd Company production 'My People', 1980, based on Caradoc Evans's short stories, which includes an extract from The dragon has two tongues; and printed notes regarding the television series 'The dragon has two tongues', 1985.

The file contains corresondence, 1968-1969, accumulated by Sally Roberts Jones as secretary of the English Language Section of the Academi. The correspondence relates to the first and other early meetings of the section and includes letters and references to many prominent Anglo-Welsh and Welsh language writers including Dannie Abse, Alison Bielski, W. H. Boore, Brenda Chamberlain, Alexander Cordell, Aneirin Talfan Davies, Pennar Davies, Rhys Davies, Tom Earley, Raymond Garlick, Ll. Wyn Griffiths, Peter Gruffydd, Cledwyn Hughes, Richard Hughes, A.O.H. Jarman, Glyn Jones, Harri Pritchard Jones, John Idris Jones, R. Brinley Jones, R. Gerallt Jones, Sally Roberts Jones, T. Gwynn Jones, Roland Mathias, Bill Meilen, Gerald Morgan, Robert Morgan, T. J. Morgan, James Morris, Leslie Norris, D. Parry-Jones, T. H. Parry-Williams, Cecil J. L. Price, A. G. Prys-Jones, Alun Richards, Kate Roberts, Meic Stephens, Gwyn Thomas (Bangor), R. George Thomas, Aled Vaughan, Richard Vaughan, Gwyn Williams (Trefenter), Herbert Williams and Raymond Williams.

Ink score with pencil annotations, dated 1956-1961 and titled Opus 10: 'Canticle for Tenor and Piano: Words by 20th-century Anglo-Welsh Poets'. The score is in seven parts: Part 1, 'Lean on the Rail' by Randal Jenkins, dated 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated 16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961.

Yn cynnwys llythyrau oddi wrth/Includes letters from: Cassie Davies; Mari Ellis; Winifred Ewing; Roland Mathias; Dr David Owen (2); Dewi Watkin Powell; W. Leslie Richards; Goronwy O. Roberts; Ted Rowlands.

Mae'r ffeil yn cynnwys llythyrau sy'n trafod gwaith yr Academi o ddydd i ddydd dan ysgrifenyddiaeth Gwyn Thomas, ynghyd â sylwadau ar gyhoeddi Taliesin. Mae'n cynnwys llythyrau gan, a chyfeiriadau at, nifer o lenorion adnabyddus, yn eu plith; Gwenlyn Parry, Dic Jones, Tecwyn Lloyd, Islwyn Ffowc Elis, Rowland Mathias a Meic Stephens. Ceir cyfeiriadau at sefydlu Cymdeithas Awduron Cymru ac Adran Saesneg yr Academi Gymreig.

The file comprises mainly of correspondence, 1968-1969, relating to the preliminary meeting and other early meetings of the English Language Section of the Academi. The preliminary meeting was arranged by Meic Stephens and the file includes invitations sent out by him, letters of reply, and letters commenting on this first meeting. The file also includes letters inviting writers to become members of the Academi, their replies and lists of those writers who have accepted or declined membership. There are a few references to discussions about the establishment of a new English language literary magazine, an idea which was rejected for the time being. There are letters from and references to, many prominent Anglo-Welsh and Welsh language writers including Dannie Abse, Alison Bielski, W. H. Boore, Alexander Cordell, Brenda Chamberlain, Tony Conran, Rhys Davies, Tudor David, Menna Gallie, Bryn Griffiths, Peter Gruffydd, Raymond Garlick, Ll. Wyn Griffith, Gwenallt, Cledwyn Hughes, Richard Hughes, Emyr Humphreys, A. G. Prys Jones, David Jones, Dedwydd Jones, Glyn Jones, Gwyn Jones, Jack Jones, John Idris Jones, Sally Roberts Jones, Bill Meilen, Gerald Morgan, Robert Morgan, Roland Mathias, Leslie Norris, John Ormond, Alun Owen, D. Parry-Jones, Cecil Price, Alun Richards, Gwyn Thomas, R. S. Thomas, John Tripp, Aled Vaughan, Richard Vaughan, Harri Webb, Gwyn Williams, Herbert Williams, John Stuart Williams and Raymond Williams.

The file contains correspondence, 1972, accumulated by Sally Roberts Jones as secretary of the English Language Section of the Academi. Correspondents include Alexander Cordell, Glyn Jones, Alison Bielski, Roland Mathias, Cyril Hodges, Harri Webb, Gwyn Jones, Robert Morgan and A. G. Prys Jones.

The file includes correspondence, 1977, with many prominent Anglo-Welsh writers including Gwyn Williams and Roland Mathias.