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Includes letters from Sue Moules; Roland Mathias (5); Angela Morton (2, including poems); Mark Morris (4); Ian McMillan (2); Andrew Motion (7); and Judith Maro (2).

The file comprises 322 letters to Sam Adams, from Graham Allen (11), Ruth Bidgood (9), Alison Bielski (5), Duncan Bush (4), Joseph Clancy (6), Gillian Clarke (7), Tony Curtis (8), John Davies (13), Jon Dressel (7), Raymond Garlick (11), Jeremy Hooker (36), B. S. Johnson (4), Glyn Jones (15), Roland Mathias (60), Robert Morgan (21), Leslie Norris (44), John Ormond (5), Philip Pacey (15), Alun Rees (11), John Tripp (13), and Harri Webb (16). -- The correspondence mainly relates to poetry, especially Poetry Wales, The Triskel poets series, Ten Anglo-Welsh poets (1974), and to the anthology of short stories, The Shining Pyramid (1970). There are also copies of poems by B. S. Johnson, Leslie Norris, and John Tripp; English translations by Joseph Clancy of poems by Bobi Jones; and biographical information provided by Graham Allen, Alison Bielski, Gillian Clarke, John Davies, Robert Morgan and Alun Rees.

Includes letters from A. G. Prys-Jones (6, including poems); Harriet Zinnes (including poems); Roger Conover (3); Talat Halman; Michael J. Collins (3); Joseph Clancy (including a poem); Jean Earle (3); Sylvia Kantaris (4); Angela Morton (14, including poems); Greg Hill (2); Lesley Grant-Adamson (7); Roger Garfitt; Anne Stevenson (10, including a poem); Paul Hyland (7); Jane A. Wight; Tom Rawling (2); Irene E. Thomas (11); Meic Stephens (2); Jeremy Hooker (5); Huw Jones; Meredydd Evans; Michael Horovitz (11); Fay Godwin (4); Roland Mathias (3); Joyce Herbert; Berenice Moore (5); Thomas Owen Clancy (4, including a poem); R. S. Thomas (4); Donald Swann (3); Tony Curtis (2); Christine Evans (7, including poems); Glenda Beagan (5, including a poem); Sue Moules (12); John Tripp; John Latham (3); Carole Satyamurti (2); Gloria Evans Davies (2, enclosing poems); Gwyn Parry (5); and Chris Bendon (2).

Includes letters from Betty Mulcahy (2); Mavis Carter (6); Robert Minhinnick; Gwyn Parry (11, including a poem); Shelagh Hourahane (2); Berlie Doherty (3); Christine Evans (2); Mary Oldham; Lesley Grant-Adamson (4); Candyce Clayton (2); Berenice Moore (3); Cary Archard; Irene E. Thomas; Angela Morton (6, including a poem); Howard Bowcott; Anna Jauncey (3); Julia Bell; Moelwyn Merchant (2); Cora Greenhill; Alison Leonard (including a poem); Michael Horovitz; Maggie Hannan (including poems); Myra Schneider (including a poem); Gerard Casey; Gwyn O. Jones (2); Bill Headdon; Tony Curtis (copy); T. A. Owen (2); Roland Mathias (2); Glyn Jones (2); Eric Alexander (enclosing poems); Maurice Rutherford (3); Michael Holroyd (2); Roger Garfitt; Enid Luff; Meic Stephens; Carys Bell; Kate Foley; and Jeremy Hooker.

Includes letters from Enid Luff (4); Christine Evans (2); Raymond Garlick; Caryl Davies; Angela Morton (2, including a poem); Mavis Carter (5); Liz Ashurst; Esther de Waal; Jean Earle (4); Gladys Mary Coles; Margaret Merritt (9); Mary Lloyd Jones (2); Maura Dooley; Diana Hendry; Lynne Rees (8); Roger Garfitt; Elwyn Evans; Judith Thwaite (enclosing two poems); Ruth Bidgood; David T. Lloyd (2); Patricia V. Dawson; Roland Mathias (2); Ann Byrne-Sutton (poem); Berenice Moore; Geoffrey Bould; Dylan Jones (2); Justin Todd; Emyr Humphreys; Phil Clark (2); M. Wynn Thomas; Tony Conran; Lesley Grant-Adamson (3); Sue Moules (2); John Emyr; Neil Nuttall; Sheenagh Pugh; and Menna Elfyn.

Among the correspondents are Bernice Rubens; Roland Mathias; and Angela Morton (2).

Papers, 1930-1931 and 1980-1987 (with gaps), relating to Greg Hill’s publication Writers of Wales: Llewelyn Wyn Griffith (Cardiff: University of Wales Press on behalf of the Welsh Arts Council, 1984), consisting mainly of letters to Greg Hill, including letters from Hugh Wyn Griffith (5); Meic Stephens (7); June Gruffydd (1); Lowri Morgan (3); Richard Houdmont (1); and Susan Jenkins (3). The file also includes a cutting from The Anglo Welsh Review of a review of the book ([?1984]); a questionnaire filled in by Ben G. Jones of The Honourable Society of Cymmrodorion, about the life and work of Llewelyn Wyn Griffith ([?1980x1984]); copies of letters (1930-1931) to Gerald Hayes and to Llewelyn Wyn Griffith from Walter de la Mare (4); page proofs, (1983 and [1983]), with some corrections; a press cutting ([1983]); cuttings from British Book News (1984) and Llais Llyfrau (1987), including reviews of the publication by Roland Mathias and R. Gerallt Jones; and notes in the hand of Greg Hill ([1981]).

Letters to Sam Adams from A.O.H. Jarman (1), Meic Stephens (5), R. George Thomas (1), Dora Polk (1), Stewart Conn (4), Duncan Glen (1), Edwin Morgan (3), Gus Martin (1), Ulla-Lena Lundberg (1), William Cookson (3), John Ackerman (2), John Barnie (1), Norman Schwenk (1), Ruth Bidgood (1), Lewis Davies (1), Malcolm Parr (1), Christopher Meredith (1), Peter Gruffydd (1), John Harris (2), John Stuart Williams (1), John Davies (1), Glyn Tegai Hughes (2), Pennar Davies (2), Raymond Garlick (1), Roland Mathias (5), Sally Roberts Jones (3), Nest Cleverdon (1), Howell Daniels (1), Tony Curtis (1), Ioan Bowen Rees (1), Nigel Jenkins (1), Chris Torrance (1), Walford Davies (1), Robert Morgan (2), Alexander Cordell (1), Desireé Hirst (1) and Glyn Jones (5) concerning literary, social and personal matters, especially relating to poetry, Poetry Wales and Welsh literature, including comments on Adams's own poems and reviews, together with copies of two poems by Bobi Jones (one of them in Welsh), one poem by Tony Curtis and three by Meic Stephens.

Ink score with pencil annotations, dated 1956-1961 and titled Opus 10: 'Canticle for Tenor and Piano: Words by 20th-century Anglo-Welsh Poets'. The score is in seven parts: Part 1, 'Lean on the Rail' by Randal Jenkins, dated 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated 16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961.

Facsimile copy of ink score, dated 1956-1961, titled Opus 10: 'Canticle for Voice and Piano', and incorporating 'Words by Twentieth-Century Anglo-Welsh Poets'. Consisting of Part 1, 'Lean on the Rail' by Randal Jenkins, dated 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I Was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; and Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961.

Partial score, in ink and pencil, [1978], titled Opus 45: 'Canticle No.2: Five Poems of Roland Mathias For Voice and Piano'. The score was originally commissioned by the Cardiff Festival of 20th Century Music, with the assistance of the Welsh Arts Council.

Ink score in five parts, [1978], titled Opus 45: 'Canticle No.2: Five Poems of Roland Mathias for Voice & Piano'. The score was commissioned by the Cardiff Festival of 20th Century Music, with the assistance of the Welsh Arts Council.

Photocopy of a typescript index, 1977, to Dock Leaves, with introductory remarks; a letter, 1978, addressed to Roland Mathias from Annette Thomas, who compiled the index, and a copy of his reply. Also included is a copy of the first newsletter of the Welsh Society of the Southern Tier, 1978.

Correspondence, mostly concerning poems submitted for The Anglo-Welsh Review, including letters from Chris Bendon; Ivor C. Treby (4); Ruth Bidgood (7); Mike Jenkins (3); Roland Mathias (2); Tom Earley (3); John Davies; Tony Curtis; Joyce Herbert (3); Sheenagh Pugh (2); Alison Bielski (3); Nigel Jenkins; Bridget Joseph; John Tripp (3); Rosamund Stanhope; Michael Farley; D. S. Savage; Susanne M. Dumbleton; Tom Rawling; Margaret Toms (4); Jon Dressel (7); J. P. Ward; Pete Morgan (4); David T. Lloyd (3); John Barnie (2); Gerald Dawe (4); Jane McLaughlin; Gerard Casey (12); Leslie Norris (2); David Constantine (2); Philip Owens (3); Moelwyn Merchant; Wes Magee (2); Steve Griffiths (2); Sam Adams (2); Jack Clemo (6); Ted Hughes; Anthony Conran; Paul Wilkins (4); I. P. Taylor (3); Phyllis M. Jones; R. S. Thomas; Ian Hughes (3); Dudley G. Davies; Mary Casey; Charles Kohler; A. G. Prys-Jones (3); Leonard Clark; Andrew McNeillie; Lynn M. Trowbridge; Huw Jones; Brian Martin Davies (addressed to Huw Jones); Richard Poole; and Chris O'Neill. Some letters are addressed to Roland Mathias.

Correspondence, mostly concerning articles, stories and poems submitted for The Anglo-Welsh Review, including letters from Steve Griffiths (2); A. G. Prys-Jones; Greg Hill; Ronald Lowe; Mike Jenkins; John Pikoulis (5); Sylvia Kantaris (2); Ruth Bidgood (4); Pauline Stainer (2); William Cooke; John Tripp; William Sherman; Gwyn O. Jones (3); Jennifer Drake-Brockman (4); Alun Llewellyn (4); Jacqueline Banerjee (5); Gweno Lewis; Meic Stephens; Chris O'Neill (2); Edward Larrissy; Anthony Conran; Raymond Garlick (2); D. Graham Jenkins (2); Stephen Tunnicliffe; Edward Levy (6); Belinda Humfrey (3); Richard Poole (2); Roland Mathias; Roger Stephens Jones; Colin Wilcockson (3); Susanne M. Dumbleton; Raymond J. Cormier (3); Hugh McKinley; Edward Neill; Ruth Pryor (2); Angela G. Dorenkamp; Ned Thomas; H. Morgan Waidson (4); Linden Peach; Peter Slater; Patrick Thomas (2); Dominic J. Hart (2); Richard A. Davies (3); Frederick Grice (6); Frances Meredith (2); Robert Nisbet; Graham Jones (3); and Cecil Price. The file also includes photocopies of a letter by W. H. Davies, 1907, and an editorial from Welsh Outlook, 1917. Some letters are addressed to Roland Mathias with copies of replies by him.

Original ink score with pencil annotations, titled 'Canticle for Tenor and Strings' and arranged into parts for violins 1 and 2, viola, cello, and double bass. The score includes three parts based on Harries' work 'Words by 20th-century Anglo-Welsh Poets': Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; and Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961. Parts 1, 2, 4 and 5 are wanting.

The file comprises correspondence, 1955-1984 (with gaps), including draft letters by Glyn Jones, relating to The valley, the city, the village (London, 1956 and 1980), mostly from the publishers, J. M. Dent & Sons Ltd, and includes letters from Jack Jones (copy), Raymond Garlick, Gwyn Jones (2), Gwyn Thomas, Les Faber, Elwyn Davies, Aneirin Talfan Davies, Elwyn Evans, A. G. Prys-Jones (2), and Roland Mathias. Some letters contain references to The island of apples. -- Also included are royalty statements, 1956-1960 and 1980-1983, drafts of extracts from the novel which appear to have been adapted for radio [1963], miscellaneous notes, 1956-1958, printed reviews of the novel, 1956-1957, and a copy of the introduction to the 1980 reprint of the book.

The file comprises correspondence, 1958-1961, 1966 and 1978, including draft letters by Glyn Jones, relating to The learning lark (London, 1960), mostly from the publishers, J. M. Dent & Sons Ltd, with letters from John Elwyn, Alan Sillitoe (2), Gwyn Jones (2), Elwyn Davies, Gwyn Thomas and Roland Mathias. -- In addition, the file contains royalty statements, 1960-1966, and notes relating to the book. Also included are printed reviews of the book, 1959-1960; newspaper cuttings of an adaptation of the novel serialised in the Empire News, 1960, and manuscript of an article giving Glyn Jones's views on the book following its serialisation, [1960].

The file comprises an incomplete typescript with some manuscript amendments, [1963], and correspondence, 1963-1966, 1968, 1971, including draft letters by Glyn Jones, relating to The Island of Apples (London, 1965), together with papers, 1990 and 1992-1994, pertaining to the revised edition (Cardiff, 1992). Most of the letters are from the literary agents, Laurence Pollinger Ltd, and publishers, J. M. Dent & Sons Ltd, and Gwyn Jones, Elwyn Evans, Kate Roberts, Belinda Humfrey and Roland Mathias are among the correspondents. Also included are related papers regarding the publication of the novel.

The file comprises correspondence, 1964-1971, including draft letters by Glyn Jones, relating to The Dragon Has Two Tongues (London, 1968), mostly from the literary agents, Laurence Pollinger Ltd, and publishers, J. M. Dent & Sons Ltd, and includes letters from Brynmor Jones (4), Gerald Morgan, Gwyn Thomas, Maxwell Fraser, Gwyn Jones (2), Keidrych Rhys, D. Gwenallt Jones, Roland Mathias (4), Meic Stephens, Richard Morris Jones, Alun R. Jones, editor Mabon (copy), Ron Berry, A. G. Prys-Jones (2), W. C. Elvet Thomas, Bryn Griffiths and Elwyn Davies. A number of letters concern permission to quote from the works of writers featured in the book and the Welsh Arts Council prize awarded to Glyn Jones for the work; some letters contain references to The Island of Apples. -- Also included are royalty statements and other related papers including manuscript drafts of sections of the essay on Dylan Thomas, and a hand-painted design by Glyn Jones for the dust jacket. In addition, the file contains a programme of the Theatr Clwyd Company production 'My People', 1980, based on Caradoc Evans's short stories, which includes an extract from The dragon has two tongues; and printed notes regarding the television series 'The dragon has two tongues', 1985.