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Papurau yn ymwneud ag Ymddiriedolaeth Taliesin a phrydles Tŷ Newydd, yn cynnwys llythyrau oddi wrth Gyngor Celfyddydau Cymru ac Ymddiriedolaeth Taliesin (1989), copïau drafft o brydles Tŷ Newydd a gweithredoedd ymddiriedolaeth (1989), copi o’r weithred ymddiriedolaeth (1990), a nodiadau a threfniadau (1989); ynghyd â nodiadau llawysgrif yn llaw Emyr Humphreys yn dwyn y teitl ‘Canol y Cwmwd’ ([?1985]), a gwahoddiad i Emyr Humphreys roi sgwrs i’r Ymddiriedolaeth (1993). Mae'r ffeil hefyd yn cynnwys llun (heb ddyddiad); nodiadau pellach gyda’r teitl ‘Text for Billing’ (heb eu dyddio); llythyrau oddi wrth M. A. R. Kemp (1989) ac R. Alun Evans (1990); a chopi o erthygl gan Roland Mathias o’r enw ‘Emyr Humphreys’, yn manylu ar ei weithiau llenyddol ([1980]). / Papers relating to The Taliesin Trust and the lease of Tŷ Newydd, comprising letters from the Welsh Arts Council and The Taliesin Trust (1989), draft copies of the Tŷ Newydd lease and trust deeds (1989), a copy of the trust deed (1990), and notes & arrangements (1989); together with manuscript notes in the hand of Emyr Humphreys titled ‘Canol y Cwmwd’ ([?1985]), and an invitation for Emyr Humphreys to give a talk for the Trust (1993). The file also includes a photo print (undated); further notes titled ‘Text for Billing’ (undated); letters from M. A. R. Kemp (1989) and R. Alun Evans (1990); and a copy of an article by Roland Mathias titled ‘Emyr Humphreys’, detailing his literary works ([1980]).

Papurau amrywiol (1931-2017), gan gynnwys nodiadau llawysgrif a drafftiau, teipysgrifau, a phroflenni, yn ymwneud â nofelau a gweithiau rhyddiaith gyhoeddedig a heb ei chyhoeddi gan Emyr Humphreys ac eraill. / Various papers (1931-2017), including manuscript notes and drafts, typescripts, and proofs, relating to novels and prose works by Emyr Humphreys and others.

Llythyrau at ac oddi wrth Emyr ac Elinor Humphreys, ynghyd â rhai papurau cysylltiedig, wedi'u trefnu fesul pwnc yn bum grŵp: Papurau cynnar a llythyrau (1945-1972); gohebiaeth i ac oddi wrth gyhoeddwyr ac asiantwyr (1981-2007); gohebiaeth yn ymwneud â materion llenyddol eraill (1929; 1984-2002); gohebiaeth yn ymwneud â chomisiynau a digwyddiadau (1962-2009); a gohebiaeth arall ([?1933]-2015). / Letters to and from Emyr and Elinor Humphreys, together with some related papers, arranged by subject into five groups: Early papers and letters (1945-1972); correspondence to and from publishers and agents (1981-2007); correspondence relating to other literary matters (1929; 1984-2002); correspondence relating to commissions and events (1962-2009); and other correspondence ([?1933]-2015).

The file comprises letters to David Jones from publishers and editors (other than Fabers), relating to anthologies, magazines, reviews and recordings, printing David Jones's works etc., including letters from Douglas Cleverdon, Peter Orr, J. H. Johnston, Henry Rago, Louis G. Cowan, Roland Mathias, Sebastian Carter, Will Carter, William Cookson, Gwen Watkins, David Blamires, Tony Stoneburner, Moelwyn Merchant, Dedwydd Jones, Caradog Prichard, William Hayward and others.

The file includes a letter from Rhys Davies regarding the reprinting of his first novel, The Withered Root; letters form Raymond Mathias and Gwen Watkins regarding the reprint of Vernon Watkins' Unity of the Stream and from Dai Smith regarding Lewis Jones's Cwmardy and We Live.

Ink score with pencil annotations, dated 1956-1961 and titled Opus 10: 'Canticle for Tenor and Piano: Words by 20th-century Anglo-Welsh Poets'. The score is in seven parts: Part 1, 'Lean on the Rail' by Randal Jenkins, dated 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated 16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961.

Facsimile copy of ink score, dated 1956-1961, titled Opus 10: 'Canticle for Voice and Piano', and incorporating 'Words by Twentieth-Century Anglo-Welsh Poets'. Consisting of Part 1, 'Lean on the Rail' by Randal Jenkins, dated 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I Was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; and Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961.

The file comprises correspondence, 1964-1971, including draft letters by Glyn Jones, relating to The Dragon Has Two Tongues (London, 1968), mostly from the literary agents, Laurence Pollinger Ltd, and publishers, J. M. Dent & Sons Ltd, and includes letters from Brynmor Jones (4), Gerald Morgan, Gwyn Thomas, Maxwell Fraser, Gwyn Jones (2), Keidrych Rhys, D. Gwenallt Jones, Roland Mathias (4), Meic Stephens, Richard Morris Jones, Alun R. Jones, editor Mabon (copy), Ron Berry, A. G. Prys-Jones (2), W. C. Elvet Thomas, Bryn Griffiths and Elwyn Davies. A number of letters concern permission to quote from the works of writers featured in the book and the Welsh Arts Council prize awarded to Glyn Jones for the work; some letters contain references to The Island of Apples. -- Also included are royalty statements and other related papers including manuscript drafts of sections of the essay on Dylan Thomas, and a hand-painted design by Glyn Jones for the dust jacket. In addition, the file contains a programme of the Theatr Clwyd Company production 'My People', 1980, based on Caradoc Evans's short stories, which includes an extract from The dragon has two tongues; and printed notes regarding the television series 'The dragon has two tongues', 1985.

Papers, 1930-1931 and 1980-1987 (with gaps), relating to Greg Hill’s publication Writers of Wales: Llewelyn Wyn Griffith (Cardiff: University of Wales Press on behalf of the Welsh Arts Council, 1984), consisting mainly of letters to Greg Hill, including letters from Hugh Wyn Griffith (5); Meic Stephens (7); June Gruffydd (1); Lowri Morgan (3); Richard Houdmont (1); and Susan Jenkins (3). The file also includes a cutting from The Anglo Welsh Review of a review of the book ([?1984]); a questionnaire filled in by Ben G. Jones of The Honourable Society of Cymmrodorion, about the life and work of Llewelyn Wyn Griffith ([?1980x1984]); copies of letters (1930-1931) to Gerald Hayes and to Llewelyn Wyn Griffith from Walter de la Mare (4); page proofs, (1983 and [1983]), with some corrections; a press cutting ([1983]); cuttings from British Book News (1984) and Llais Llyfrau (1987), including reviews of the publication by Roland Mathias and R. Gerallt Jones; and notes in the hand of Greg Hill ([1981]).

Letters to Sam Adams from A.O.H. Jarman (1), Meic Stephens (5), R. George Thomas (1), Dora Polk (1), Stewart Conn (4), Duncan Glen (1), Edwin Morgan (3), Gus Martin (1), Ulla-Lena Lundberg (1), William Cookson (3), John Ackerman (2), John Barnie (1), Norman Schwenk (1), Ruth Bidgood (1), Lewis Davies (1), Malcolm Parr (1), Christopher Meredith (1), Peter Gruffydd (1), John Harris (2), John Stuart Williams (1), John Davies (1), Glyn Tegai Hughes (2), Pennar Davies (2), Raymond Garlick (1), Roland Mathias (5), Sally Roberts Jones (3), Nest Cleverdon (1), Howell Daniels (1), Tony Curtis (1), Ioan Bowen Rees (1), Nigel Jenkins (1), Chris Torrance (1), Walford Davies (1), Robert Morgan (2), Alexander Cordell (1), Desireé Hirst (1) and Glyn Jones (5) concerning literary, social and personal matters, especially relating to poetry, Poetry Wales and Welsh literature, including comments on Adams's own poems and reviews, together with copies of two poems by Bobi Jones (one of them in Welsh), one poem by Tony Curtis and three by Meic Stephens.

Mae'r ffeil yn cynnwys llythyrau sy'n trafod gwaith yr Academi o ddydd i ddydd dan ysgrifenyddiaeth Gwyn Thomas, ynghyd â sylwadau ar gyhoeddi Taliesin. Mae'n cynnwys llythyrau gan, a chyfeiriadau at, nifer o lenorion adnabyddus, yn eu plith; Gwenlyn Parry, Dic Jones, Tecwyn Lloyd, Islwyn Ffowc Elis, Rowland Mathias a Meic Stephens. Ceir cyfeiriadau at sefydlu Cymdeithas Awduron Cymru ac Adran Saesneg yr Academi Gymreig.

Original ink score with pencil annotations, titled 'Canticle for Tenor and Strings' and arranged into parts for violins 1 and 2, viola, cello, and double bass. The score includes three parts based on Harries' work 'Words by 20th-century Anglo-Welsh Poets': Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; and Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961. Parts 1, 2, 4 and 5 are wanting.

Partial score, in ink and pencil, [1978], titled Opus 45: 'Canticle No.2: Five Poems of Roland Mathias For Voice and Piano'. The score was originally commissioned by the Cardiff Festival of 20th Century Music, with the assistance of the Welsh Arts Council.

Ink score in five parts, [1978], titled Opus 45: 'Canticle No.2: Five Poems of Roland Mathias for Voice & Piano'. The score was commissioned by the Cardiff Festival of 20th Century Music, with the assistance of the Welsh Arts Council.

The file comprises papers, [1972], [1979]-1980, [1985], and 1987-1989, relating to The Collected Poems of A. G. Prys-Jones, ed. by Don Dale-Jones (Llandysul, 1988), which includes a foreword by Glyn Jones. The file mainly consists of correspondence between Don Dale-Jones and Glyn Jones, 1987-1989, mostly regarding the anthology; with a typescript draft of the foreword, 1980; and typescript copies of the contents and introduction to the work, entitled 'Selected poems', by Don Dale-Jones, 1985 and 1987. Also included is a draft letter from Glyn Jones to Roland Mathias.

Over a hundred and fifty letters, 1961-88 in English, Welsh and French, from various correspondents (surnames Jones-W). The letters, some of which include fair copies of published poems, are chiefly concerned with contemporary writing in Wales in both English and Welsh and with the recipient's work as editor of a number of volumes in this field. The correspondents include Glyn Jones (36, and three poems) 1967-86, Gwyn Jones (6) 1967-87, Saunders Lewis (1) 1974, Roland Mathias (17) 1961-86, Leslie Norris (32, and one poem) 1967-86, Eigra Lewis Roberts (2) 1970-3, R. S. Thomas (1) 1975, John Tripp (8) 1968-78, Harri Webb (14) 1967-79, and Kyffin Williams (8) 1970-1.

The file consists mostly of correspondence, 1987-1989, between the Academi's English Language Section administrator and its members. The file includes a resignation letter from Raymond Garlick over issues relating to the New Welsh Review. There is also correspondence with other prominent writers including Cary Archard, Christine Evans, Graham Thomas, Roland Mathias, Carl Tighe, Gillian Clarke and Robert Minhinnick.

The Writing in Wales Welsh Academy resource pack for schools was published in 1986 with the support of the Welsh Arts Council and the assistance of the Polytechnic of Wales. The pack was edited by Tony Curtis and Cliff James and contributers included Gillian Clarke, Jonah Jones and Roland Mathias.
The group contains various correspondence, papers and drafts of articles prepared for the Writing in Wales Welsh Academy Research pack.

Manuscript vocal score of 'God is' (words by Roland Mathias), composed April 1975. Published in 'Three songs on poems' by the Mansel Thomas Trust, [1998?].

Manuscript vocal score of 'Channel saint' (words, Roland Mathias). Published in Three songs to poems by Roland Mathias, Magor: Mansel Thomas Trust, Ref: MT164 and MT220 [1998?].