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Papers of Daniel Protheroe including drafts of manuscript music, 1917-1954; manuscript music books containing drafts of compositions and arrangements for male voices; printed personal Christmas cards containing personal composed carols, 1913-1932; correspondence, 1911-1935, dealing with copyright, publishing and royalty agreements; royalty certificates, 1893-1898; programmes of concerts and religious services; and papers of Rhys Morgan including drafts of manuscript, duplicate and printed copies of music; correspondence, 1924-1928; memorabilia relating to his career and family photographs.

The papers consist of drafts of manuscript music (1-11), correspondence and miscellanea. Nos 1-11 contain other incomplete or untitled drafts in addition to the pieces listed. All manuscripts are in the hand of DP unless otherwise stated. No. 18, a file belonging to Anne Protheroe, 593 Maryland Avenue, Milwaukee, Wis., USA The file contained printed copies of folk songs, anthems and hymns arranged by Daniel Protheroe has been transferred to Department of Printed Books.

'The Lyric Manuscript Book' (13 ff.) with two loose sheets inside, containing mainly drafts of songs from Y Tymhorau, a children's cantata, on words by W. Nantlais Williams. This cantata was not published, but had been completed by DP in February 1934 [see Nantlais, 'A adawodd Dr Protheroe weithiau heb eu gorffen?', Y Cymro, 24 Mawrth 1934] [see also MSS 2 and 5]. F. 1r. Opening of Act 1, Cho[rus] 1 [of a cantata?];. Setting of words 'To the fair'. 1V. 'I've heard of a wonderful country' and While Shepherds, to be sung by Gwyn [a character in a cantata?]. 2R-v. Finale of Act 1 [of a cantata?]; setting of Chorus 19 and various words, mainly from a cantata, the words being 'How in a manger laid', 'The rogue h[im?] f[e]ll hear[ling?]', 'Just do as I tell you', and 'Oh thank you so warmly for charm and for songs, We'll hasten along'. 3R. Anthem; Pa le mae y wennol; setting of '... bwthyn o glai, o ben y to'. 3V-4. A Sea-Scape, part-song for SATB. 4V. 'Yonder, her lily hand'. 5R. The Man of Sorrows. 6R. Ysbryd y Robin, song for mezzo-soprano, with piano accompaniment [see ff. 13r, 15r]. 6V. Blodau'r Haf, song for soprano, with piano accompaniment [see MS 2, f. 23r]. 7V. Introduction to song No. 9. 7V-8r. 'Hardd yw'r iorwg ar y dderwen', with piano accompaniment [see ff. 10v-11r]. 8R-v. Song No. 10; last few bars of an anthem; sketch of a part-song. 9R. The Land-lubber's Chantey, part-song [for male voices?] [see MS 6, f. 31v]. 9V. Y Gwanwyn. 10V-11r. 'Hardd yw'r iorwg ar y dderwen', with piano accompaniment [see ff. 7v-8r]. 11V. 'Jesus, our only joy be Thou' [from the cantata Olivet, see MS 3, ff. 43v-55v; MS 6, f. 46; MS 8, ff. 1-2]. 12R-v. Ar y gwair, with piano accompaniment. 12V. Hymn-tune. 13R. Ysbryd y Robin, with piano accompaniment [see ff. 6r, 15r];. Price, hymn-tune, August 1933. 13V. 'Dyna drist, drist, drist yw yr awel'. 14R. Hoi, Hoi, Song No. 13;. 'Hardd yw'r iorwg ar y dderwen'. 14V. Starling;. 'If I were a queen'. 15R. Ysbryd y Robin, solo, with piano accompaniment [see ff. 6r, 13r]. 15V. Drudwy (Starling), duet, with piano accompaniment [not same melody as 'Ddrudwy Fach', see MS 6, f. 5v].

Bundle of loose and bound manuscript music (88 ff.), containing sacred and secular works, within the cover of a 'Manuscript Music Book'. F. 1r-3r. Ballade, solo with piano accompaniment, German words by Isabel Lowden, first four lines with English translation. 4R. Camping, song for four voices. 4V. Milwaukee, hymn-tune, words by Mary A. Blood. 5R-v. You & I, solo with accompaniment. 6R-v. Lullaby?. 7R-v. Setting of Psalm 57, verses 9-10 [see MS 9, f. 20r]. 8R-v. The Little Ghosts, for voice and piano. 8V. Winifred, part of a sacred chorus, Latin words [see ff. 9r, 10v-16v, 21r-31v, 36r]. 9-16 Bound. 9R. Winifred, part of a sacred chorus [see ff. bv, 10v-16v, 21r-31v, 36r]. 9V. Untitled sacred song, beginning 'The lord is my light'. 10R. 'The Rock-a-bye Lady from Hush-a-bye street', solo with accompaniment. 10V-16v. Untitled sacred works, some possibly being part of Winifred [see ff. 8v, 9r, 21r-31v, 36r]. 17-40. Bound, except f. 22 [loose]. 17R-19v. A Christmas Idyll, for soloist, choir and organ, name of 'Wm George' appearing at head of f. 18r. 19V. Untitled hymn-tune, 30 August 1920. 20R. Untitled sacred song for choir, 31 August 1920, beginning 'Christ the Lord is born today';. Setting of Psalm 115. 20V. Rock of ages, melody only;. Abercraf, hymn-tune. 21R-31v. Untitled sacred works, Latin and English words [some from Winifred?, see ff. 8v, 9r, 10v-16v, 36r]. 21V. Carol, beginning with the words, 'On a holy Christmas morn'. 32R. The Sound?, accompaniment of a song. 32V. Credo;. Lullaby of Mary, carol. 33R-35r. Titled and untitled sacred works, some words included. 33R. Sacred song beginning 'The Son of God goes forth to war'. 33V. Still with Thee, O My God;. Near the Cross. 34R. Softly now the light of day;. Come Thou Almighty fly. 35R. In the hour of trial;. Gloria. 35V. For a Welsh Folk Song. 36R. Parts of Winifred [see ff. 8v, 9r, 10v-16v, 21r-31v];. Untitled song, words included being 'Death never shall claim Caradog'. 36V. The Vagabond, melody only;. Carol beginning 'Sleep my Jesu, Saviour child In Thy manger bed'. 37R. Untitled solo with accompaniment. 37V. Two variations of a carol;. Untitled setting for two voices of words 'Oft my spirit speeds her free To the fame beneath the sea'. 38R. Untitled song, beginning with humming, followed by 'Midnight broodeth o'er the deep'. 39R. Sketches of school songs. 39V. Sacred song for two voices beginning 'Fy nagrau oedd fwyd i mi ddydd a nos'. 42R-47v. Untitled choral and orchestral work beginning 'Wind of the Norland snows' [first line of libretto missing], and ending 'And kiss the low mound where she lies'. 48R-49v. End of [pagination 9-12] a Christmas song for SATB, with accompaniment, last words being 'And even the Babe seemed to smile and rest'. 50R. Untitled chorus relating to Christ's resurrection, beginning 'The first day of the week cometh Mary Magdalen'. 51V-52r. Children's choruses. 53V. Untitled drafts of works for male voices. 54R. Untitled carol beginning 'The stable old was cold & chill';. Chorus for male voices. 55R. Easter Parade, copy of Tenor I arr. by Hans Hanke [see ff. 57v, 86r]. 55V. There's A Wideness In God's Mercy (Welsh Hymn Melody), Tenor II arr. by J. Arko Mendelsohn [in his hand, see ff. 56v-57r, also ff. 76-83, 84r-85r, 86v-87r]. 56R. Rangers Song, copy of Tenor II arr. by Hans Hanke [see ff. 85v, 87v]. 56V-57r. There's A Wideness In God's Mercy (Welsh Hymn Melody), Tenor I arr. by J. Arko Mendelsohn [in his hand, see ff. 55v, also ff. 76-83, 84r-85r, 86v-87r]. 57V. Easter Parade, copy of [Tenor II] arr. [by Hans Hanke, see ff. 55r, 86r]. 58R. Les Clartés De La Nuit, copy, music by C. Geoffray, words by A. Chevalier [was attached to ff. 59-75]. 59-75. The Girl Scout Leader, June 1954, opened on p. 26 which shows copy of A Poor and Carefree Stranger, three-part round for Girl Scouts. 76-83. Blow, Blow, Thou Winter Wind, instrumental scores, property of J. Arko Mendelsohn [see also ff. 55v, 56v-57r, 84r-85r, 86v-87r]. 84R-85r. O Captain, My Captain!, Bass part of song for male voices by J. Arko Mendelsohn [in his hand, see ff. 86v-87r, also ff. 55v, 56v-57r, 76-83]. 85V. Rangers Song, copy of Tenor I arr. by Hans Hanke [see ff. 56r, 87v]. 86R. Easter Parade, copy of Bass II arr. by Hans Hanke [see ff. 55r, 57v]. 86V-87r. O Captain, My Captain!, Tenor II part of song for male voices by J. Arko Mendelsohn [see ff. 84r-85r, also ff. 55v, 56v-57r, 76-83]. 87V. Rangers Song, copy of Bass II arr. by Hans Hanke [see ff. 56r, 85v]. 88R-v. Only waiting, arrangement for mixed choir of The Last Rose of Summer.

'Augener's Manuscript Music Books No. 86' (10 ff.), with four loose sheets inside, containing mainly drafts of compositions and arrangements for male voices. F. 2r. Y Glowr a'r Chwarelwr by Mynyddog, typed copy of the words of a duet for male voices [see ff. 3r-4v, 5v, 6v-7r]. 3R-4v. [Y Glowr a'r Chwarelwr] duet for male voices, with accompaniment, on words by Mynyddog [see ff. 2r, 5v, 6v-7r]. 5R. Sketch for male chorus. 5V. [Y Glowr a'r Chwarelwr] [see ff. 2r, 3r-4v, 6v-7r]. 6R. Untitled solo, with accompaniment. 6V-7r. [Y Glowr a'r Chwarelwr] [see ff. 2r, 3r-4v, 5v]. 7V-9r. Untitled chorus for male voices beginning 'If I but knew how the lilies brew'. 9V. Cwm Rhondda, hymn-tune, arr. for male voices;. Chorus of a carol. 10V. Song of the American Marching Men. 11R-v. Ar y Mur, 24 Awst [19]29, hymn-tune?; two variations on Ar y Mur, one dated 25 Awst [19]29. 12V-13r. The Birds, part-song for mixed voices. 13V. Off to Market. 14R-v. Carol, 1929, two variations.

Bundle of printed personal Christmas cards of Daniel Protheroe, containing carols composed by him, 1913-16, 1921, 1923, 1928, 1932 [see MS 4, ff. 9r, 16v, for The Angels' Story, carol for 1932; MS 9, f. 16r for carol dated 1932, different melody]. See also NLW Facs 593.

Exercise Book (21 ff.), containing two addresses, namely Choir Building (12 ff.), and Hen Gymeriadau (6 ff.). Some Problems of Choir Conducting, article published in The Choir Leader and The Choir Herald [two cuttings].

Correspondence of Daniel Protheroe, 1911-35, dealing mainly with copyright, publishing, and royalty agreements relating to his compositions; royalty certificates, 1893-8; bills, etc.

Miscellaneous papers, including unsigned membership certificate of Daniel Protheroe with the Freemasons in Chicago (16/1); photograph of Dafydd [Jenkins?] presented to Daniel Protheroe (1612).

Bundle of programmes of concerts and religious services with which Daniel Protheroe was connected, including programme of first concert given by the Chicago Welsh Male Choir under his conductorship, 19 May 1926 (17/1 ).

'Belwin Music Book' (35 ff.), all the folios being loose, containing mainly drafts of sacred songs and hymn tunes, songs from Y Tymhorau, a children's cantata [see also MSS 1 and 5]. F. 1r. 'Thy name, O Lord, in sweet accord', sacred song for two voices. 1V. Orchestral composition, untitled and incomplete. 3R-v. Y Bwci Bo, song for four voices with piano accompaniment [see f. 22r; MS 4, ff. 8v-9r; MS 6, f. 44v]. 4R. Un rhyfedd iawn oedd Iesu Grist and Galw mae'r Bugail, two-part sacred songs with accompaniment, the name A. H. Rogers appearing above the first. 4V. 'Cymer fi, fy Iesu', two-part sacred song; Y mae afon, two-part anthem for ladies voices [see f. 11]. 5R. Y Tymhorau, with piano accompaniment. 6R. 'Be ye sure that the Lord he is God', four-part sacred song. 6V. Y Robin [see f. 7r]. 7R. Y Robin [see f. 6v];. Y Gwanwyn;. Henffych i'r Gaeaf [see f. 16v]. 8V. Untitled four-part song for male voices, the only words included being 'A'm'and 'Ei'. 9R-10v. Untitled songs from Y Tymhorau, with accompaniment. 11R-v. Y Mae Afon, two-part anthem for ladies voices [see f. 7v], with accompaniment. 12. Hymn [?] for SATB on the back of a programme of a piano recital given by Hattie Fischer at the Sherwood Music School, 4 April 1933. 13R. 'Pedolwn, pedolwn y sotlau tlws, tlws', children's song with accompaniment [see MS 6, f. 1v]. 13V. [Cân y Melinydd], piano arr. 14R-v. Dennis McPhane, old Irish ballad for voice and piano. 15R. 'I'm a pilgrim, I'm a stranger', Bass II arr. 16R. Cyngherdd yr Adar. 16V. Henffych i'r Gauaf [see f. 7r]. 17R. 'The shades of night were falling fast' [from the cantata Excelsior?, see also f. 25r-v; MS 3, ff. 54v-56v, 71r-v; MS 4, ff. 23r-24v; MS 6, ff. 22r, 24v-25r, 27r; MS 8, ff. 3r-5v; MS 9, ff. 4r-5v, 33v, 34v]. 17V. 'Y Duw wnaeth y gauaf i ddod ar dro'. 18R-19v. Untitled songs from Y Tymhorau. 20R. Ar gefn yr Wydd children's song with accompaniment, words by Nantlais [see f. 21r]. 20V. Iesu, rho Dy Law i mi, children's hymn with accompaniment, words by Nantlais [see f. 21r]. 21R. [Ar gefn yr Wydd] and Iesu, rho Dy Law i mi, pencil copies [see f. 20r-v]. 22R. [Y Bwci Bo] song for four voices with accompaniment [see f. 3; MS 4, ff. 8v-9r; MS 6, f. 45]. 23R. Robin, with accompaniment [see MS 1, f. 6v];. 'Croeso, croeso Gymry llon', two-part song about the fair, with accompaniment. 23V. [Blodau'r Haf?] melody of song beginning with words 'A oes ardal yn debyg i Gymru?' with piano introduction. 24R-v. Dewch i lithro ar y llyn, with accompaniment. 25R-v. Pencil and ink drafts of the score of a choral and orchestral work, the only words being 'The hearts of all the list'ning crowd' and 'A gray old man, the third and last' [from the cantata Excelsior?, see also f. 17r; MS 3, ff. 54v-56v, 71r-v; MS 4, ff. 23r-24v; MS 6, ff. 22r, 24v-25r, 27r; MS 8, ff. 3r-5v; MS 9, ff. 4r-5v, 33v, 34v];. 'O am dynnu or (sic) anialwch', first two lines of a hymn [written in pencil on above score, f. 25v]. 26R-35r. 'Allegretto Graziozo' from Quartette in A minor, arr. 'For String Orchestral.

Bundle of loose and bound manuscript music (78 ff.), containing mainly drafts of sacred works. The back cover of the manuscript book is missing, and on the front cover is written 'Spasms Daniel Protheroe'. F. 1r. My Prayer, melody only, bearing name of Sam Roberts [in hand of ?]. 1V-2r. Come, ye Blessed, by Scott, melody only [in hand of ?]. 3R-v. Part of song for voice and piano ending with 'There was not one so sweet as my Joan' [in hand of ?]. 4R. Amen, arr. for church choir to be sung after the Blessing. 4V. The Trees and the Master, part of song for voice and piano [in key of F, not key of G as part-song arr. for mixed choir]. 5R. 'Ulysses was a rover', song for soloist and choir beginning with these words. 5V. The Youth's Companion by Anna M. Pratt. 6V. Untitled setting of words beginning with 'The snowflakes falling'. 7-20. Bound. 7R-v. Sacred work for soloist, choir and organ on words 'Thou wilt keep him in perfect peace', presented 'To William Beard & his choir'. 8R-9r. Trio from Cantata. 6th Word. 10R. Four-part sacred work on words 'Grace to reach the home on high'. 11R. The Snow, for piano or organ, 4 Feb. 1917. 11V. 'God of our Fathers known of old', four-part arr. 13R. 'Turn Thy face from my sins', four-part arr. 14R. 'More love to Thee, O Christ', four-part arr. 14V. Gloria, part of a sacred work. 15R-19r. Communion Service in A. 19V-20r. Untitled choral sacred work, the only words included being 'Raise the courage of the weak'. 20V. Untitled choral sacred work relating to Christ's resurrection, the first words included being 'He rose again according to the Scriptures'. 21R-26v. Untitled choral and orchestral work, words being a plea to the Wind of the West not to harm the singer's love. 27R. [Rhyfelgyrch Gwyr Harlech] incomplete four-part arr. [for male voices], ink copy [see f. 28r-v]. 28R. 'Return unto Thy rest, O my soul', melody only. 28R-v. [Rhyfelgyrch Gwyr Harlech] four-part arr. [for male voices], two pencil copies [see f. 27r]. 30R. Fair-Moun[t?]ebank, part of accompaniment. 31R. My God my Father, song for soprano, no words included. 31V. Psalm 20, words only. 33R. 'There is an island away in the deep', three-part song for SAB. 36-56. Bound. 36R. Yr Hen Wr Mwyn, Dacw, dacw fuwch and O Do, mi a glywais, four-part arr. of three Welsh airs. 36V. Daphne's Cheeks, four-part arr. [for male voices], words by Walter Besant. 37R. Ystrad Fair, for voice and piano. 38R. Puff of the Wind [see MS 4, ff. 17v-19r];. Dawn. 38V. 'The Melons in the Moonlight', four-part arr. of negro words by Frank L. Stanton. 39R. Four-part arrangement of the Beatitudes. 39V. A Cradle Song, three-part song with accompaniment, words by William Blake. 40R. A Love Song (Can Serch), for voice and piano. 41R. Untitled song for voice and piano beginning with 'I pipe & dance a bounding reel'. 42V. Untitled sacred work beginning with 'Lo, fainter now lie spread the shades of night', words being a translation by Edward Caswall of original by Gregory the Great. 43R. 'Thy way, not mine, O Lord', sacred song for SATB [see MS 6, f. 43r; MS 9, f. 1v]. 43V-55v. Parts of the cantata Olivet [see MS 6, f. 45r-v; MS 8, ff. 1r-2v]. 54V-56v. Parts of various songs [from the cantata Excelsior?, see f. 71r-v; MS 2, ff. 17r, 25r-v; MS 4, ff. 23r-24v; MS 6, ff. 22r, 24v-25r, 27r; MS 8, ff. 3r-5v; MS 9, ff. 4r-5v, 33v, 34v]. 57R-58v. Y Gan Orchfygol, for voice and piano, words by J. T. Job. 59R. The Bright, Sweet Way, for voice and piano. 61R-66v. Un Yn Rhagor, duet for Soprano and Tenor, with orchestral score [being part of a larger work]. 67R-68v. Untitled orchestral scores. 69V-70v. Ar lan Iorddonen ddofn (Deep Jordan's banks), four-part arr. of hymn for male voices, words by Ieuan Glan Geirionydd (Welsh) and Dr William Howells (English). 71R-v. Excelsior, part of cantata for SAB beginning with 'The shades of night are falling fast' [see ff. 54v-56v; MS 2, ff. 17r, 25r-v; MS 4, ff. 23r-24v; MS 6, ff. 22r, 24v-25r, 27r; MS 8, ff. 3r-5v; MS 9, ff. 4r-5v, 33v, 34v]. 72R. Six bars of piano introduction to male voice arr. of Handel's Largo in G;. Two short verses relating to a small child refusing to sleep. 72V. Aberystwyth, four-part male voice arr. of the hymn-tune by Joseph Parry;. [Wrth fyn'd efo Deio i Dywyn] four-part male voice arr. 73R. Oriental Song, song for SSA. 74V. Untitled hymn-tune. 75R-76v. The Garden of my Soul, for voice and piano, words by Maude Hall Lyman, dedicated by Daniel Protheroe to his friend A. B. Dickson, Gary, Ind. [See MS 9, ff. 2r-3r]. 77V-78r. Quit you like men, for voice and piano.

F. 1r. O Mistress Mine, song for male voices [see MS 6, f 42r]. 1V. Lullaby beginning with 'Gorffwys mae y byd Dan oleu'r lleuad dlos'. 3R-4v. [The Airmaid and the Mermaid], duet for female voices. 4V. Pencil draft of part of Spanish Gold [see f. 5r]. 5R. Spanish Gold, male voice chorus, words by Guy E. McMinimy [see f. 4v]. 5V. Raining, part-song for SAB, words by R. Loveman, 22 Feb. [19]33. 6V-7v. High Road and Low Road [song for male voices], words by John W. Brotherton. 8R. Skaters' Song [male voice chorus, see MS 6, ff. 4r, 33r]. 8V-9r. Y Bwci-Bo, children's song, words by J. T. Job [see MS 2, ff. 3r-v, 22r; MS 6, f. 44v]. 9R. The Angels' Story, carol used by Daniel Protheroe on his personal Christmas card, 1932 [see f. 16v; MS 9, f. 16r for carol dated 1932, different melody; MS 13 for bundle of printed personal Christmas cards of Daniel Protheroe. 9V-10r. Come unto Him, four-part arr. with accompaniment of aria from The Messiah, by Handel [see f. 11r]. 10V. Where e'er you walk, arr. of aria by Handel; Fox Hunt [see f. 15v; MS 9, f. 16r]. 11R. Sacred song beginning 'My God, my Father, while I stray';. Come unto Him, continuation of arrangement on ff. 9v-10r above. 12R. [Bryn Calfaria] arr. of hymn-tune for male voices [see f. 12v; MS 6, f. 32r; MS 9, f. 13v]. 12V. Love divine, melody of hymn-tune;. [Bryn Calfaria,] arr. of hymn-tune for male voices [see f. 12r; MS 6, f. 32r; MS 9, f. 13v];. Yoho, melody only. 13R. Untitled hymn tune, male voice arr.;. Hymn/Anthem on the words 'Come unto Me, ye weary, And I will give you rest', for soloist, choir and organ [part of same work as that on f. 15r?]. 14R-v. Untitled four-part song beginning 'From the sunlit East with incense and gold'. 15R. 'Come unto me, ye wand'ress', alto solo [part of same work as that on f. 13r?];. Copy of Lachet Nicht, Mädchen, by Haydn [see f. 22v]. 15V. The Fox Hunt, three-part song [see f. 10v; MS 9, f. 16r]. 16R. The Bedouin March;. Jac Bac-Y Rhew. 16V. 'I must go down to the sea again';. [The Angels' Story] carol, 1932 [see f. 9r; MS 9, f. 16r for carol dated 1932, different melody; MS 13 for bundle of printed personal Christmas cards of Daniel Protheroe'. 17V. Puff of the Wind [see ff. 18r-19r; MS 3, f. 38r]. 18R-19r. Untitled drafts, possibly continuation of Puff of the Wind ? [see f. 17v; MS 3, f. 38r]. 19V. Cwningen, melody only. 20R-22v. Copies of songs by Haydn, namely Der Glecchsum, Jufriedcerbect, Au die Freundschaft, Heller Blick and Laugh not, wee maiden [see f. 15r]. 23R-24v. Parts of the cantata Excelsior [see MS 2, ff. 17r, 25r-v; MS 3, ff. 54v-56v, 71r-v; MS 6, ff. 22r, 24v-25r, 27r; MS 8, ff. 3r-5v; MS 9, ff. 4r-5v, 33v, 34v]. 24V. Sacred song beginning with 'At Thy command is made anew Each day, the leaf and fragrant flower [see MS 6, f. 44v].

'Belwin Music Book' (1f.), containing draft of piano introduction to a duet from the children's cantata, Y Tymhorau [see MSS 1 and 2], the words begin 'Distawodd y gân yn y llwyni'.

'Manuscript Music Book' (52ff.), all the folios being loose, containing drafts of sacred and secular works, ff. 8r-16v being compositions by Eugenia Wirick [in her hand?, see also MS 9, ff. 26r-29v]. F. 1r. Tu ol i'r dorth, children's song, with accompaniment, words by Nantlais [see MS 9, f. 37]. 1V. 'Pedolwn, pedolwn y sotlau tlws, tlws', children's song, with accompaniment [see MS 2, f. 13r]. 4R. Skaters' Song, chorus for male voices, with piano accompaniment, words by Horatio Spencer Fiske [see f. 33r; MS 4, f. 8r]. 4V. [Mother O' Mine] chorus for male voices, with piano accompaniment [see ff. 6r, 7r, 49r]. 5R-v. Dewch i lithro ar y llyn and 'Ddrudwy Fach' [from the children's cantata Y Tymhorau, see MSS 1, 2 and 5. 'Ddrudwy Fach' does not have same melody as Drudwy (Starling), see MS 1, f. 15v]. 6R. Mother O' Mine, chorus for male voices, piano copy [see ff. 4v, 7r, 49r]. 7R. Mother O' Mine, Tenor I part of chorus for male voices [see ff. 4v, 6r, 49r]. 8R-16v. Compositions by Eugenia Wirick. 8R-v. A Kerry Girl, song for voice and piano, words by Clinton Scollard. 9R-10r. Laughing Song, part-song for SAB, with piano accompaniment, words by William Blake. 11R-12r. Laughing Song, part-song for SAB, with piano accompaniment, words by William Blake. 13R-14r. Laughing Song, part-song for SAB, with piano accompaniment, words by William Blake. 14V. Untitled sacred song beginning with 'I will sing a new song ..., and I will praise Thy holy name'. 15R-16v. Like as a Father, sacred song for voice and piano / organ, words from Psalm 103. 17R-18r. The Rose and You, song for voice and piano, dedicated 'To my friend Daniel Beddoe', words by Kate Forman. 22R. Part of a sacred work for choir and orchestra, words included being 'God sent His Singers upon Earth With songs of sadness' [from the cantata Excelsior?, see ff. 24v-25r, 27r; MS 2, ff. 17r, 25r-v; MS 3, ff. 54v-56v, 71r-v; MS 4, ff. 23r-24v; MS 8, ff. 3r-5v; MS 9, ff. 4r-5v, 33v, 34v]. 24V-25r. Part of a sacred work for choir and orchestra, words included being 'sadness, With songs of sadness, and of mirth, That they might touch the' [f. 24v] and 'wandered, and by streams, By streams' [f. 25r] [from the cantata Excelsior?, see ff. 22r, 27r; MS 2, ff. 17r, 25r-v; MS 3, ff. 54v-56v, 71r-v; MS 4, ff. 23r-24v; MS 8, ff. 3r-5v; MS 9, ff. 4r-5v, 33v, 34v]. 27R. Part of a sacred work for choir and orchestra, words included being 'The most perfect harmony' [from the cantata Excelsior?, see ff. 22r, 24v-25r; MS 2, ff. 17r, 25r-v; MS 3, ff. 54v-56v, 71r-v; MS 4, ff. 23r-24v; MS 8, ff. 3r-5v; MS 9, ff. 4r-5v, 33v, 34v]. 28R-v. Untitled part-song for ladies choir, with piano accompaniment, beginning 'Come, Night, with all thy train of witnesses'. 30R. Suggestions for improvements to a composition. 31R. Preparation work of an orchestral score. 31V. The Land Lubber's Chantey, part-song [for male voices?] [see MS 1, f. 9r]. 32R. Laudamus (Bryn Calfaria), orchestral score, being introduction to the male voice arr. of the hymn-tune [see MS 4, f. 12r-v; MS 9, f. 13v]. 33R. [Skaters' Song] piano introduction and first line [see f. 4r; MS 4, f. 8r]. 35R. Mi af i Lunden, four-part arr. of nursery rhyme. 37V. Untitled song beginning 'A dream of a rose'. 38R-39v. Untitled sacred works, some words included. 40R. Untitled sacred work beginning 'I will extol Thee, My God, O King'. 40V. Untitled duet for SA, no words included. 41R. Once I went to Boston. 41V. Untitled song beginning 'I k[...] around that winding Ad[ .... ] tally? lord [negro spiritual?]. 42R. O Mistress mine, part-song for SATB [see MS 4, f. 1r]. 43R. Thy Way not mine O Lord, sacred song for SATB, no words included [see MS 3, f. 43r; MS 9, f. 1v]. 43V. Dance of the Gnomes, part-song for two voices. 44R. Babi Ni, song for voice and piano. 44V. [Y Bwci-Bo] parts of song [see MS 2, ff. 3r-v, 22r; MS 4, ff. 8v-9r]; untitled sacred song on the words 'At thy command is made anew each day The leaf and fragrant flower [see MS 4, f. 24v]. 45R-v. Untitled drafts including parts of the cantata Olivet [see MS 3, ff. 43v-55v; MS 8, ff. 1r-2v]. 48R. Untitled sacred song, with words of two verses, beginning 'I know the night is near at hand', written on the top of the folio. The names Mac Millan and Silas Wern? Mitchell, and the words 'The World's great religion ...' appear on the top left hand side of the folio. 48V. Two verses of a carol. 49R. Mother O' Mine, Tenor II part of chorus for male voices [see ff. 4v, 6r, 7r]. 49V. Untitled sacred song, only word included being 'Adoramus'. 50R. At the Zoo;. Bunnies?;. Traffic Cop;. The Sea. 50V. Untitled song about a bird, only words included being 'ehedodd i ffwrdd'. 51R-52v. The Old Land (A Celtic Longing Song), for voice and piano, dedicated to Attilio Baggiore, words by Kate Forman.

'The Lyric Manuscript Music Book' (10 ff.), containing final copy of A Screen of the Seasons in Four Panels, for male voices, with piano accompaniment (for rehearsals only), presented to 'The New England Federation of Men's Glee Clubs', words by Ella Wheeler Wilcox. F. 1r Title page. 2R-3r Spring. 4R-5v Summer. 6R-7r Autumn. 8R-10r Winter.

'Manuscript Music Book' (4 ff.), with one loose sheet, containing drafts of the cantatas Olivet and Excelsior. Endorsed on the front cover is 'The Man of Sorrows'. F. 1r-2v. Parts of the cantata Olivet, for voices and accompaniment [see MS 3, ff. 43v-55v; MS 61 f. 45r-v]. 3R-5v. The Singers, sacred work for voices and accompaniment, beginning 'God sent His singers upon earth' and ending 'But the most perfect harmony' [from the cantata Excelsior?, see MS 2, ff. 17r, 25r-v; MS 3, ff. 54v-56v, 71r-v; MS 4, ff. 23r-24v; MS 6, ff. 22r, 24v-25r, 27r; MS 9, ff. 4r-5v, 33v, 34v].

'Gamble's Superior Brand Manuscript Book' (37 ff.) all the folios, except ff. 35-6, being loose, containing mainly drafts of sacred compositions. F. 1v. Thy Way not mine, O Lord, sacred song for SATB [see MS 3, f. 43r; MS 6, f. 43r]. 2R-3r. The Garden of my Soul, song for voice and piano, dedicated 'To my friend A. B. Dickson', words by Maude Hall Lyman. [See MS 3, ff. 75r-76v]. 4R-5v. Part of the cantata Excelsior? [see ff. 33v, 34v; MS 2, ff. 17r, 25r-v; MS 3, ff. 54v-56v, 71r-v; MS 4, ff. 23r-24v; MS 6, ff. 22r, 24v-25r, 27r; MS 8, ff. 3r-5v]. 6R-7r. Love's Trust, song for voice and piano, words by Kate Forman. 8R. Untitled sacred work for choir and organ. 8V. Winifred, sacred choral work;. Y W[iwer], a few bars of melody beginning 'Beth yw hon acw'. 9R. Moorhead, hymn-tune. 10R. The Mariners, various drafts of the song, beginning 'The sea hath its pearls'. 10V. Allah, sacred work for male voices, composed / arranged for the Masonic Fellowship. 11R. Untitled song for chorus, words included being 'What is love, 'tis not here'. 11V. Untitled sacred song(s), words included being 'Thy beloved name', and 'silent stars go by, Yet in thy dark sheets shineth, The everlasting light ... are met in thee tonight ... For. Christ is born of Mary, and gathered all above'. 13V. [Bryn Calfaria] arr. of hymn-tune for male voice [see MS 4, f. 12r-v; MS 6, f. 32r]. 14R. 'There's a wideness in God's mercy', Soprano and Tenor arr. 15V. Untitled sacred work beginning 'To Thee our faith and love we bring'. 16R. The Fox Hunt [see MS 4, ff. 10v, 15v];. Carol, 1932 [not the same as The Angels' Story of the same year, see MS 1 ff. 9r, 16v; MS 13 for bundle of printed personal Christmas cards of Daniel Protheroe']. 16V. Nymphs and Shepherds;. Arr. of the Welsh airs Yr Alltud o Gymru and Pant Corlan yr Wyn. 17R. Untitled sacred song, words included being 'When glory fills the earth';. Strength, Love and Light, sacred song for soloist and choir. 18R. A carol beginning 'Night is departing, Morning is dawning'. 20R. Setting of Psalm 57, verses 9-10 [see MS 10, f. 7r-v]. 20V. Untitled sacred song for Alto, beginning 'Jesus, Thou joy of loving hearts'. 21R. Untitled song, words included being 'Until I climbed above the world, And found them mine one dawn'. 24V. [The Old Folks at Home] three-part arr. 25R-v. Untitled sacred works, words included being 'Behold God is my Salvation', 'Sing ye Heavens' and 'Therefore with joy shall we draw water out of the wells of salvation'. 26R. Last page of untitled solo with accompaniment ending 'For far away is a sailor lad Who is part of the heart of me' [possibly part of A Kerry Girl by Eugenia Wirick, see MS 6, f. 8r-v; see also ff. 27r-29v below]. 27R-29v. Untitled part-song for SSA about 'This is our holiday' [same hand? as f. 26r; MS 6, ff. 8r-16v]. 32R-v Part of the cantata The Spider and the Fly. 33V. Part of the cantata Excelsior? [see ff. 4r-5v, 34v; MS 2, ff. 17r, 25r-v; MS 3, ff. 54v-56v, 71r-v; MS 4, ff. 23r-24v; MS 6, ff. 22r, 24v-25r, 27r; MS 8, ff. 3r-5v]. 34R. Tea House, madrigal. 34V. Excelsior, part of the cantata [see ff. 4r-5v, 33v; MS 2, ff. 17r, 25r-v; MS 3, ff. 54v-56v, 71r-v; MS 4, ff. 23r-24v; MS 6, ff. 22r, 24v-25r, 27r; MS 8, ff. 3r-5v]. 35R. Ave verum corpus, arr. for choir. 35V. Untitled song beginning 'More swift than lightning I can fly about the air[y?] walking'. 36V. Wanting things, solo with accompaniment. 37R-v. Children's nursery rhymes, with accompaniment, words by Nantlais, namely Tu ol i'r dorth, Gweled y Prins and Myn'd drot, drot.

The papers consist of drafts of manuscript, duplicate and printed copies of music (19-22), mainly by Rhys Morgan, correspondence (25), and memorabilia relating to his career (26-36). No. 19 contains other incomplete or untitled drafts in addition to the pieces listed.