Showing 10 results

Archival description
Only top-level descriptions
Print preview View:

Evan Lloyd letters

  • NLW MS 23886C.
  • File
  • [1832x1845]

A volume (watermark 1832), containing transcripts, [1832x1845], in an unknown hand, of correspondence, 1763-1774, of Evan Lloyd, the poet and satirist of Frondderw, Bala.
The transcripts include twelve letters from Lloyd to a number of correspondents, including his father John, 1763-1769 (ff. 9 recto-verso, 14 verso-18 verso, 21-24, 28 verso-29), his brother Robert, 1763-1768 (ff. 10 verso-12, 27 recto-verso), William Price, Rhiwlas, 1768 (ff. 25-26), and David Garrick, [1770x1774] (ff. 54 verso-56 verso), together with thirteen letters addressed to Lloyd from Garrick, [1764]-1774 (ff. 13 recto-verso, 36 verso-37, 46-47 verso), Sir John Fielding, 1769-[1771] (ff. 30, 35-36), William Vaughan, Corsygedol, 1770 (ff. 33 verso-34), J[ohn] Curre [of Itton Court], [?1766]-[?1773] (ff. 38-39 verso, 50-53 verso), and others. Also included are transcripts of poems by Lloyd (ff. 40-44), an epitaph by Garrick for William Hogarth (f. 37) and a 1784 letter from Selina Hastings, Countess of Huntingdon, to a Mr Evans (f. 45). The letters are not amongst those reproduced in Cecil Price, 'The Unpublished Letters of Evan Lloyd', National Library of Wales Journal, 8 (1953-54), 264-305, 426-448. Each letter bears a note stating that the transcript was 'copied from the original in the possession of Wm Roberts Esqr Surgeon Carnarvon', and each bears the signature of 'O. Jones' (probably Owen Jones, general agent, who was town steward of Caernarfon, 1835-1850).

Evan Lloyd.

T. Gwynn Jones diary

  • NLW MS 24058A
  • File
  • 1905-1907

Notebook, 1905-1907, of T. Gwynn Jones, mostly written in pencil, used by him during his stay in Egypt during the Winter of 1905-6 as a diary and for composing English poetry.
The volume contains diary entries for his voyage to Egypt, 21 October-5 November 1905 (ff. 22 verso, 23-28 rectos only), the beginning of his stay there, in Alexandria, Cairo and Helouan, 6 November-23 December 1905 (ff. 28, 29, 30, 31, 32, 33, 34-37), and the return voyage, 28 April-13 May 1906 (ff. 21 verso-22). Also included are some eighteen poems in English, dated 4 December 1905-6 April 1906, mostly drafts, some crossed through or heavily revised, the majority being love poems to his wife (ff. 2 verso-5, 6, 7-17, 18-19, 20, 21). Some are published: 'The Ferry' (f. 7 recto-verso) in David Jenkins, Thomas Gwynn Jones: Cofiant (Denbigh, 1973), p. 169, 'I saw thee' (ff. 8 verso-9) in ibid., p. 109, and 'A Memory' (f. 10 verso) in the Western Mail, 30 September 1920, p. 4; while 'The Rising Sun' [published as 'Come my love'] (f. 11) and 'I will come to thee' (f. 13 verso) were set to music by Robert Bryan (both scores published 1921). Three further verses, October 1905 and February 1907, are in Welsh (ff. 23 verso-24, 37 verso). Eight pages are written in shorthand (ff. 17 verso, 24 verso-31 verso, versos only), these remain undeciphered by the cataloguer. Jones's travel book Y Mor Canoldir a'r Aifft (Caernarfon, 1912), which relates incidents recorded in the diary, such as the Coptic wedding (ff. 34-35 verso), is based mostly on his letters to his wife rather than on the present manuscript.

Jones, T. Gwynn (Thomas Gwynn), 1871-1949

Dylan Thomas poems

  • NLW MS 23917D.
  • File
  • [1929]-[early 1940s]

A sample copy, [1929], of part of a projected printed book by Ezra Pound, to be called 'The Complete Works of Guido Cavalcanti', containing also four autograph poems and a prose fragment by Dylan Thomas, [1936]-[early 1940s], and two typescript poems by Vernon Watkins, [c. 1939]. Pound's book was intended for publication in 1929 but was abandoned, with only the first 56 pages printed, when the Aquila Press went bankrupt. The present volume appears to be a sample copy, of which two similar ones are recorded (see Donald Gallup, Ezra Pound: A Bibliography (Charlottesville, 1983), p. 153), consisting of the first two gatherings only (ff. 2-9) and filled out with blank leaves (ff. 10-74). The original Aquila Press fragments were later incorporated into the composite work Guido Cavalcanti Rime, ed. by Ezra Pound (Genoa, [1932]).
The Dylan Thomas poems are 'Then was my neophyte', [1936] (f. 11) (published in Twenty-five Poems (London, 1936), pp. 40-41), 'We lying by seasand', [1937x1939] (f. 74 verso) (first published in Poetry (Chicago), 49.4 (January 1937), 183, and collected in The Map of Love (London, 1939), p. 8), 'Paper and sticks', [early 1940s] (tipped in on f. 12) (first published in Seven, 6 (Autumn 1939), 6, and collected in Deaths and Entrances (London, 1946), p. 23), and 'Once below a time', [early 1940s] (tipped in on ff. 13-14) (first published in Life and Letters Today, 24.31 (March 1940), 274-275; see Collected Poems 1934-1952 (London, [1952]), pp. 132-133); the prose fragment (tipped in on f. 15) is the end of 'One Warm Saturday', [1938], the last story in Portrait of the Artist as a Young Dog (London, 1940), pp. 253-254. The two Vernon Watkins poems, 'The windows', 1939, and 'A bronze head', [c. 1939], are apparently unpublished (tipped in on ff. 16-17). A dried leaf found loose within the volume has been put in an archival sleeve.

Thomas, Dylan, 1914-1953

Brenda Chamberlain letters to Michael Reakes-Williams

  • NLW MS 23788E.
  • File
  • 1949-1972

Six letters and cards, [c. 1950]-1971, from Brenda Chamberlain to the Rev. Michael Reakes-Williams, containing personal news (ff. 2-6, 10 verso-13); together with two to him from Alan Clodd of the Enitharmon Press, 1972 (ff. 15-16), and one each from Peter Jones and Meic Stephens of the Welsh Arts Council, 1972 (ff. 17-18), all concerning Chamberlain.
Included in the Chamberlain letters are ink sketches relating to a visit to Schleswig-Holstein, West Germany, in 1958 (f. 4 recto-verso), a typescript poem commissioned by the Welsh Arts Council, 1971 (ff. 12-13), and greetings cards designed by her (ff. 2-3, 5-6). Also included are a pen and ink sketch of a woman on horseback, [?1949], and a pen and watercolour drawing of a fish, 1949, both by Chamberlain (f. 1 recto-verso); a programme for a dance recital at the Lamda Theatre Club, [?1964] (ff. 7-10); and a copy letter, 16 January 1959, from Reakes-Williams to a Mrs Armstrong on behalf of Chamberlain (f. 14).

Chamberlain, Brenda

John Tripp Papers

  • GB 0210 JOHNTRIPP
  • Fonds
  • [1950s]-1986

Literary papers of John Tripp, [1950s]-1985, including drafts and notes of published and unpublished poetry, 1968-1985; prose works comprising plays for radio and television, mostly not broadcast, miscellaneous prose drafts and notes, 1969-1985; correspondence mostly with other Anglo-Welsh and Welsh authors, 1967-1986; critical reviews of and by J.T., 1968-1985; and personal and miscellaneous papers, [1950s]-1986, such as press cuttings, papers relating to literary organisations and events, J.T.'s employment, photographs and other personal ephemera, and drafts or published versions of works by other writers given to or collected by him.

An additional consignment of papers of John Tripp comprising correspondence and some prose works. This group remains uncatalogued.

Tripp, John, 1927-1986

John Tripp papers

  • NLW MS 24013i-iiD.
  • File
  • [1967]-[1975]

Literary papers of John Tripp, [1967]-[1975], comprising manuscript and typescript poetry (ff. 1-26, 28-116, 130-151, 166-171), short stories (ff. 117-118, 152-153) and scripts for radio plays (ff. 119-129, 154-165).
The poetry includes original manuscript and typescript working sheets (ff. 1-26), photocopies of published poems (ff. 166-171), fair typescript copies (typed by Fay Williams) and photocopies of original typescripts (typed by John Tripp) of poems, seventy-two mainly unpublished (ff. 28-100), and twenty-one published in The Meaning of Apricot Sponge: Selected writings of John Tripp, ed. by Tony Curtis (Cardigan, 2010) (ff. 130-151), and a series of twelve poems entitled 'Intervals of Heat', mainly unpublished (ff. 101-116). The short story 'Ferret and Weasel' (ff. 152-153) and the verse play for radio 'The Seed of Dismemberment' (ff. 154-165) were published in The Meaning of Apricot Sponge, while 'Confessions of an English Tutor' and 'Sketches from Provincial Love' (ff. 117-129) remain unpublished. Also included is a letter to Tripp from Meic Stephens, 9 September 1968 (f. 6 verso), and a draft letter from Tripp to John Stuart Williams, 2 April 1969 (f. 27). A list of the contents, compiled by the donor, [?2010], is also included (ff. i-v).

Tripp, John, 1927-1986

Glyn Jones's 'Seven Keys to Shaderdom',

  • NLW MS 23765E.
  • File
  • [1970s]-[1995] /

Manuscript and typescript drafts, [1970s]-[1995], by Glyn Jones of his unfinished poem 'Seven Keys to Shaderdom', on which the version published in The Collected Poems of Glyn Jones, ed. by Meic Stephens (Cardiff, 1996), pp. 111-131, was based.
The published poem consists of seven sections with a prose Prologue, represented in the manuscript by multiple drafts (ff. 1-202, 208-224). Section I was previously published as 'Shader's Vision' in Poetry Wales 19.3 (1984), 51-2, the Prologue and Sections I-III appeared as 'Prologue and Three Fragments' in Glyn Jones, Selected Poems, Fragments and Fictions (Ogmore-by-Sea, 1988), pp. 133-144, and Section V was published in Poetry Wales 28.2 (October 1992), 18-19. The manuscript also includes other material including drafts and fragments of other poems, notes, images and completed lines (ff. 203-207, 225-279). Some leaves re-use miscellaneous letters, newsletters, television drama scripts and other papers. A self-portrait sketch in ink by Jones is on f. i verso.

Jones, Glyn, 1905-1995.

T. Harri Jones's Black Book,

  • NLW MS 23905B.
  • File
  • 1949-1964 /

Notebook, 1949-1964, containing holograph poems by the Anglo-Welsh poet Thomas Harri Jones, comprising fair copies of his compositions, dated May 1950-September 1964.
The notebook was presented to the poet by Delia Glanville in 1949 (see T. Harri Jones 1921-1965, ed. by P. Power (Cardiff, 1987), no. 88) and contains poems written in London and Portsmouth, England (ff. 1-98), and Newcastle, New South Wales (ff. 99-306). Also included is a cutting, [1965], from an Australian newspaper, of an article on T. Harri Jones, written following his death. Many of the poems were published for the first time in The Complete Poems of T. H. Jones, ed. by Don Dale-Jones and P. Bernard Jones (Cardiff, 2008).

Jones, T. Harri (Thomas Harri), 1921-1965.

John Stuart Williams papers,

  • NLW ex 2619.
  • File
  • [1943]-[1998] /

Papers of John Stuart Williams (1920-2001), critic and poet, including drafts of his poems; a scrapbook containing reviews of his books and letters, together with letters from Grace [Williams], Alun Hoddinott and Alexander Cordell.

Williams, John Stuart.

Dylan Thomas letters,

  • NLW MS 23068E.
  • File
  • [1930]-[1934] /

Eleven letters, [1930]-[1934], from Dylan Thomas to Percy Eynon Smart, a schoolfriend with whom he had co-edited the Swansea Grammar School Magazine, 1929-1930. The letters refer to this magazine, which Thomas was editing, 1930-1931, and to a literary periodical entitled 'Prose and Verse', which they proposed to publish, and include a draft preface by Thomas for the latter (f. 5 verso); they also include personal news and a rough draft of a poem by Thomas (f. 15 verso).

Thomas, Dylan, 1914-1953