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Twenty-eight holograph letters from Augustus John to the following addressees: 'Laura' (Dame Laura Knight, 2 letters, 1938, concerning John's resignation from the Royal Academy), 'Kassie' (3 letters, 1939, 1940 and May 11), Miss Stevenson (Frances Stevenson, later Countess Lloyd George of Dwyfor, 7 letters, 1919, Feb. 13 and n.d. [probably mostly, if not all, 1919], several of these letters contain interesting details concerning John's commission to paint the Paris Peace Conference in 1919) 'Haddon' (2 letters, 1927 and 12 July [?1927], concerning Jack Knewstub), [Chaloner] Dowdall (1 letter, 1914), Miss Lion (1 letter, 1935, John's inability to contribute a work to the exhibition of disabled ex-servicemen's industries), Mr. Sadler (2 letters, 1913 and 1918), Mr. Russell (2 letters, 1947 and 1953, book reviewing), 'Castle' and Mrs. Castle (1 letter, 'Sunday' [c. Oct. 1915]), Mrs. Madden (2 letters, 1934 and June 23, this second letter has mounted on its dorse a press cutting containing a reproduction of a sketch of John by Ivan Opffer), Mr. Unwin (1 letter, 1941, the publication of 'The book' [John's autobiography]), Miss Phelps (1 letter, n.d.), 'Dear Sir' (2 letters, Nov. 7 and 1954) and Warner E. Colville (signed and dated card, 1939); together with other items, 1913-1954, in the hand of Augustus John: holograph manuscript and typescript of an article by John entitled 'Ecole de Paris'; holograph description by John, with diagrams, of what appears to be a sea creature; press cuttings and other items concerning the exhibition 'Augustus John in Liverpool', held at the Walker Art Gallery Liverpool, in 1954; proofs and typescripts of articles by John entitled 'Elephants with Beards' (concerning Wyndham Lewis), 'Dylan Thomas & Company', and 'Roy Campbell under the Caryatids' [all included in Finishing Touches (London, 1964)]; and various miscellaneous items.

Letters and related papers of Augustus John and Dorelia McNeill, [?1912]-2017 (mostly [?1912]-1969), sent to, or collected by, Tristan de Vere Cole. The collection includes letters of Augustus John to Mavis de Vere Cole, 1934-1959, and to her son Tristan de Vere Cole, [1947]-1961, together with letters of Dorelia McNeill to Mavis de Vere Cole, [?1949]-1961, and to Tristan de Vere Cole, 1951-1968. Also included are letters addressed to, or sent by, Augustus and Dorelia John and other members of their family, [?1912]-1969, including several from Michael Holroyd, 1966-1969, together with miscellaneous items, 1928-[?1961], in the hand of Augustus John.

Photocopies of annotated pages of Augustus John's Chiaroscuro (1952), presented to Ronald Storrs by the author, and annotated by Storrs.

The series comprises photocopies of letters, [1922]-1961, written by Augustus John to his wife, children and grandchildren and other family members, together with some letters to Augustus John, relating to family and professional business.

The series comprises photocopies of letters, mainly written by Augustus John to his friends and sitters relating to his artwork and family matters and also to works on him such as Lillian Browse, Augustus John Drawings (London, 1941) and David Cecil (ed.), Fifty-two Drawings (London, 1957).

Papers, [1904]-[?1970s], relating to Augustus and Gwen John collected by Michael Holroyd, including letters by Gwen John and Jeanne Robert Foster, 1920-1925; letters from Augustus John to various correspondents, [1904]-1958, and letters addressed to him, [1910]-1959; Augustus John's appointment diaries, [1921], 1923, 1934 and 1939; and typescript transcripts and notes [?by Michael Holroyd], [?1970s].

Eleven letters and a telegram, 1956-1961, from Augustus John to his son Robin (ff. 1-13); together with a letter, 1961, to the same from his elder brother David John, recounting the death of their father (f. 14); a letter, 1966, from his aunt Ursula Nettleship (f. 20); and a photograph, 1904, of Augustus John, presented to the artist by the art collector Charles Rothenstein (f. 21).

Some eighty-two letters, cards and postcards, 1959-1994, to Sara John from family members, relating to family matters with occasional references to art.
The correspondents include Amaryllis Fleming, [1990s] (ff. 4-8), Augustus John, 1959-[1961] (ff. 12-25), Sir Caspar John, 1970-1983 (ff. 26-38), David John, [?1970s] (ff. 39-40), Poppet Pol (formerly Elizabeth Ann John), 1970-1994 (ff. 41-52), Vivien White (née John), 1987-1994 (ff. 53-66), and Dorelia McNeill, 1962-1969 (ff. 67-97).

Some sixty-five letters, 1904-1938, to Gwen John from various correspondents (surnames B-J), including Tom Burns (4) 1927-1929, Father Martin D'Arcy (1) 1933, Jeanne Robert Foster (13) [1920]-1925, Maud Gonne (1) 1915, and Augustus John (27) 1904-1938.

Over a hundred letters, 1934-1956, addressed to Edwin John, nephew of Gwen John, from various correspondents (surnames B-J), including his father, Augustus John (48) 1938-1956, and other members of the John family; many of the letters are concerned with the 1946 Gwen John memorial exhibition.

Some thirty-three letters and postcards, 1928-1975, addressed to Edwin John, mainly from family members.
The correspondents include his father Augustus John, 1932-1946 (ff. 9-11), his aunt Gwen John, 1928-1933 (ff. 15-25), and his step-mother Dorelia McNeill, 1963-1967 (ff. 31-47). Also included are two letters from Edwin to his wife Betty John, [?1933] (ff. 48-51), and two postcards addressed to Gwen John from her father, Edwin William John, 1911 (ff. 13-14).

Some fifty letters, 1934-1961, to Edwin John from various correspondents, including over forty letters from his father, Augustus John, relating mainly to the estate of Gwen John and the disposal of her works after her death but also containing personal news and comments; and four letters, 1948-1949, from Madame Louise Roche, Gwen John's nearest neighbour in Meudon, together with manuscript and typescript recollections of Gwen John by Madame Roche.

Some fifty letters and cards, 1903-1931, to Margaret Sampson (née Sprunt), wife of Dr John Sampson (1862-1931), Librarian of the University of Liverpool, from Augustus John, 1903-1931 (ff. 1-25 verso), his first wife Ida John (née Nettleship), 1903-1906 (ff. 30-85), and his sister Gwen John, 1911-1913 (ff. 26-29). The letters contain mainly family and personal news.

An appreciation of the art of J. D. Innes (1887-1914), landscape painter, by, and in the hand of, Augustus John, R.A.

Holograph letters (24) from Augustus John, 1932-1953 and n.d. to Miss B. Parry and Dr. Parry.

The series comprises extracts from letters mainly from Augustus John relating to his writings, arrangements for portraits and exhibitions, with personal and family news; photocopies from John Quinn's diary, 1911, and his diaries, 1917-1923; together with articles about the artist and papers relating to his exhibitions held in Britain and America.

The file comprises invitations to exhibitions at the Tate Gallery, British Museum, Hanover Gallery, Leicester galleries and various other galleries, predominantly in London, 1945-1970 (with gaps) with exhibition catalogues for George Stubbs (1957), Augustus John (1948), Andre Bauchant (1960), Paule Vezelay and Winifred Nicholson (1954), Ben Nicholson (1954), Lady Patricia Ramsay (1959), the '56 Group [Wales]', and The New English Art Club (1945).

Correspondence with Augustus John concerning art and social matters.

Papers, [1880s]-1980, of or relating to the artist Augustus John comprising letters from Augustus John to miscellaneous recipients, including over eight hundred and forty letters to his second wife Dorelia McNeill; letters to Augustus John from family, friends and miscellaneous individuals; letters from Ida John (née Nettleship), first wife of Augustus John, mainly to relatives and friends; letters to Dorelia McNeill from miscellaneous correspondents; and other correspondence of the John and Nettleship families; sketchbooks, 1908-[mid 1920s], of Augustus John; drafts of autobiographical writings by Augustus John which would later be published as Chiaroscuro (London, 1952) and the posthumous Finishing Touches (London, 1964); miscellaneous family papers of the John and Nettleship families; catalogues of Augustus John's papers; and a volume of poems, [c. 1909], of Arthur Symons, composed during his period of madness and transcribed by his amanuensis Agnes Tobin.