‘Pass’ (Aûsweis) for a German Soldier serving with the 1st Battn. K.S. Reserve Infantry, Regt. 242,
- BMSS/39646.
- File
- 1918, May 7.
Part of Papers of Major W.P. Wheldon,
Name of ‘Emil Müller’ written on the document.
‘Pass’ (Aûsweis) for a German Soldier serving with the 1st Battn. K.S. Reserve Infantry, Regt. 242,
Part of Papers of Major W.P. Wheldon,
Name of ‘Emil Müller’ written on the document.
‘Operation Order (Secret) no. 65’,
Part of Papers of Major W.P. Wheldon,
Objectives of Infantry Brigades; assembly; method of attack; equipment, transport.
Part of Papers of Major W.P. Wheldon,
Typed, with a map of the area on the reverse. Map includes much detail with notes on the terrain and enemy locations.
‘Mammoth’ sculpture with Valerie Price
Part of Layers in the Landscape Archive
A photograph, 2017, of Valerie Price and her sculpture ‘Mammoth’, which was used in the ‘Layers in Lampeter’ exhibition; photograph by Jacob Whittaker.
‘Layers in the Landscape’ leaflet (part 2)
Part of Layers in the Landscape Archive
A photograph, 2017, of one side of a leaflet designed by Erin Kavanagh to raise public awareness of the ‘Layers in the Landscape’ project.
‘Layers in the Landscape’ leaflet (part 1)
Part of Layers in the Landscape Archive
A photograph, 2017, of one side of a leaflet designed by Erin Kavanagh to raise public awareness of the ‘Layers in the Landscape’ project.
Part of Layers in the Landscape Archive
A photograph, November 2017, of part of the display at the ‘Layers in Lampeter’ exhibition, including the prehistoric red deer antlers, the ‘Brenin Y Coed Môr’ sign and the 'Time Scroll'; photograph by Erin Kavanagh.
‘King of the Sea Trees’ textile (2)
Part of Layers in the Landscape Archive
A photograph, 2016, of a textile interpretation by Emily Hawkins of ‘King of the Sea Trees’, produced by her for a Master’s degree and used in the ‘Layers in Lampeter’ exhibition; photograph by Erin Kavanagh.
‘King of the Sea Trees’ textile (1)
Part of Layers in the Landscape Archive
A photograph, 2016, of a textile interpretation by Emily Hawkins of ‘King of the Sea Trees’, produced by her for a Master’s degree and used in the ‘Layers in Lampeter’ exhibition; photograph by Erin Kavanagh.
‘King of the Sea Trees’ shanty
Part of Layers in the Landscape Archive
A recording, August 2017, of the 'King of the Sea Trees' shanty, composed and performed by David Moore (under the pseudonym Dafydd Eto) and drawing on traditional songs of the sea in response to Erin Kavanagh's poem of the same name, with the prologue of the poem spoken by Erin Kavanagh and also backing vocals by her; recorded by Jacob Whittaker and used in the project exhibitions.
‘King of the Sea Trees’ postcard
Part of Layers in the Landscape Archive
A postcard image, 2017, of the ‘King of the Sea Trees’, drawn and designed by Erin Kavanagh with an extract from her poem of the same name; the postcard was produced by the ‘Layers in the Landscape’ project and used in the project exhibitions.
‘H.M. Forces Overseas (in Uniform) Combined Leave and Railway Tickets’,
Part of Papers of Major W.P. Wheldon,
‘H.M. Forces Overseas (in Uniform) Combined Leave and Railway Tickets’ granted to Wheldon: (i.) First Class, from France to Senior Officer’s School, Aldershot; (ii.) First Class, from Llanberis to France; (iii.) First Class, from Llanberis to France.
Part of Layers in the Landscape Archive
A poster, 2017, explaining ‘Haenau yn y Tirwedd’ (the Welsh title for the ‘Layers of the Landscape’ project) in Welsh, designed by Erin Kavanagh; the poster was used in the project exhibitions.
‘Extension of Leave from Expeditionary Forces’ form,
Part of Papers of Major W.P. Wheldon,
Granted to Major W.P. Wheldon, 14th Royal Welsh Fusiliers, on account of “Urgent Private Affairs.”
‘Deep mapping’ and ‘Layers in the Landscape’
Part of Layers in the Landscape Archive
Author's proof copy, 2018, of 'Re-thinking the conversation: a geomythological deep map' by Erin Kavanagh in which she describes the conceptual framework behind her ‘deep mapping’ of Cardigan Bay and explains the activities undertaken by the ‘Layers in the Landscape’ project.
‘Chwedlau’r Borth a Gollwyd’ poster
Part of Layers in the Landscape Archive
The Welsh poster design, 2017, for the ‘Borth's Lost Legends / Chwedlau'r Borth a Gollwyd’ exhibition.
‘Brenin y Coed Môr’ carved sign
Part of Layers in the Landscape Archive
A photograph, 2017, of the carved wooden ‘Brenin y Coed Môr’ (‘King of the Sea Trees’) sign designed and made by Mark Sawyer which was used in the project exhibitions; photograph by Erin Kavanagh.
Part of Layers in the Landscape Archive
The English poster design, 2017, for the ‘Borth's Lost Legends’ exhibition.
‘113th Infantry Brigade Operation Order No. 143’,
Part of Papers of Major W.P. Wheldon,
‘Secret’ order given to several Battalions and Units informing of the order: “‘Z’ Day will be 31st July, 1917.”
“14th (Service) Battalion Royal Welch Fusiliers Memorial Fund”,
Part of Papers of Major W.P. Wheldon,
Brief history of the Battalion; organisation of a permanent Memorial to the “Old Battalion”; provision of bursaries or grants to enable the children of men who had served in the Battalion to pursue higher courses of education.