Over a hundred and thirty letters, 1962-1989, in English and Welsh, to Meic Stephens from various correspondents (surnames A-Jones). The letters, some of which include fair copies of published poems, are chiefly concerned with contemporary writing in Wales in both English and Welsh and with the recipient's work as editor of a number of volumes in this field. The correspondents include Ruth Bidgood (2, and one poem) 1985-6, Euros Bowen (4) 1978-87, Anthony Conran (8) 1962-79, Bryan Martin Davies (3, with English translations of three poems) 1974-86, Islwyn Ffowc Elis (1) 1971, Dr Gwynfor Evans (4) 1987-9, Raymond Garlick (36, and two poems) 1967-89, Emyr Humphreys (5) 1969-86, A. G. Prys-Jones (12) 1968-83, and Bobi Jones (7, and two poems) 1976-87.

Over a hundred and fifty letters, 1961-88 in English, Welsh and French, from various correspondents (surnames Jones-W). The letters, some of which include fair copies of published poems, are chiefly concerned with contemporary writing in Wales in both English and Welsh and with the recipient's work as editor of a number of volumes in this field. The correspondents include Glyn Jones (36, and three poems) 1967-86, Gwyn Jones (6) 1967-87, Saunders Lewis (1) 1974, Roland Mathias (17) 1961-86, Leslie Norris (32, and one poem) 1967-86, Eigra Lewis Roberts (2) 1970-3, R. S. Thomas (1) 1975, John Tripp (8) 1968-78, Harri Webb (14) 1967-79, and Kyffin Williams (8) 1970-1.

Some one hundred and forty letters, 1948-1997, in English and Welsh, to John Elwyn from various correspondents (surnames S-W), both personal and work related.
The correspondents include Christopher Sandford, 1953 (ff. 12-13), Meic Stephens, 12 December 1995 (f. 22), Winifred Coombe-Tennant, 19 February 1948 (f. 33), Dewi-Prys Thomas, 1977-1978 (ff. 36-37), David Tinker, 1967 (ff. 44-45), John Ward, 1967-1992 (ff. 75-78 verso), George Weber of Edmonton, Alberta, 1987-1994 (ff. 81-97 verso), Sir Huw Wheldon, 1961, [?late 1970s] (ff. 116-118), Phillip Whitfield, 1991-1996 (ff. 119-146 verso), the Rev. G[wilym] O[wen] Williams, 20 February 1952 (f. 158), Kyffin Williams, [1960s]-1995 (ff. 161-167), Stan Williams, [?early 1990s], (f. 171), and the Royal Cambrian Academy of Art, 1965-1967 (ff. 148-153). Also included are draft letters from John Elwyn (ff. 53, 58 verso-59 verso, 63 verso, 100) and drafts of two poems by Phillip Whitfield, 1991-1992 (ff. 124, 127, 129, 131, 134, 138, 141), with a translation into Welsh of one of them [?by John Elwyn], [?1992] (f. 147).

Some sixty letters, 1918-1964, to John Cowper Powys and Phyllis Playter from various correspondents, relating mainly to personal matters and to John Cowper Powys's work, with one letter, [n.d.], from John Cowper Powys to Phyllis Playter (ff. 73-76). The correspondents include: J[ohn] D[avys] Beresford (10) 1929-1938; Theodore Dreiser (5) 1923-1939; Emma Goldman (2) 1936-1937; Marianne Moore (6) 1926-1929; Sir Osbert Sitwell (2) 1935; and Stevie Smith (2, and two illustrated poems) 1951-1952.

Letters, 1926-1968, to John Cowper Powys and Phyllis Playter from various correspondents, including Gerald Brenan (16, including one poem), 1957-1968; Maurice Browne (20), 1930-1954; James Hanley (15), [c. 1955]-1967; Claude Houghton (5), 1955-1956; Edgar Lee Masters (9), 1928-1945; Henry Miller (7), 1957-1962; and Ralph Shirley (18), 1940-1946; together with a few miscellaneous letters, including an undated draft letter from John Cowper Powys concerning literary censorship in America.

Some hundred letters, 1929-80 (correspondents N-W), to Ceri and Frances Richards, many of them concerned with their work as artists. The correspondents include John Ormond (11) [?1940s]-1976 (with typescript and autograph drafts and fair copies of poems, and typescript text of a radio broadcast by him, 1954, entitled 'Rest and Unrest: the Art of Ceri Richards'), Victor Pasmore (1) 1969, Peter Pears (8) [1960s-70s], Sir John Rothenstein (2) 1958-68, Roberto Sanesi (12) 1961-76, Stephen Spender (2) 1962, Graham Sutherland (3) [?1941]-56, Vernon Watkins (10) 1960-7 (see note 544, below), with one autograph and one typescript poem.

Eighty-four letters, [c. 1909]-1961, to Augustus John from various correspondents (surnames D-F), including John Davenport (2) 1956-1961, Tommy Earp (9, with six poems) 1930s-1956, Clough Williams-Ellis (1) 1957, Jacob Epstein (1) 1929, and Roger Fry (1) 1931.

Forty-six letters, ?1908-1961, to Augustus John from various correspondents (surnames Symons-V), including Arthur Symons (11, and forty-three poems) ?1908-[1935], Dylan Thomas (1) 1950, and G. M. Trevelyan (1) 1956.

Over a hundred letters, ?1908-1961, to Augustus John from various correspondents (surnames G-I), including Oliver St John Gogarty (10, and two poems) 1918-1952, Nina Hammett (3) [1930]-1956, Philip Heseltine, Peter Warlock (1) 1930, and J. D. Innes (3) ?1910-1913.

A holograph copy of the poem 'Leisure' by W. H. Davies, signed and dated 8 May 1914.
The poem was first published in William H. Davies, Songs of Joy and Others (London, 1911) and thereafter appeared in various collections and anthologies, including William H. Davies, Collected Poems (London, 1916), The Essential W. H. Davies (London, 1951) and The Complete Poems of W. H. Davies (London, 1963). This fair copy was possibly written whilst the poet was in Gloucestershire visiting friends among the Dymock poets (see Selected letters of Robert Frost, ed. by Lawrance Thompson (London, 1965), pp. 122-124).

Journal, September 1935-October 1939, of Margiad Evans, including an account of the death of her father in 1935 and of her visit to Iceland in 1936, comments on her relationships with family and friends, draft poems and the first draft of her 'Little Journal of being Alone' (ff. 138-148), later included in Autobiography (London, 1943).

Letters from John Cowper Powys to his brother, Llewelyn Powys, [1923], his companion, Phyllis Playter, [?1924], 'George', 1958, and a 'Mr London', [?1940s], the latter dictated by Powys to Phyllis Playter; together with miscellaneous literary papers, which comprise drafts of poems, [c. 1900]-1953, including an early version of 'Samphire' (published in Horned Poppies ... (1986)) and of several unpublished anniversary poems addressed to Phyllis Playter; a draft, [?1900]-1902, of an unpublished preface to poems by Alfred de Kantzow; an ink and pencil sketch of the map which forms the end-papers of Powys's novel Ducdame (1925); and drafts of the opening of a philosophical work, 1938, and of a speech in Welsh, [1935x1954], the latter composed by Powys while he was living in Corwen.

Letters from John Cowper Powys to James Hanley (3), 1929-1930; John Wilstach (1), 1932; and Charlotte Miller (3), 1934-1935; together with a poem by Charlotte Miller addressed to John Cowper Powys.

Manuscripts and correspondence, [early 1930s]-1985, of James Hanley and his wife, Dorothy Enid ('Timothy') Hanley, comprising literary papers of James Hanley, 1954-1985, consisting of published and unpublished works of fiction, including novels stories and plays, mainly in draft form, some fragmentary; manuscripts of Timothy Hanley, 1932-1980, comprising journals, 1932-1980, and notebooks, 1932-1950, containing draft book reviews, short stories, poems, letters and sketches; and letters, mostly to their son Liam Hanley, from James Hanley, 1951-1981, and Timothy Hanley, 1951-[1970s].

Notebook, 1914-1916, kept by Nursing Sergeant Davies of 'C' section of the 130th (St John) Field Ambulance unit, attached to the 38th (Welsh) Division of the British Army. It includes a diary, November 1914-June 1916 (ff. 1-12), describing duties in Britain before embarkation for France on 3 December 1915, and subsequent activities on the Western Front prior to the Battle of Mametz Wood.
A draft application for an army commission (ff. 45, 46 verso) suggests that Sergeant Davies was a native of Carmarthenshire and a former miner. The notebook also contains medicinal recipes (ff. 13-14, 44 verso, 45-6), ration tables (ff. 8 verso-9, 14), and poetry in both English and Welsh (ff. 22 verso-23, 31-44, 49-53). An additional folio, tipped into the volume (f. 16a), contains further diary entries, October 1916, and suggests the existence of a second volume, subsequently lost.

Autograph and typescript drafts, [c. 1910s]-1961, of autobiographical writings by Augustus John included in the posthumous volume Finishing Touches (London, 1964) (see also NLW MS 21570E), together with rejected portions of the text (ff. 56-9). Some sections (ff. 60-75) had been submitted to The Sunday Times for publication, 1952-1958 (see MS 22775C, ff. 89-98). Also included are draft recollections by Augustus John of Ronald Fairbank (ff. 76-81), and various drafts of prose and light verse.

Manuscript volume containing two essays, [c. 1953], by Margiad Evans, on Emily Brontë (ff. 1-16, chapter 1 of a projected book-length study), and John Clare (ff. 45-54), together with an apparently unpublished short story entitled 'The Lordly Ones' and four draft poems, one of which, 'In memory of a little god', appeared in The Fortnightly, n. s. 1053 (Sept. 1954), pp. 198-200, whilst the others are apparently unpublished.

Autograph revised manuscript, [23 July 1915], of Edward Thomas's poem 'Cock-Crow'.
The poem is preceded by an autograph note: 'The image used to appear to me every morning in the spring when the cocks crowed, just like a coat of arms'. The draft includes two autograph revisions in ink that are reproduced in the published text: 'They [?cleave]' is changed to 'Cleaving' (l. 4) and 'Of equal glory' is changed to 'Heralds of splendour' (l. 6). Other textual differences remain: 'that grow by night' rather than 'that grows by night' (l. 1); no comma after 'stand' (l. 5); and 'one on either hand' rather than 'one at either hand' (l. 6). 'Cock-Crow' was first published in Six Poems by Edward Eastaway (Flansham, Sussex, 1916), p. [19], and collected in Edward Thomas ("Edward Eastaway"), Poems (London, 1917), p. 61. It is No. 88 in The Collected Poems of Edward Thomas, ed. by R. George Thomas (Oxford, 1978) (see pp. 244-5), the editor however does not record the present manuscript.

A sample copy, [1929], of part of a projected printed book by Ezra Pound, to be called 'The Complete Works of Guido Cavalcanti', containing also four autograph poems and a prose fragment by Dylan Thomas, [1936]-[early 1940s], and two typescript poems by Vernon Watkins, [c. 1939]. Pound's book was intended for publication in 1929 but was abandoned, with only the first 56 pages printed, when the Aquila Press went bankrupt. The present volume appears to be a sample copy, of which two similar ones are recorded (see Donald Gallup, Ezra Pound: A Bibliography (Charlottesville, 1983), p. 153), consisting of the first two gatherings only (ff. 2-9) and filled out with blank leaves (ff. 10-74). The original Aquila Press fragments were later incorporated into the composite work Guido Cavalcanti Rime, ed. by Ezra Pound (Genoa, [1932]).
The Dylan Thomas poems are 'Then was my neophyte', [1936] (f. 11) (published in Twenty-five Poems (London, 1936), pp. 40-41), 'We lying by seasand', [1937x1939] (f. 74 verso) (first published in Poetry (Chicago), 49.4 (January 1937), 183, and collected in The Map of Love (London, 1939), p. 8), 'Paper and sticks', [early 1940s] (tipped in on f. 12) (first published in Seven, 6 (Autumn 1939), 6, and collected in Deaths and Entrances (London, 1946), p. 23), and 'Once below a time', [early 1940s] (tipped in on ff. 13-14) (first published in Life and Letters Today, 24.31 (March 1940), 274-275; see Collected Poems 1934-1952 (London, [1952]), pp. 132-133); the prose fragment (tipped in on f. 15) is the end of 'One Warm Saturday', [1938], the last story in Portrait of the Artist as a Young Dog (London, 1940), pp. 253-254. The two Vernon Watkins poems, 'The windows', 1939, and 'A bronze head', [c. 1939], are apparently unpublished (tipped in on ff. 16-17). A dried leaf found loose within the volume has been placed in an archival sleeve.