A collection of holograph poems, 1953-1956, by Peggy Eileen Whistler ('Margiad Evans'), including 'The Country Churchyard' (1955) (f. 3), 'God's Love' (1953) (f. 4), 'Autumn' ([1956]) (f. 5), 'Bather' ([1953]) (f. 7), 'The Old Name' ([1953]) (f. 8), and 'Cherry Orchard in Bloom' (f. 9).
Other fragments, also in Whistler's hand, include a page of an original play 'Dear Desdemona' (f. 10) [cf. NLW MS 23373E & NLW, Margiad Evans MS 29], and an excerpt from the second part of her unfinished 'Widower's Tale' (ff. 11-14).

Over a hundred letters, ?1908-1961, to Augustus John from various correspondents (surnames G-I), including Oliver St John Gogarty (10, and two poems) 1918-1952, Nina Hammett (3) [1930]-1956, Philip Heseltine, Peter Warlock (1) 1930, and J. D. Innes (3) ?1910-1913.

Manuscript and printed poems by R. J. Derfel, and other miscellaneous items, 1858-1913, including a photograph of him, 1902.

A presentation typescript copy by the author, H. W. Badley, Mold, afterwards of Hawarden, of a poem written in March, 1933, under the title of 'Y Gwir yn erbyn y byd. Here followeth ye (Poster) Prize Poem of ye Welsh National Eisteddfod, Wrexham, 1933. Dedicated, without permission, but with due respect, to the Appeals Committee. Not for competition.'

A collection of sonnets and other verse by Frederick Samwell Henderson (1857-1931). Typescript.

Manuscript and typescript poems, in Welsh and English, by the Rev. T. W. Llynfi Davies, including poems entered for competition at the Corwen Chair Eisteddfod, 1913, and the National Eisteddfod of Wales, Wrecsam, 1933, and Fishguard, 1936.

Over a hundred and thirty letters, 1962-1989, in English and Welsh, to Meic Stephens from various correspondents (surnames A-Jones). The letters, some of which include fair copies of published poems, are chiefly concerned with contemporary writing in Wales in both English and Welsh and with the recipient's work as editor of a number of volumes in this field. The correspondents include Ruth Bidgood (2, and one poem) 1985-6, Euros Bowen (4) 1978-87, Anthony Conran (8) 1962-79, Bryan Martin Davies (3, with English translations of three poems) 1974-86, Islwyn Ffowc Elis (1) 1971, Dr Gwynfor Evans (4) 1987-9, Raymond Garlick (36, and two poems) 1967-89, Emyr Humphreys (5) 1969-86, A. G. Prys-Jones (12) 1968-83, and Bobi Jones (7, and two poems) 1976-87.

Casgliad o farddoniaeth amrywiol, 1733-[1970], yn tarddu o nifer o ffynhonnellau, wedi eu derbyn rhwng 1910 a 1970 a'u hel gyda'u gilydd yn y Llyfrgell Genedlethol. = A collection of miscellaneous poetry, 1733-[1970], derived from various sources, accessioned between 1910 and 1970 and collected together at the National Library of Wales.

Two incomplete manuscript drafts, 1954, of 'The Nightingale Silenced', an unpublished autobiographical work by Margiad Evans, describing the worsening of her epilepsy.
Also included is an apparently unpublished draft poem, 'Dedication. The Egotist' (f. i verso), and a list of poems written whilst a patient in the Kent and Sussex Hospital, Tunbridge Wells (f. 112).

An apparently complete manuscript draft, 1955, of 'The Nightingale Silenced', an unpublished autobiographical work by 'Margiad Evans', together with a draft poem, 'The Crows Answer' (f. 100 verso).

Manuscript volume containing two essays, [c. 1953], by Margiad Evans, on Emily Brontë (ff. 1-16, chapter 1 of a projected book-length study), and John Clare (ff. 45-54), together with an apparently unpublished short story entitled 'The Lordly Ones' and four draft poems, one of which, 'In memory of a little god', appeared in The Fortnightly, n. s. 1053 (Sept. 1954), pp. 198-200, whilst the others are apparently unpublished.

Two holograph poems and an autobiographical sketch by Peggy Eileen Whistler ('Margiad Evans'), 1952, written for a special issue of Promenade: the weekly review for Cheltenham (no. 3, 26 July 1952). The poems are 'Epitaph' (f. 3) and 'The Shiny Crown' (f. 4). Also included is a printed copy of Promenade (ff. 5-14), including the sketch (ff. 12 verso, 13), 'Epitaph' (f. 14) and 'The Shiny Crown' (f. 14 verso).