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The file comprises a copy of Atlas Antiquus, Twelve maps of the ancient world for schools and colleges by Dr. Heinrich Kiepert, Berlin (index pages 1-26 with maps 1-4, 6-12, loose spine).

The file comprises an incomplete typescript text (page 21 missing) of a lecture on Aubrey Beardsley by Kenneth Clark, 18 June 1965. According to an attached note by Harman Grisewood, David Jones greatly admired Beardsley.

The file comprises manuscript drafts of autobiographical writing or parts of letters by David Jones.

The file contains manuscript drafts of miscellaneous autobiographical writings which appear to have been written at different times for different purposes, with also two complete typescript biographical notes (ff. 40-42) dated June 1950 and October 1953.

The file comprises manuscript drafts of some autobiographical material, mostly about the First World War.

The file comprises a typescript copy of 'D. J. Life for Jim Ede', 1935, with two similar photocopies; a typed letter in defence of David Jones' writing from Jean Mambrino, S.J; a typescript autobiographical article; typescript notes to coincide with slides about David Jones; and a typescript copy of 'New reading April 1968', a radio programme by Peter Orr.

The file contains typescript autobiographical notes written by David Jones at the request of Jim Ede in 1935, which are dated 5 September 1935 at Rock, Northumberland. There are four different versions, and also carbon copies or photostats of these with manuscript annotations. Folios 1-8 is the earliest typescript with many corrections by David Jones, some dated 1966. There are notes by Harman Grisewood on the different versions.

The file comprises letters to David Jones from the National Institute of Arts and Letters, New York, relating to the Russell Loines memorial fund awarded for The Anathemata, 1954, with a draft copy of his response; a letter from Henry Rago, of 'Poetry' relating to the Harriet Monroe Memorial Prize, 1956, and letters relating to the Gold Medal award in fine arts at the National Eisteddfod, 1964 with draft replies.

The file comprises a manuscript in black ink and pencil, numbered pages 9 (f-g, l-t) in red by David Jones. These pages correspond to pages 66-68, 73-75, 77-82 of The Anathemata, which are missing in A6.

The file comprises a manuscript in black ink, numbered pages 9 (a-v) in red by David Jones. These pages correspond to pages 61-82 of The Anathemata, which are missing in A6. From this was typed '9A-9 Omega' of the typescript, therefore it must have been written after the first typescript had been made.

The file comprises a manuscript in black ink and pencil with some typed sheets, numbered pages 24, 25 (a-k) and 28 by David Jones. These pages correspond to pages 97-113 of The Anathemata, which are missing in A6. The typescript sheets have been typed on a machine other than either of the two used in making the typescript text of The Anathemata, perhaps by David Jones himself. At some time subsequent to his receiving the typescript of A6 David Jones set about revising and expanding the material on pages 24, 25, 26 and 28.

The file comprises three manuscript items, not in David Jones's hand, comprising a fragment of Latin prose (possibly an extract from the vita of a saint), a ballad 'The Unquiret [sic] Grave' (see F. J. Child, The English and Scottish Popular Ballad, part III (Cambridge, Mass., 1885), pp. 234-8) and what appear to be notes for a lecture entitled 'David Jones, Himself at the Cave-Mouth (cf. William Blisset, 'David Jones : Himself at the Cave-Mouth', University of Toronto Quarterly, vol. XXXVI (1966-7), pp. 259-273).

The file comprises papers relating to Prudential life insurance including two receipt books, 1940-1961, letters and papers from Barclays bank, 1944-1962, and some papers relating to grants and funds.

The file comprises Barclays bank statements, 1937-1952.

The file comprises Barclays bank statements, 1953-1959, deposit account book, 1935-1962, paying-in book 1941-1944, and letters from Barclays bank, 1944-68.

The file comprises twenty letters, 1943-1966 and undated, from Barbara Lady Moray to David Jones, and one letter to her from Mary.

The file comprises a damaged colour reproduction of part of the Bayeux tapestry, plate 2, published by the Society of Antiquaries of London, 1821.

The file comprises letters to David Jones, 1943-1966, from the BBC (some incomplete and undated) including letters from Douglas Cleverdon, Glyn Jones, Alun Oldfield Davies, Elwyn Evans, Aneirin Talfan Davies, Anna Kallin, Meirion Edwards, and Tristram Powell, with also contracts and payment slips, 1946-1962, and a letter to Douglas Cleverdon from Stanley Honeyman.

The file comprises scripts of three broadcasts concerning David Jones and his work: a review of an exhibition of his paintings in Edinburgh, 21 November 1954; a review of The Anathemata, 19 December 1952; and a talks feature entitled 'David Jones', compiled and introduced by Goronwy Rees and with contributions by T. S. Eliot, Saunders Lewis, Nicolette Gray and Gwyn Williams, 29 Oct. 1954, produced by Aneirin Talfan (two copies of the script, one corrected by David Jones).

The file comprises biographical and background information including draft manuscript letters from David Jones to Captain St Luke, 1929, and to Rex Nan Kivell; a catalogue of the David Jones exhibition at the Redfern gallery, 1948; photocopies of family documents, David Jones' demobilisation certificate form the Royal Welsh Fuseliers, 1919, and his certificate of baptism, 1921; photocopies of six letters from David Jones to Colin Hughes, 1969-1972; letters to René Hague from Mike Richey, Tony Hyne, Nicolete Gray, Jim Ede, Tom Burns and others relating to David Jones; and copies of articles by Kathleen Raine and Arthur R. Howell.