Full-length studio portrait of a private in the Welsh Regiment. As this soldier's uniform has no embellishments and the standard service tunic with pleat in the breast pockets the implication is that this portrait dates from the years immediately preceding, or shortly after, the outbreak of WW1.
Three quarter-length studio portrait of a private in the Welsh Regiment. As this soldier's uniform has no embellishments and the economic service tunic without pleat in the breast pockets the implication is that this portrait dates from the middle or later years of the conflict.
Three quarter-length studio portrait of a Sergeant Major in the Welsh Regiment. Above his stripes are crossed muskets, indicative of his status as instructor. Although his cap badge is missing part of his shoulder patch reading "Wel.." can be seen
Full-length studio portrait of a Sergeant with his rifle. His shoulder badge arrears to read 'Manchester' though his cap badge is reminiscent of the Military Police. Apart from a well-waxed moustache he is notable for a medal ribbon on his chest which may be that of the Egyptian Campaign of 1882-89 or more likely, India 1896.
Half-length studio portrait of a young couple. He is in the uniform of the Royal Field Artillery and has a good conduct stripe on his sleeve. There appears to be a divisional patch on his shoulder, which with reference to DCH Mil 233 appears to be that of the Ninth Division. In DCH Mil233 three overseas chevrons are visible. His companion does not appear to be wearing a wedding or engagement ring.
Half-length studio portrait of a young soldier. On his shoulder can be seen a patch on which, in DCH Mil 237, the letters 'FA' can be discerned, suggesting he may be in the Royal Field Artillery.
Half-length seated, studio portrait of a young soldier. On his shoulder can be seen a patch on which the letters 'FA' can be discerned, suggesting he may be in the Royal Field Artillery.
Soldiers of the Pembroke Yeomanry photographed outside a tent with their wives and a man in civilian clothes. All the wives seem to be wearing their best hats.
Studio portrait of two bandsmen, probably Pembroke Yeomanry. The bandsman standing is a corporal wearing what appears to be the King's South Africa Medal (no clasps).