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Account book, 1875-1883, of James Jones, Goitre issa, parish of Pen-boyr, co. Carmarthen, auctioneer and farmer, and, from 1878, of his widow Elizabeth Jones. Comprises accounts relating to various sales and to tithe rentcharges paid in the parishes of Cilrhedyn and Pen-boyr.

Deeds collect by J. Augusta Berry, mainly relating to properties in Glamorgan, Pembrokeshire and Carmarthenshire, 1753-1865.

A manuscript containing an essay on the history of Ruthin by Augustus (pseudonym).

Photocopies of three letters, 1942-4, from Augustus John (1878-1961) to Robert Sielle (1895-1983), exhibition agent and frame maker, and five letters, 1942-4, from him to Augustus John, relating to his portrait of Vivien Leigh which was subsequently borrowed by the National Portrait Gallery in 1972

Ms Booth allowed the Library to make copies from microfiches held at the Tate Gallery of papers of Augustus John, originally part of his personal archive (TAM 21G/43-44/67). They comprise apparently unpublished notes of songs in Romani collected by the artist, c 1910, together with related vocabularies in his hand and further notes by the diplomat and scholar Bernard Gilliat-Smith, incomplete proofs of an article by Eric Otto Winstedt published in the Journal of the Gypsy Lore Society 3 (1910), 242-53, and a fragment of a typescript article, [?1940s], by Augustus John on the persecution of Gypsies.

Papers, 1954-1975, of the Rev. R. M. Verity, Vicar of St Mary the Virgin in Fordingbridge, Hampshire, relating mainly to the funeral of Augustus John in November 1961 and the unveiling of the memorial to him in Fordingbridge in 1967.
The papers include letters to Verity from the John family, comprising eight letters and a postcard from Dorelia John, 1955-1969, four letters from Admiral Sir Caspar John, 1961-1967, one letter from Romilly John, 1969, and three Christmas cards and a telegram from Augustus and Dorelia, 1956-1958. Also included are Augustus John's burial certificate, Verity's notes for the memorial service [?and funeral] and printed material including catalogues, 1954, 1975, newspaper cuttings, 1954-1970, invitations, printed orders of service and a copy of the volume The Drawings of Augustus John, introd. by Stephen Longstreet (Alhambra, Calif., 1967).

Typescript drafts and proofs of Augustus John's first volume of memoirs, Chiaroscuro: Fragments of Autobiography (London: Jonathan Cape, 1952), [1950]-1951; working manuscripts, typescripts and editorial correspondence relating to the follow-up volume, published posthumously under the title Finishing Touches (London: Jonathan Cape, 1964), [1950x1952]-[early 1960s]; and other miscellaneous autobiographical fragments, [c. 1950], [?1959].

Seven letters, 1955-1956, from Augustus John to Mrs Edith Saunders of the Hotel Santa Clara, Torremolinos, Spain, where the artist stayed from December 1954 to March 1955 (ff. 1-7 verso), together with one letter, 1955, from Dorelia McNeill to the same (f. 8); the letters contain mainly personal news and references to John painting a portrait of Mrs Saunders.

Ten letters, February 1960-April 1961, from the painter Augustus John, Fordingbridge, Hampshire, to the art collector [Emerich (Emo)] Telt[s]ch, mostly concerning John's work (ff. 1-3, 5-10, 13); together with one letter from Dorelia John to Teltsch, 19 August 1960 (f. 4), and one from the painter Jo[sette] Jones to Teltsch, [February 1961] (ff. 11-12).
The letters contain references to work on John's triptych 'Les Saintes-Maries de la Mer with Sainte Sara, l'Egyptienne' (ff. 3, 5-9, 13); Teltsch offered him up to £8000 for the work (see NLW MS 22786D, f. 68, and Michael Holroyd, Augustus John: The New Biography (London, 1996), p. 597). There are two letters, from John (f. 10) and Josette Jones (ff. 11-12), concerning John's apology for an ill-advised letter (not present) to Teltsch, criticizing drawings by Teltsch's God-child (unidentified).

Three letters and a card, 1941-1958, from Augustus John to his son-in-law, Villiers Bergne, together with five letters and cards, 1968-1969, to Bergne from Michael Holroyd concerning the latter's biography of Augustus John.

Seventeen letters and one note, 1926-1952, from Augustus John, ten of them to Sean O'Casey (ff. 2-13) and the remainder to the journalist George Bilainkin. Those to Sean O'Casey contain mainly personal news, but refer also to O'Casey's work and to John's designs for the set of 'The Silver Tassie', staged in 1929 (ff. 4 verso, 6, 7). Extracts from them were published in Eileen O'Casey, Sean (London, 1971). The letters to Bilainkin (ff. 14-20) refer mainly to the latter's articles on John.

Papers, [1880s]-1980, of or relating to the artist Augustus John comprising letters from Augustus John to miscellaneous recipients, including over eight hundred and forty letters to his second wife Dorelia McNeill; letters to Augustus John from family, friends and miscellaneous individuals; letters from Ida John (née Nettleship), first wife of Augustus John, mainly to relatives and friends; letters to Dorelia McNeill from miscellaneous correspondents; and other correspondence of the John and Nettleship families; sketchbooks, 1908-[mid 1920s], of Augustus John; drafts of autobiographical writings by Augustus John which would later be published as Chiaroscuro (London, 1952) and the posthumous Finishing Touches (London, 1964); miscellaneous family papers of the John and Nettleship families; catalogues of Augustus John's papers; and a volume of poems, [c. 1909], of Arthur Symons, composed during his period of madness and transcribed by his amanuensis Agnes Tobin.

Correspondence, 1952-1953, of A. W. F. Burton, New South Wales, mostly with Major R. Money Barnes, Wiltshire, author of Uniforms and History of the Scottish Regiments: Britain, Canada, Australia, New Zealand, South Africa, 1625 to the Present Day (London, 1956). The correspondence relates to research conducted by Burton for that book, on Barnes's behalf, with regard to Australian Scottish Regiments (see Appendix III, pp. 332-335).
Also included are apparently unrelated items, 1910, concerning aviation in Britain (ff. 18-22).

Author's correspondencerelating to Notes on the Folklore of the Fjort by Richard Edward Dennett. English. Between boards. Donated by Ethel Hartland, Gloucester, 1953-1954.

Author's MS of The Way Lies West by Ll. Wyn Griffith. Volume I. English. Cloth. Donated by Ll. Wyn Griffith, Berkhamsted, April 1959.

Author's MS of The Way Lies West by Ll. Wyn Griffith. Volume II. English. Cloth. Donated by Ll. Wyn Griffith, Berkhamsted, April 1959.

Author's MS of The Way Lies West by Ll. Wyn Griffith. Volume III. English. Cloth. Donated by Ll. Wyn Griffith, Berkhamsted, April 1959.

A typed transcript, 1948, of the memoirs and journal of Thomas Jones, Pencerrig, recounting his life in London, France and especially Italy during the second half of the eighteenth century. It was copied from another typescript (then owned by C. L. Evan-Thomas) of the original manuscript (now NLW MS 23812D).
The volume broadly covers the period from the 1760s to December 1783, with a final entry by Jones at Pencerrig, November 1798 (ff. 303-304). The main text is typed on the rectos only, with Jones' original notes reproduced on the facing versos. Facsimile copies of a sketch of Mt Vesuvius and a plan of Jones’ lodgings in Naples in 1780, apparently redrafted by the creator of the initial typescript, have been inserted after ff. 168 and 201.