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A photograph, 2016, of Jacob Whittaker filming 'Layers in the Landscape' on Borth beach; photograph by Erin Kavanagh.

A postcard image, 2017, of the ‘King of the Sea Trees’, drawn and designed by Erin Kavanagh with an extract from her poem of the same name; the postcard was produced by the ‘Layers in the Landscape’ project and used in the project exhibitions.

The Welsh poster design, 2017, for the ‘Borth's Lost Legends / Chwedlau'r Borth a Gollwyd’ exhibition.

The English poster design, 2017, for the ‘Borth's Lost Legends’ exhibition.

Pocketbook containing notes from a visit to Germany in January 1933. See also file B1/19 'Hitler diary' from February 1933.

A photograph, January 2018, of Lynne Denman singing her song ‘Bran’ at the ‘Layers in Lampeter’ exhibition during the ‘Penrolio’ event; photograph by Jacob Whittaker.

A photograph, 2017, of the submerged forest at Borth, used in the project exhibitions; photograph by Erin Kavanagh.

Pocketbook containing notes from Trieste and observations on the situation in Italy and Germany. Gareth travelled to Trieste from Vienna in August 1934, covering the events following the assassination of Austrian Chancellor Engelbert Dollfuss. It also includes notes from a Goering speech from August 1934, corresponding with an article published in the Western Mail.

Diary of a visit to Germany starting on 1 October 1934 with the final dated entry on 15 October 1934. Discusses the political and economic system in Germany and notes meetings with Lady Rhondda on the train and Ernst Jackh where he discusses the Berlin section of the New Commonwealth.

A photograph, November 2017, of 'Haenau'r Tirlun', an englyn composed by Mererid Hopwood for the ‘Layers in Lampeter’ exhibition; photograph by Jacob Whittaker.

A photograph, 2017, of Valerie Price and her sculpture ‘Mammoth’, which was used in the ‘Layers in Lampeter’ exhibition; photograph by Jacob Whittaker.

A photograph, 2017, of one side of a leaflet designed by Erin Kavanagh to raise public awareness of the ‘Layers in the Landscape’ project.

A photograph, 2016, of the antlers belonging to a 3,1000-3,300 year-old red deer stag that were discovered at Borth by visitors in the summer of 2016, seen here at Tan-y-bwlch, Aberystwyth, where they were drawn by contributors to the ‘Layers in the Landscape’ project; photograph by Erin Kavanagh.

A photograph, 2016, of Emily Hawkins working on the audio recording of Erin Kavanagh's reading of the ‘King of the Sea Trees’ poem; photograph by Erin Kavanagh.

Third in a series of diaries from Gareth Vaughan Jones's 'Round the World Tour' starting on 17 December 1934 in Hollywood. See also Round the World Tour diary volume 2 (B3/16), volume 3 (38), volume 4 (40) and volumes 5-11 (B2).

A notebook, [1910], belonging to David Lloyd George, Chancellor of the Exchequer, containing rough notes in pencil for speeches given by him in late November and early December, on the campaign trail for the December 1910 General Election (ff. 1-41, 94 verso).
The volume contains material which can be found in Lloyd George's speeches in Edinburgh, 26 November (ff. 1 verso, 3-4 verso, 6-7, 8 recto-verso), Cardiff, 29 November (ff. 9 verso, 11 verso-13, 14, 15 verso-16), Ipswich, 2 December (ff. 18, 22, 23 verso), Glasgow, 5 December (f. 31 recto-verso), North Wales, 7-9 December (f. 36 recto-verso), and East Ham, 15 December (f. 39, 40 verso). Lloyd George also critiques at length Lord Rosebery's speeches of 30 November and 3 December 1910 (ff. 16 verso-33 passim). The notes relate mainly to the Parliament Bill to reform the House of Lords (passed as the Parliament Act 1911), the issue on which the election was called, but also tariff reform, Home Rule, land tax, etc. The volume is entirely in English except for two sentences in Welsh (ff. 30 verso, 35 verso).

A photograph, November 2017, of part of the display at the ‘Layers in Lampeter’ exhibition, including the prehistoric red deer antlers, the ‘Brenin Y Coed Môr’ sign and the 'Time Scroll'; photograph by Erin Kavanagh.

A poster, 2016, describing the ‘Layers in the Landscape’ project, produced by Erin Kavanagh to be shown in London as a requirement for funding by the ISRF; the poster was also displayed with the ‘Layers in the Landscape’ film in the National Maritime Museum, Amsterdam, in 2017.

A photograph, 2016, of a textile interpretation by Emily Hawkins of ‘King of the Sea Trees’, produced by her for a Master’s degree and used in the ‘Layers in Lampeter’ exhibition; photograph by Erin Kavanagh.

A photograph, 2017, of one side of a leaflet designed by Erin Kavanagh to raise public awareness of the ‘Layers in the Landscape’ project.