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A photograph, 2017, of the submerged forest at Borth, used in the project exhibitions; photograph by Erin Kavanagh.

Fourth in a series of diaries from Gareth Vaughan Jones's 'Round the World Tour' starting on 11 January 1935 in the United States of America. See also Round the World Tour diary volume 1 (37), volume 2 (B3/16), volume 3 (38) and volumes 5-11 (B2).

Third in a series of diaries from Gareth Vaughan Jones's 'Round the World Tour' starting on 17 December 1934 in Hollywood. See also Round the World Tour diary volume 2 (B3/16), volume 3 (38), volume 4 (40) and volumes 5-11 (B2).

First in a series of diaries from Gareth Vaughan Jones's 'Round the World Tour' starting on 25 October 1934 with his journey to New York. See also Round the World Tour diary volume 2 (B3/16), volume 3 (38), volume 4 (40) and volumes 5-11 (B2).

Pocketbook containing notes on developments in Germany including descriptions of Nazi territorial policies. Contains a number of blank pages with some notes at the end.

Pocketbook containing notes from a visit to Germany in January 1933. See also file B1/19 'Hitler diary' from February 1933.

Pocketbook containing notes from Trieste and observations on the situation in Italy and Germany. Gareth travelled to Trieste from Vienna in August 1934, covering the events following the assassination of Austrian Chancellor Engelbert Dollfuss. It also includes notes from a Goering speech from August 1934, corresponding with an article published in the Western Mail.

Mererid Hopwood and Erin Kavanagh at the launch of the ‘Layers in Lampeter’ exhibition, which Professor Hopwood opened.

A photograph, January 2018, of Lynne Denman singing her song ‘Bran’ at the ‘Layers in Lampeter’ exhibition during the ‘Penrolio’ event; photograph by Jacob Whittaker.

A poster, 2016, describing the ‘Layers in the Landscape’ project, produced by Erin Kavanagh to be shown in London as a requirement for funding by the ISRF; the poster was also displayed with the ‘Layers in the Landscape’ film in the National Maritime Museum, Amsterdam, in 2017.

A photograph, 2016, of Jacob Whittaker filming 'Layers in the Landscape' on Borth beach; photograph by Erin Kavanagh.

A photograph, November 2017, of 'Haenau'r Tirlun', an englyn composed by Mererid Hopwood for the ‘Layers in Lampeter’ exhibition; photograph by Jacob Whittaker.

A photograph, 2016, of Emily Hawkins working on the audio recording of Erin Kavanagh's reading of the ‘King of the Sea Trees’ poem; photograph by Erin Kavanagh.

Diary of a visit to Germany starting on 1 October 1934 with the final dated entry on 15 October 1934. Discusses the political and economic system in Germany and notes meetings with Lady Rhondda on the train and Ernst Jackh where he discusses the Berlin section of the New Commonwealth.

A notebook, [1910], belonging to David Lloyd George, Chancellor of the Exchequer, containing rough notes in pencil for speeches given by him in late November and early December, on the campaign trail for the December 1910 General Election (ff. 1-41, 94 verso).
The volume contains material which can be found in Lloyd George's speeches in Edinburgh, 26 November (ff. 1 verso, 3-4 verso, 6-7, 8 recto-verso), Cardiff, 29 November (ff. 9 verso, 11 verso-13, 14, 15 verso-16), Ipswich, 2 December (ff. 18, 22, 23 verso), Glasgow, 5 December (f. 31 recto-verso), North Wales, 7-9 December (f. 36 recto-verso), and East Ham, 15 December (f. 39, 40 verso). Lloyd George also critiques at length Lord Rosebery's speeches of 30 November and 3 December 1910 (ff. 16 verso-33 passim). The notes relate mainly to the Parliament Bill to reform the House of Lords (passed as the Parliament Act 1911), the issue on which the election was called, but also tariff reform, Home Rule, land tax, etc. The volume is entirely in English except for two sentences in Welsh (ff. 30 verso, 35 verso).

A photograph, January 2018, of Dafydd Eto (David Moore) about to sing the ‘King of the Sea Trees’ shanty at the ‘Layers in Lampeter’ exhibition during the ‘Penrolio’ event; photograph by Erin Kavanagh.

A poster, 2017, designed by Martin Bates containing a schematic geologic cross-section of Borth beach indicating the layers of sediments beneath the submerged forest; the poster was used in the project exhibitions.

A postcard image, 2017, of the prehistoric red deer antlers discovered at Borth; the postcard was produced by the ‘Layers in the Landscape’ project and used in the project exhibitions.

A photograph, 2016, of the antlers belonging to a 3,1000-3,300 year-old red deer stag that were discovered at Borth by visitors in the summer of 2016, seen here at Tan-y-bwlch, Aberystwyth, where they were drawn by contributors to the ‘Layers in the Landscape’ project; photograph by Erin Kavanagh.

A postcard image, 2017, of ‘Sandstorm’, comprising a poem and a photograph of Borth beach, both by Erin Kavanagh; the postcard was produced by the ‘Layers in the Landscape’ project and used in the project exhibitions.