Dangos 49 canlyniad

A volume written by Thomas Richards, Darowen during the period 1819-31, containing hymns, metrical psalms, 'carolau plygain', etc. by Thomas Jones (Creaton) (at Longnor, 1781), Thomas William (1798), ?Thomas Richards (Darowen) (1819) ('A Gyfiaethwyd o waith Mr. [Ralph] Erskin[e]), John Powel (Llansannan) (1767), Owen Robert(s) (1795), David William [Llandeilo-fach], E[dward] Jones [Maes-y-plwm] (1797), Rowland Hugh (Grienyn), David Richards ('[Dewi] Silin'), David Thomas ['Dafydd Ddu Eryri'], William Jones (Rhos Llanerchrigog), Jonathan Hughes, Walter Davies ['Gwallter Mechain], Evan Evans ['Ieuan Glan Geirionydd'] (1822) and D'd Harries (Darowen) (1831), and anonymous poems.

'The "Te Deum" arranged to be sung to 10 Double & 9 Single Chants-following each other, in order to avoid the monotony of singing the whole to one Chant', 'Jubilate', and hymns and psalm-tunes, most of them composed by John Orlando Parry when he was organist of St. Jude's Church, Southsea.

The tune book of Thomas Jones, Newhavren at the age of twenty, 1838. It contains a large collection of hymn-tunes and psalm-tunes, mostly unsigned. Signed tunes are by Hugh Jones, Pen y Bwth, John Ellis, Robert Williams, Richard Roberts, Llandrygarn and Edward Jones.

The tune book of John Roberts, Llanegryn, 1826, and later of Bontdolgadfan, containing anthems, hymn-tunes and psalm-tunes by John Roberts, Pantyniwl, John Williams, Abermawddach, H[ugh] Jones, Maesglasau, W. Williams, Llanegryn, John Edwards, Llangadog, the Reverend Richard Phillips, Bala, John Roberts, Llanbrynmair and others; and a hymn for use in Sunday Schools ('Yn ysgol bur fy Nuw').

The tune book of Rowland Jenkins Richards, Llangwyryfon, containing hymn-tunes and psalm-tunes, with notes by David Lewis.

A book of hymn-tunes and psalm-tunes, mainly by John Williams, Dolgellau ['Ioan Rhagfyr'], together with Welsh airs: 'Difyrrwch Gwŷr y Gogledd', 'Cân hen Ŵr y Cwm' and 'Cwymp Llewelyn'.

The St. Asaph Tune Book, A musical companion to the St. George Hymn Book ..., Rhyl, 1876, with additional notes by David Lewis, including biographical notices of the Reverend T[homas] Williams, Llansantsior, the Reverend John David Edwards, Rhosymedre and W[illiam] J[ohn] Hughes, Rhyl; and tunes taken from John Playford: The Whole Book of Psalms, London, 1707, and Nathaniel Gawthorn: Harmonia Perfecta, London, 1730.

Unharmonised hymn-tunes, anthems, and psalm-tunes.

Ink full score, piano score, proof copy (in tonic sol-fa notation only) and instrumental parts.

An early nineteenth century music book of Charlotte Louisa Talbot [afterwards the wife of the Reverend John Montgomery Traherne, Coedriglan] ('the gift of Mama'). The volume contains songs, psalms, hymn-tunes, dances, etc., and the titles include 'Glamorganshire March', 'The Soldier's Joy', ' La Piedmontaise', 'O What a beau my Grannie was', 'Progressive Lesson' ('by Hulmandel', i.e., Nicolas Joseph Hullmandel), 'Duke of Gloucester's March', 'Easter Hymn', 'Hymn' by [Ignaz Joseph] Pleyel, 'The Highland Queen', 'Song in Rosina', 'Song in poor Soldier', 'The Complaint' by [? William] Jackson, 'Somebody' by Lady Cornwallis, 1776, 'Rock & wie pickle tow', 'Lady Priscilla Bertie's Minuet', 'In Airy Dreams', 'Egyptian Love Song', 'Babling Echo', 'Song', 'Down the Burn Davy', 'The Belfast Almanack ', 'Sir Watkins Delight', 'Black Mary' ('very old Galic air'), 'Barcarole ', 'Marlbroug', 'Aria' by [Wolfgang Amadeus] Mozart, 'Kate of Aberdeen', 'The Fields were green', 'Rest beauteous flow'r . . .' by Jackson, 'Thou soft flowing Avon. . .' by Dr. [Thomas Augustine] Arne, 'Valenciennes March', 'Waltz', 'Mrs. Brunels Waltz', 'Lord Wellington', 'Oh the Moment was sad' ('Irish'), 'Leipsic Waltz', '2d Waltz', '3d Waltz', '4th Waltz', 'Amour, cruel amour', 'Oh Nanny' by [Jan Ladislav] Dussek, 'Rondo', 'Kielmark's Romance', 'Chatley Waltz', ['La pipe de Tabac'] by [ ] Varnier, 'Thirty second Psalm', '34th Psalm', '42d Psalm', 'Mrs. Macdonald ', 'Rousseau's Dream', 'La Brillante', 'Austrian Waltz' by [John] Parry [ of Ruabon], 'Air' by [?P.M] Meyer, 'Barcarole', 'The Porteynon Whim' (1817 ), 'Vincennes Waltz', 'Miss Knight's Waltz', ['Waltz'] by [ ] Ferstein, 'She rose and let me in', 'La Paysanne', 'Folia d'Espagna', 'La pion pion d' Estelle', 'March' by [Robert Nicolas Charles] Bochsa, 'Waltz' by [Johann] Schenk, 'The Hyperbole' ('composed by Mrs. R. J.'), 'Waltz', 'Thema', 'The Queens Minuet', 'Psalm 34th', 'How long wilt thou forget me Lord . . .' by [ George Frederic] Handel, 'Part of the Service of the Greek Church as performed in Russia', 'Psalm VIII' ('Magdalen Evening hymn'), 'No t'was neither shape nor feature . . .' by [Johan Sebastian] Bach, 'The Inconstant's Waltz', [ ] by [ ] Pleyel, 'The Lass that was laden wi' care', 'Conway Castle' by [John] Parry, 'Emma's Reel', Welsh air ('Os ai dithau duwa y lech blaen nant ty . . .'), [ ] by [ ] Pleyel, Welsh air ('[Pan] own i ar foreudydd ...'), 'Toi!', 'Air by Lady Catherine Bligh', ‘'Jones's Hornpipe', 'Andante' by [P. J.] Meyer, senior, 'Where the bee sucks' by Ame, [ ] by [Girolamo] Crescentini, 'Rondo' by Bach, [ ] by Bach, 'Lochaber', 'Miss Johnson's Reel', 'Sonata' by [William] Corbett, 'Romance' by [Franz Joseph] Haydn, 'Air' by [Giovanni Battista] Viotti, 'La Montaguarde' by [ ] Trenisi, 'Waltz', 'March' by Handel, 'Arietta Romana', 'Wire a' Noddin', 'Indian Air', 'Sonata' by [?Johann Samuel] Schroeter, 'Rondo in 11 Barone di Terre forte' by [?Tommaso] Giordani, 'L'Été', 'La Foe', 'La Flora', 'La Matilde', 'Le Tancred', 'Zitti Zitti', 'La Limerick', 'La Nouvelle Fantaisie', etc. The greater part of the volume is indexed.

A manuscript in the hand of Samuel Williams (c. 1660 - c. 1722), vicar of Llandyfriog, Cardiganshire, containing forty-four sermons translated from or based on several authors e.g. [Simon] Patrick [successively bishop of Chichester and of Ely], [Nicholas] Brady [the elder], [Thomas] Adams, [Friedrich] Spanheim, [George] Smalridge [bishop of Bristol], [Theophilus] Dorrington, Cl[ement] Ellis, [Robert] Bragge [dissenting minister], etc. There is a list of contents at the beginning of the volume, and hymns ('Myfi yw'r Adgyfodiad mawr...', etc.) and metrical psalms by [Edmwnd Prys and] William Middleton have been written on the fly-leaves and in blank spaces at the end of some of the sermons. There are some additions, among them the Lord's Prayer, in the hand of the scribe's son, Moses Williams (1685-1742), vicar of Defynnog. Entries on the back of one of the original covers, also in the hand of Moses Williams, indicate that some of the sermons were preached at Dyvynog [Defynnog] and Cap[el] Ill[t]ud during the years 1728-30.

The tune book of David John Lewis, otherwise David Jones, Tymawr, Llanrhystyd, 1777, containing psalm-tunes and hymn-tunes from various sources, including works by John Jeffreys and David Hughes ['Cristiolus Môn']; a few hymns; and farming accounts and memoranda by David Jones, 1785-1819. David John Lewis was grandfather to David Lewis's mother.

A collection of psalm-tunes, hymn-tunes and anthems by Jenkin Jenkins, Llwyndeiniol, David Harri[e]s and others.

A miscellaneous collection of hymn-tunes, psalm-tunes and anthems compiled early in the nineteenth century. The composers' names given are W. Rowlands, Robert Parry, R. Jones and Hugh Hughes.

'The first attempt at Composition by John Orlando Parry. Aged 11 years. 1821', being a number of miscellaneous songs and psalm-tunes.

The tune book of John Williams, Tynyffordd, weaver, containing psalm-tunes, hymn-tunes and traditional Welsh songs.

Three fragments mainly containing material in the hand of Morgan Llwyd: a) Sheets out of a notebook containing notes of sermons, one of which is said to have been delivered by 'Mr. Lloyd' [?Morgan Llwyd]. b) A copy (2 pp.) of the verses of lamentation and resolution by the Welsh saints, 1643, comprising ten out of the twenty verses printed by T. E. Ellis in Gweithiau Morgan Llwyd (Bangor, 1899), vol. I, pp. 3-6, in the following order - 1, 2, 5, 6, 3, 9, 8, 7, 14, 18; a version, in the hand of Morgan Llwyd, of the first nine stanzas of a 'Thanksgiving song for Wrexham delivered from pest' (Gweithiau, vol. I, pp. 12-13); notes by Morgan Llwyd, including drafts of sermons, and a list of names (Ens. Roberts, Howell Thom., Ben. Rich., Walt. Thimble., Hugh Prich.) headed by a cancelled sentence - 'who should have the booke of my verse'; twenty-two stanzas beginning 'The lord is kind and merciful ...' in the hand of Morgan Llwyd, being apparently a draft of a poem or of a series of poems by him; thirteen stanzas based on Canticles, in the hand of Morgan Llwyd, ten roughly corresponding to those printed in E. Lewis Evans: Morgan Llwyd (Lerpwl, 1930), pp. 176-8, stanzas 11 and 12 corresponding respectively to 4 and 5 in Ellis: Gweithiau, vol. I, p. 10, and stanza 5 being possibly the basis of stanza 3 in Gweithiau; a transcript of the Canticle verses in another hand; a draft, in the hand of Morgan Llwyd, of the poem 'Hanes rhyw Gymro' (Gweithiau, vol. I, pp. 57-60); and a copy of verse xxviii in Gweithiau, p. 61. c) Draft translations of psalms by Morgan Llwyd. The translations are incomplete, and many stanzas have been cancelled. There are verses translated from Psalms 19, 37, 44-46, 121-122, and 126.

A music book of Mary Thereza Talbot, 1816. The titles include 'Cudyn Gwyn ', 'Diniweudrydd Colomen', 'Lesson' by [John] Parry [of Ruabon], 'Welsh Rondo', 'Lesson' by Parry, 'White January days' ('Welsh'), 'Old tooth Psalm', '139 Psalm', 'The Morning Hymn', 'Rhyfelgyrch Cadpen Morgan', 'Gorhoffedd Gwyr Harlech', 'Twll yn ei Boch', 'Breuddywd y Frenhines', 'Triban Gwyr Morgannwg', 'Plygaid y Bedol', 'Ar hyd y nos', 'Tlysig', 'Merch Megan', 'Mentra Gwen', 'Three Hundred Pounds' ('Welsh'), 'Conway Castle', 'Y Derien Du Pig Felin', 'Ferch o Bedlam', 'I heard the Cuckoo', 'Diddan Captain Morgan', 'Hoffedd Modryb Marged', 'Codiad yr Hedydd', 'A favourite Scotch Air' by [P. J.] Meyer, senior, 'The Queen's Minuet', 'The Spanish Patriots', 'The Anna Maria Waltz', 'A Waltz', 'Polonaise', 'Waltz der Tirol', 'The Atholl Highlander's March', 'German Air', 'Waltz', 'L'Anacreon', 'Le Jeune Honzard' (arranged for the harp), 'Russian Sauteuse', 'La Plaisanterie', 'An Air', 'Cawdor Fair', 'Austrian Waltz', 'Italian Air ', 'Bonnie Fanny', 'Neapolitan Waltz', 'Air in Psyche', 'A Madrigal', 'Barcarola', 'Minuet Lady Coventry's', 'Miss Wynnes Minuet', 'The Harriot', 'Waltz', 'Lord Sr. Orville', 'Put the gown upon the Bishop' ('very old'), 'The M. S. S. Waltz', 'Paddy Carey', 'Shelah O'Niel', 'A Chieftain to the Highlands', 'The Saxon Dance', 'Une Soirée d'été', 'Le garçon volage', 'The lass that was laden with care', 'Callar Herring' by N. Gow, 'Lord Beauchamp's March', 'Wetztein Waltz', 'From la Rosiere', 'The Guittar Dance in Telise', 'Swiss Allemande', 'Quadrille', 'A Spanish tune', 'Waltz',’ 'Allegretto Allemande', 'Mary's Favorite', 'Glamorganshire Rang des Vaches', 'There's nae Luck about the house', 'Dutch Minuetto', 'Le Cobourg ', 'Felton's Minuet', 'The land of the Leal', and 'O! Jenny'.

Manuscript score with copy (not in composer's hand) of 'Psalm 135' (Praise ye the Lord) for contralto (or mezzo soprano), male chorus and orchestra, composed Llandough, April 1959; together with a vocal score and orchestral parts. First performed, Llandaff Festival, June 1959. Version for male voices and organ published Magor: Mansel Thomas Trust, Ref: MT023 [1998?].