Showing 30 results

The English poster design, 2017, for the ‘Borth's Lost Legends’ exhibition.

A photograph, 2017, of the carved wooden ‘Brenin y Coed Môr’ (‘King of the Sea Trees’) sign designed and made by Mark Sawyer which was used in the project exhibitions; photograph by Erin Kavanagh.

The Welsh poster design, 2017, for the ‘Borth's Lost Legends / Chwedlau'r Borth a Gollwyd’ exhibition.

A poster, 2017, explaining ‘Haenau yn y Tirwedd’ (the Welsh title for the ‘Layers of the Landscape’ project) in Welsh, designed by Erin Kavanagh; the poster was used in the project exhibitions.

A postcard image, 2017, of the ‘King of the Sea Trees’, drawn and designed by Erin Kavanagh with an extract from her poem of the same name; the postcard was produced by the ‘Layers in the Landscape’ project and used in the project exhibitions.

A photograph, 2016, of a textile interpretation by Emily Hawkins of ‘King of the Sea Trees’, produced by her for a Master’s degree and used in the ‘Layers in Lampeter’ exhibition; photograph by Erin Kavanagh.

A photograph, November 2017, of part of the display at the ‘Layers in Lampeter’ exhibition, including the prehistoric red deer antlers, the ‘Brenin Y Coed Môr’ sign and the 'Time Scroll'; photograph by Erin Kavanagh.

A photograph, 2017, of one side of a leaflet designed by Erin Kavanagh to raise public awareness of the ‘Layers in the Landscape’ project.

A photograph, 2017, of one side of a leaflet designed by Erin Kavanagh to raise public awareness of the ‘Layers in the Landscape’ project.

A photograph, 2017, of Valerie Price and her sculpture ‘Mammoth’, which was used in the ‘Layers in Lampeter’ exhibition; photograph by Jacob Whittaker.

A postcard image, 2017, of ‘Sandstorm’, comprising a poem and a photograph of Borth beach, both by Erin Kavanagh; the postcard was produced by the ‘Layers in the Landscape’ project and used in the project exhibitions.

A photograph, 2016, of the antlers belonging to a 3,1000-3,300 year-old red deer stag that were discovered at Borth by visitors in the summer of 2016, seen here at Tan-y-bwlch, Aberystwyth, where they were drawn by contributors to the ‘Layers in the Landscape’ project; photograph by Erin Kavanagh.

A postcard image, 2017, of the prehistoric red deer antlers discovered at Borth; the postcard was produced by the ‘Layers in the Landscape’ project and used in the project exhibitions.

A poster, 2017, designed by Martin Bates containing a schematic geologic cross-section of Borth beach indicating the layers of sediments beneath the submerged forest; the poster was used in the project exhibitions.

A photograph, January 2018, of Dafydd Eto (David Moore) about to sing the ‘King of the Sea Trees’ shanty at the ‘Layers in Lampeter’ exhibition during the ‘Penrolio’ event; photograph by Erin Kavanagh.

A notebook, [1910], belonging to David Lloyd George, Chancellor of the Exchequer, containing rough notes in pencil for speeches given by him in late November and early December, on the campaign trail for the December 1910 General Election (ff. 1-41, 94 verso).
The volume contains material which can be found in Lloyd George's speeches in Edinburgh, 26 November (ff. 1 verso, 3-4 verso, 6-7, 8 recto-verso), Cardiff, 29 November (ff. 9 verso, 11 verso-13, 14, 15 verso-16), Ipswich, 2 December (ff. 18, 22, 23 verso), Glasgow, 5 December (f. 31 recto-verso), North Wales, 7-9 December (f. 36 recto-verso), and East Ham, 15 December (f. 39, 40 verso). Lloyd George also critiques at length Lord Rosebery's speeches of 30 November and 3 December 1910 (ff. 16 verso-33 passim). The notes relate mainly to the Parliament Bill to reform the House of Lords (passed as the Parliament Act 1911), the issue on which the election was called, but also tariff reform, Home Rule, land tax, etc. The volume is entirely in English except for two sentences in Welsh (ff. 30 verso, 35 verso).

Diary of a visit to Germany starting on 1 October 1934 with the final dated entry on 15 October 1934. Discusses the political and economic system in Germany and notes meetings with Lady Rhondda on the train and Ernst Jackh where he discusses the Berlin section of the New Commonwealth.

A photograph, 2016, of Emily Hawkins working on the audio recording of Erin Kavanagh's reading of the ‘King of the Sea Trees’ poem; photograph by Erin Kavanagh.

A photograph, November 2017, of 'Haenau'r Tirlun', an englyn composed by Mererid Hopwood for the ‘Layers in Lampeter’ exhibition; photograph by Jacob Whittaker.

A photograph, 2016, of Jacob Whittaker filming 'Layers in the Landscape' on Borth beach; photograph by Erin Kavanagh.