Dangos 186 canlyniad

‘The Bridge’ / ‘Y Bont’, 2016, a short film created as a ‘deep mapping’ experiment set in Cardigan Bay and which was the pilot for the ‘Layers in the Landscape’ project, having grown out of Erin Kavanagh’s Master’s dissertation at UWTSD; the contributors include Maria Hayes (artwork), Lynne Denman (song), Diarmuid Johnson (flute), Martin Bates (geoscience), Peter Stevenson (narration) and Erin Kavanagh (stills photography and artwork); each commissioned response was integrated into the film to show how an interdisciplinary approach to site specific representation could be achieved in a format that is equally accessible to all sides; filmed and edited by Jacob Whittaker, and produced and directed by Erin Kavanagh.

A photograph, January 2018, of Lynne Denman singing her song ‘Bran’ at the ‘Layers in Lampeter’ exhibition during the ‘Penrolio’ event; photograph by Jacob Whittaker.

A copy, 2016, of a rendition by Diarmuid Johnson of the Middle Welsh poem in the Black Book of Carmarthen (ff. 53v-54) relating to Seithenhin and the legend of Cantre'r Gwaelod; this version of the poem was used in the project exhibitions alongside the Modern Welsh and English translations.

A digital copy, 2016, of the poem 'King of the Sea Trees', composed and illustrated by Erin Kavanagh and described by her as ‘a myth [which] communicates disparate unpublished and published archaeological/geological data from the submerged landscapes along the coast of Wales, combined with poetic, mythic, folkloric, and song references’; the poem was used in the film ‘Layers in the Landscape’ and in the project exhibitions, and inspired several pieces of work in other media which also appeared in the exhibitions.

‘Layers in the Landscape’, 2016, a short film which sought to ‘deep map’ Cardigan Bay by bringing together multi-disciplinarian experts in a range of fields, each with skill crossovers with at least one of the other participants; what they chose to produce was their own choice and developed organically; the contributors include Martin Bates (geoscience and archaeology), Maria Hayes (artwork), Diarmuid Johnson (medieval Welsh language and literature), Lynne Denman (song), Peter Stevenson (artwork and folklore), Jacob Whittaker (filming and editing) and Erin Kavanagh (direction, production, folklore, photography, geoscience, archaeology and artwork), and there is also an interview with the geoscientist Denis Bates; the film includes the ‘Time Scroll’, the ‘Thin Deep Map’ and excerpts from the ‘Bran’ song’ and the ‘King of the Sea Trees’ poem; filmed and edited by Jacob Whittaker, directed and produced by Erin Kavanagh, and used in the project exhibitions.

A recording, 2016, of the song ‘Bran’ which was composed and performed by Lynne Denman in response to Erin Kavanagh’s work on Cardigan Bay and ‘Branwen uerch Lyr’ as well as the discovery of prehistoric antlers at Borth in 2016, anticipating their association with the ‘King of the Sea Trees’ in Erin Kavanagh’s poem; recorded by Erin Kavanagh and used in the films ‘The Bridge’ and ‘Layers in the Landscape’ as well as in the project exhibitions.

A photograph, 2017, of the submerged forest at Borth, used in the project exhibitions; photograph by Erin Kavanagh.

Author's proof copy, 2019, of 'Writing wonders: poetry as archaeological method?' by Erin Kavanagh in which she discusses theoretical aspects of her poem ‘King of the Sea Trees’.

A recording, August 2017, of the 'King of the Sea Trees' shanty, composed and performed by David Moore (under the pseudonym Dafydd Eto) and drawing on traditional songs of the sea in response to Erin Kavanagh's poem of the same name, with the prologue of the poem spoken by Erin Kavanagh and also backing vocals by her; recorded by Jacob Whittaker and used in the project exhibitions.

Pocketbook containing notes from Trieste and observations on the situation in Italy and Germany. Gareth travelled to Trieste from Vienna in August 1934, covering the events following the assassination of Austrian Chancellor Engelbert Dollfuss. It also includes notes from a Goering speech from August 1934, corresponding with an article published in the Western Mail.

Diary of a visit to Germany starting on 1 October 1934 with the final dated entry on 15 October 1934. Discusses the political and economic system in Germany and notes meetings with Lady Rhondda on the train and Ernst Jackh where he discusses the Berlin section of the New Commonwealth.

A photograph, November 2017, of 'Haenau'r Tirlun', an englyn composed by Mererid Hopwood for the ‘Layers in Lampeter’ exhibition; photograph by Jacob Whittaker.

Author's proof copy, 2018, of 'Re-thinking the conversation: a geomythological deep map' by Erin Kavanagh in which she describes the conceptual framework behind her ‘deep mapping’ of Cardigan Bay and explains the activities undertaken by the ‘Layers in the Landscape’ project.

A photograph, 2017, of Valerie Price and her sculpture ‘Mammoth’, which was used in the ‘Layers in Lampeter’ exhibition; photograph by Jacob Whittaker.

A photograph, 2017, of one side of a leaflet designed by Erin Kavanagh to raise public awareness of the ‘Layers in the Landscape’ project.

A photograph, 2016, of the antlers belonging to a 3,1000-3,300 year-old red deer stag that were discovered at Borth by visitors in the summer of 2016, seen here at Tan-y-bwlch, Aberystwyth, where they were drawn by contributors to the ‘Layers in the Landscape’ project; photograph by Erin Kavanagh.

A photograph, 2016, of Emily Hawkins working on the audio recording of Erin Kavanagh's reading of the ‘King of the Sea Trees’ poem; photograph by Erin Kavanagh.

Draft of a letter by Sir Paul Silk on the role of the Wales' Governance Centre in the work of the Commission on Devolution in Wales.

Note of the Models of Devolution Expert Evidence Seminar held at Aberystwyth University on 25 June 2013 prepared by the Commission Secretariat discussion the merits of a reserved and conferred powers model of devolution.

A note of the Expert Seminar on Natural Resources held on 26 June 2013 at the Bridge Innovation Centre, Pembroke Dock with evidence from Dr Stevie Upton, Honorary Research Associate, Wales Governance Centre. Dr Roisin Willmott, National Director, RTPI Cymru, Llywelyn Rhys, Deputy Director, RenewableUK Cymru, Ted Sangster, Pembrokeshire Business Initiative andAlec Don, Chief Executive, Port of Milford Haven.