Dangos 29 canlyniad

Literary manuscripts of David Jones, with manuscript drafts of In Parenthesis: Seinnyessit e gledyf ym penn mameu; The Anathemata: Fragments of an attempted writing; Epoch and Artist: Selected writings by David Jones; The Sleeping Lord and other fragments; The Dying Gaul and other writings, and The Roman Quarry and other sequences. There is a substantial body of letters to David Jones from friends, editors and others, 1910-1976; draft letters from David Jones to friends, newspaper editors and others, 1929-1982; and letters by David Jones, 1919-1985, published in Dai Greatcoat: A self-portrait of David Jones in his letters. There are some examples of David Jones' art, and material relating to David Jones as an artist, as well as personal documents, financial papers, family papers, photographs, and accumulated research material.

Records relating to the Anglo-Welsh Review, mainly typescripts of material published in the magazine, 1957-1988, including editor's correspondence files, printer's copies and galley proofs, 1957-1988; and subscription lists, 1957-1975. The archive also includes correspondence and papers relating to the publication's demise and closure, 1981-2000 (November 2021 deposit).

Papers relating to the magazine Planet, including printers' copies for numbers 1-36 of Planet, 1970-1977, including typescripts of articles, artwork and proofs; manuscripts, 1971-1977, submitted to John Tripp as literary editor, with related correspondence; correspondence, 1970-1975, to the editors, Ned Thomas and Sarah Erskine; letters, 1972-1979, received by John Tripp in his capacity as literary editor; and records of subscriptions, 1971-1974. The papers include manuscripts and letters from many important Welsh and Anglo-Welsh writers.

Additional papers, 1978-2006 (mainly 1985-2006), mostly consisting of correspondence addressed to the editor John Barnie; these remain uncatalogued.

Papers of John Barnie, including correspondence from various poets and literary figures from Wales and other countries, and his own literary and personal papers.

Papers of, and relating to, Dylan Thomas, [1925x2013], collected and collated by Jeff Towns, including scripts, correspondence, programmes and papers relating to the publication of Under Milk Wood, and radio, stage, film and audio productions of the play, 1953-2005; research papers and works relating to Dylan Thomas, 1937-2006; letters by Dylan Thomas, and the letters and papers of his wife Caitlin, their three children and his parents, 1935-2007; autograph prose works, [1925x1953], and personal papers, [1929]-1960; poetry, [1928x2010], mostly comprising autograph drafts; unpublished autograph letters by Dylan Thomas, [1926]-1995; and a small group of material, 1939-[2013], including four autograph letters, 1939, from the author, relating to The map of love.

The papers of Llewelyn Wyn Griffith, comprising literary material, 1912-1977, including manuscript and typescript drafts of his autobiographies, poetry and prose, translations, and related correspondence; radio scripts, articles and addresses, 1927-[?1971]; personal papers, [c. 1900]-1976, including correspondence and diaries; and family papers, 1850-1951, including the papers of his father, John Griffith, and documents relating to family history.

Typescript and manuscript copies of novels and short stories by Geraint Goodwin, 1929-1987.

Papers of J. L. Killey, [late 20th cent.], including bound copies of typescript first drafts of his works, 'J H X Political', 'S P', 'Dear Percy', and 'Considerations'.

Letters, 1967-2010, to Herbert Williams from the writer Richard Jones, and letters from novelists, poets and artists, relating to the donor's literary and radio work.

Holograph manuscripts and (mostly) typescripts, corrected, of some of the published and unpublished literary works, including novels entitled 'Benny Boy', 'Thursday to Saturday', Choral Symphony (London, 1955), 'Requiem for Rags', 'The Champion's Wife, 'The Methuselahs', Come, Night; End, Day, Rhondda Roundabout, 'Shadow Show' and The Man David (London, 1944); comedies, musical plays, and dramatisations of novels, autobiographies, radio scripts, articles and reviews, 1938-1967, including 'The Leek in the Broth'; diaries, 1938-1962; notebooks on William Abraham ('Mabon'); cuttings from Merthyr Express of the 'Saran Stories'; recorded readings from the B.B.C, 1941-1964; and typescript final draft of 'A Burnt Offering' and manuscript notes on Dr William Price.