Dangos 713 canlyniad

Handwritten and typed devising notes and ideas by [Clifford McLucas] for the Los Angeles production.

Reviews and previews for the various Los Angeles productions, including at Rhymney, Glasgow, Fribourg, Grenoble, Buenos Aires, and Taliesin Theatre and Theatr y Werin.

Correspondence and papers from Giles Parbury relating to the Los Angeles performance at the Mayfest Festival, Glasgow, including show accounts, venue and set plans, papers regarding set arrangements and technical details, work timetable, reviews, production information including a structural summary and [scenario], and rehearsal details; together with papers relating to a solo performances at St Fagans Museum and Chapter Arts Centre, including performance schedules, set and venue plans and papers regarding equipment hire.

Correspondence and papers of the production manager, Giles Parbery, relating to the Los Angeles performance at Buenos Aires, including props lists with notes and images, details and arrangements for technical and set requirements, venue plans, a contract and work schedules and trip itineraries.

Lis Hughes Jones' workfile for the Llythyron o’r Nefoedd production including daily work plans for [rehearsals] including names of [participants] and notes on tasks, dynamics and actions; word association lists; a general work plan; notes on ideas, workshops, dynamics and stage actions; production checklists; draft scenarios; verses and songs; venue plans; research material; a draft copy of the production texts; publicity material; and correspondence.

Previews and reviews of the Pax performances at St David's Hall, Cardiff, Glasgow and the Railway Station, Aberystwyth; also included are some reviews of the performance with Cyrff Ystwyth in Llanbadarn Church and Los Angeles in Rhymni.

Copies of a working 'score' for the Aberystwyth production of Pax.

Correspondence and papers from the production manager, Giles Parbery, relating mainly to the Pax production in Glasgow, including scenographic plans and sketches, venue plans, timetable of artistic meetings, production schedules, work schedules and work strategy, electrical equipment location diagrams, details of equipment, articles and materials required, a production ‘score’, crew and cast member details and budgets.

Copies of notes by Clifford McLucas, written in the form of a letter, containing a discussion on Brith Gof and on how to develop Pax following the Gododdin production.

Scenographic and prop designs and sketches by Clifford McLucas relating to the Pax production, including designs for the sets of the performances at Aberystwyth Railway Station, Llanbadarn Church, St David's Hall and Glasgow; together with scenographic artwork and devising work also by Clifford McLucas, relating to the Pax production, a production score, photographs, an information brochure and some of Clifford McLucas' 'ghost' photographs.

A notebook containing ideas, devising and research notes and scene outlines.

An information leaflet for the Gwynt, Glaw, Glo, a Defaid production, previews and reviews of the performance, and a copy of the production poster; together with an article relating to Mike Peters' involvement with Pax, a personal letter and performance notes.

Publicity material and programmes for performances at Taliesin Arts Centre, Swansea, Sherman Theatre, Cardiff, and the Barclays New Stages Festival of Independent Theatre; together with a draft copy of some of the text for one of the programmes.

Information relating to venues, including a side elevation plan of the Royal Court Theatre, a technical information pack for the Taliesin Arts Centre and a plan of University of Warwick Arts Centre.

Photocopies of photographs, documents and an extract from a production booklet, some of which were possibly used in production information booklets.

Papers relating to the arrangement and promotion of the Patagonia production at the National Eisteddfod, including a work schedule, a poster, and notes and sketches for the promotional material; together with notes relating to the sale of Patagonia t-shirts and a newspaper preview of Patagonia at the Taliesin Arts Centre, Swansea.

Previews, reviews, press releases and production information, including images and photographs; together with information regarding press contacts, some of which come from Nia [Piercy's] press file.

Correspondence and papers relating to the administration and arrangement of the Haearn production, including publicity material information, minutes of various meetings, site/venue plans, scenographic plans and designs, performance structures, work and task lists, a schematic scenario, timetables and action plans, together with a preliminary budget.

Draft and final copies of the texts and scripts for the Haearn production, together with notes and details regarding themes and imagery, and a production structure and [scenario].

Copies of the production storyboard, including a copy noting sound cues and a copy with notes for a tv edit.