Dangos 713 canlyniad

Two letters of congratulations on the performance of Haearn at Tredegar.

A list of hospitals and hospital props, with contact details.

A sketch on acetate relating to the production on which the location of television cameras has been noted.

Correspondence and papers relating to the arrangement and administration of re-staging the Haearn production in Birmingham, including discussion notes and a model/timetable for foreign stagings.

Correspondence and papers relating to the arrangement and administration of re-staging the Haearn production in Douai, including scenographic designs, budget, devising notes and designs.

Correspondence, photographs and papers relating to the arrangement of re-staging Haearn in Douai, including photographs of a [proposed] venue, [which was an unused factory], photocopied photographs, plans and details of the Hippodrome in Douai as an alternative venue, budgets, project timetables, notes regarding equipment, production information and scenographic plans.

Handwritten notes, possibly part of a script.

Correspondence and papers relating to general arrangements for the Brith Gof stall during the Eisteddfod and to the planned activities, including correspondence regarding lectures/talks, a paper regarding Brith Gof’s activities at previous eisteddfodau and for the week at this eisteddfod, scenographic designs and an information leaflet.

Research material for the Tri Bywyd production, including a photocopy of 'Wreath on the Crown' the story of Sarah Jacob, OS maps, photocopies of aerial photographs of Cardiff and information regarding aerial photography.

Copies of the production scores noting details of action, texts, general 'scenario', lights, sound and general dynamic, including a file containing Clifford [McLucas’] copy, which also contains scenographic designs, ideas for Eddie Ladd's physical sections and a work timetable.

Photographs of the Brith Gof stand and the structure that was built at the 1995 Bro Colwyn National Eisteddfod.

A spiral notebook containing notes and sketches in the hand of [Clifford McLucas] relating to a number of productions/projects, including notes relating to Hafod and the Hafod production; notes and structure designs relating to the work at the National Eisteddfod in [?1995] and 1996; and notes relating to the Eddie Ladd production Once Upon a Time in the West; together with notes relating to the Tri Bywyd production and the Tri Bywyd publication, namely Clifford McLucas' chapter in the publication edited by Nick Kaye: Site-Specific Art: Performance, Place and Documentation.

Draft, proof and mock-up copies of pages of Tri Bywyd publications, namely the proposed The Host and Ghost publication and the chapter by Clifford McLucas for the publication edited by Nick Kaye: Site-Specific Art: Performance, Place and Documentation, together with illustrative material such as scenographic designs, draft production score, maps and an outline plan, some of which were used in the publications.

Handwritten notes that appear to be performance actions.

A copy of a project information document.

Publicity material relating to the work with La Fura Dels Baus, including a leaflet for Work in Progress, and programmes for the Gal.les a la Tardor festival, where Estronwyr was performed; together with press releases.

Correspondence relating to the administration and arrangement of the collaboration and production with La Fura Dels Baus, and including information about the Gal.les a la Tardor festival, the video link of the performance, funding, and production details.

Details of some organising principles, which appear to be directions for a performance.

A spiral notebook containing [Clifford McLucas'] devising notes and papers, comprising ideas, sketches, scenographic sketches and designs, including a draft copy of a Prydain scenography booklet, copies of pages from the Sabotage production booklet, action/performance directions, and publicity material designs.

Plans of the Tramway, Glasgow and also the Zap Club, Brighton.