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Correspondence and papers relating to a conference at Gregynog and meeting held at Aberystwyth to discuss theatre practice and theory in Wales; together with correspondence and papers relating to the organisation of another conference at Aberystwyth the following year and the establishment of a forum for debate following on from these meetings.

A [lecture] on theatre archaeology by [Mike Pearson].

Correspondence and papers relating to an article by Mike Pearson and Clifford McLucas regarding the 'Specifics of Site' for a Theatr Institut Nederland publication.

Copies of the Seven Architectures booklet by Clifford McLucas, which appears to relate to the structure and scenography of the production.

Papers relating to the Pointing Finger and the Moo. . . .Wales multimedia presentation, given at the Pacific Coast Conference on British Studies at Stanford University, California, including a stage plan showing the technical set up, conference information and copies of the presentation, with an earlier version which was given at the "Performances, Places and Pasts" Centre for Performance Research Conference.

A copy of a lecture/presentation by Clifford McLucas regarding the work and productions by Brith Gof.

Copies of an article by Mike Pearson and Clifford McLucas: The Host and the Ghost Brith Gof's Large-Scale Site-Specific Theatre Works, which mainly relates to Haearn.

Mock-ups of sections for the proposed 'The Host and the Ghost' publication.

Copies of seminar and multimedia presentation about some recent concerns in the theatre and media work of Brith Gof given to staff and students at the University of Wales, Lampeter.

Draft and final copies of the texts and scripts for the Haearn production, together with notes and details regarding themes and imagery, and a production structure and [scenario].

Papers relating to production texts, scripts, performance and videos, including draft extracts of scripts and texts and a draft copy of the full script; notes regarding the script, ideas, themes, and performance/show, draft production [scores], and a list, memo and plans regarding the video clips to be shown; together with a project timetable and a draft production information booklet.

Lis Hughes Jones' notes relating to the Pandaemonium production including a scenario, production texts, research material, notes regarding the music score, [song lyrics] and notes on actions; together with Lis Hughes Jones’ workbook containing general production notes, and notes on music, verses/lyrics, and production texts.

Texts, some of which were taken from Henry V by Shakespeare, work by William Blake and a discourse by Richard Price, used during the production and as screen texts.

Texts relating to the history of Hafod, Thomas Johnes and Mariamne Johnes.

A collection of quotes and texts for the Los Angeles production.

Copies of the John Berger texts in English and French.

Texts for the Besatt production, together with details of what was to said and which music was to be played together and production songs.

Texts for the production from [Nic Ros] to Lis Hughes Jones , including a sheet showing the order in which the banners were to be displayed on stage.

A copy of the texts used in scenes 2, 4, 6 and 8 by Brith Gof in the Work in Progress production.

Lis Hughes Jones' notebook of texts and sources for the 8961, Iddo Fe, the Silent Village [Du a gwyn?] productions, mainly copies of [poems] and verses that were presumably used in the productions with some research notes, a list of photographs of individuals, texts, a [draft scenario] and a list of props and costumes.