Dangos 812 canlyniad

Correspondence, papers and photographs relating to the Los Angeles production, including devising notes and ideas, scenographic sketches, research material relating to the L.A. Riots, production quotes and texts, performance notes and directions, performance [scenarios], copies of the production prospectus and production marketing packs, publicity material, reviews and previews; together with correspondence and papers from production manager, Giles Parbury, mainly relating to the Los Angeles performances at the Mayfest Festival, Glasgow, Buenos Aires, Argentina and [Europe?], including Fribourg and Grenoble .

Scenographic sketches by Clifford McLucas for the Los Angeles production.

Performance [scenarios] for the Los Angeles and Pax productions.

Copies of a production marketing pack, presumably produced for possible promoters, comprising an early version for the earlier productions and a later version.

Correspondence and papers from the production manager, Giles Parbery, relating mainly to technical aspects of the Los Angeles production, including performances in Gent, Aberystwyth and Buenos Aires, including a technical running order with details of cast members’ actions, stage and set plans noting technical and prop details, timings for technical effects, props and equipment lists, some of which relate to the exportation and re-importation of items, a work schedule for Buenos Aires and sound and fx (effects) plots.

Publicity material and programmes for the performances of Pax at Glasgow, Cardiff and Aberystwyth; together with a copies of information booklets including the user's handbook for Cardiff, a booklet for the Pax concerts, and a sponsors brochure.

Various information booklets and leaflets for the Pax production, including a booklets for the Pax concerts, potential sponsors, and a compilation of press previews, reviews and other recent articles; together with leaflets for the Pax concerts.

Work notes and memos relating to the Pax productions and including production notes relating to the soundtrack, appraisal notes, and production texts; together with a proposal for a performance of Pax at Aberystwyth and an analysis of Pax.

A notebook containing draft devising notes, production and performance notes and draft scenarios.

A copy of a schematic scenario for the Glasgow performance of Pax, which has been annotated and which also includes some scenographic designs.

Correspondence and papers from the production manager, Giles Parbery, relating mainly to technical aspects of the Pax production at Aberystwyth Railway Station, including production accounts, work schedule noting technical tasks, lists of props and technical equipment, plans of Aberystwyth Railway station noting technical details, equipment hire invoices, brochures and quotes, a proposed scenario for the Pax production at Aberystwyth Railway station, strategy notes by Clifford McLucas outlining individuals’ responsibilities, a fire safety document, and financial papers including budgets; together with correspondence regarding technical arrangements and requirements and arrangements with the police and St John’s Ambulance.

Correspondence and papers relating to the ‘Pax’ project in general, including the various performances and ‘Pax’ cantata, comprising mainly proposals, discussion and development notes, research material, scenographic designs, sketches and artwork, a production score, and photographs; together with papers relating to a possible gallery installation relating to the Pax production and Lis Hughes Jones' vocal score and papers relating to the Liberetto.

A proposal for the Pax Cantata for Cathedrals.

Two sets of handwritten notes relating to the development of the Pax production; together with an open letter from [Lis Hughes Jones] regarding how to move forward and the issues involved.

Scenographic designs, sketches and artwork by Clifford McLucas, some of which may have been displayed in an installation; together with a plan of the scaffolding structure by the scaffolding company ISL.

Preparatory material for the Pax productions brochure/brochures, including artwork by [Clifford McLucas] and various versions of photographs.

Scenographic designs and drawings, sketch designs and drawings of props by Clifford McLucas, together with posters for the performance at Glasgow, a stage plan of St David's Hall, photocopies of photographs to be used in publicity material and a preview of the performance at the St David's Hall.

Lis Hughes Jones' papers relating to the Pax Liberetto including draft copies of elements of the production texts, some of which are annotated and some which are set out in the form of a production ‘scenario’, devising notes, ideas, notes from research sources and plot outlines; together with some of Lis Hughes Jones’ working notes comprising general production notes and papers regarding the production texts, structure and music and including a scenario and notes on ideas.

Photographs of a performance workshop and of a performance of Gwynt, Glaw, Glo a Defaid, both at Chapter Arts Centre, Cardiff.

A design copy of the poster for the Gwynt, Glaw, Glo a Defaid production, together with copies of the image used on the poster.