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Extracts of what appear to be draft versions of the production script and texts.

A copy of the performance script and texts, with notes regarding the lighting and the graphics that were to be broadcast.

A final draft copy of the production script.

The file also includes some National Library of Wales request slips.

A copy of the script for Hafod - A Life in Eight Great Suites, together with scenography designs with stage directions, soundtrack and technical notes.

Copies of production texts and scripts, some of which are in handwritten form; together with photocopies of material, some of which were possibly used in the texts and scripts; together with request slips for material at the National Library of Wales.

Draft copies of production texts and scripts, together with research material, a copy of the production programme and a flyer, correspondence relating to Clifford McLucas' resignation from Brith Gof, and a copy of Clifford McLucas' 'Some Notes on Research' booklet for the Hafod production.

Draft copies of production texts and scripts, notes that appear to be stage and filming directions, notes detailing first ideas, notes on camera positions and draft production [scores]; together with a master copy of the programme, a photocopy of an image of 'Major William Martin' and a page of Clifford McLucas' graphic work: 'I Am Here on False Pretences'.

Draft and final copies of production scripts and texts.

Versions of the production script, including a script for the site-specific production, with notes regarding stage and vt directions and a script for the studio production; together with notes regarding Clifford McLucas, Brith Gof and their work.

A copy of a seminar on site-specific theatre given by Mike Pearson at the Oerol Festival, Terschelling.

Design copies of the [banners] that were used on the Hafod set at the Bala National Eisteddfod of Wales.

A plan of the production set.

Correspondence, papers and images relating to Brith Gof's site-specific and theatre productions and projects including Branwen, Rhiannon, Gaeafdaith, Manawydan, Gwaed neu Fara, Gernika!, Ymfudwyr, Pedole Arian, Rhydcymerau, Lleuad, Lleuad!/Luna, Luna! (Farfa), 8961 - Caneuon Galar a Gobaith, Gwyl y Beibl, Boris, Pandaemonium: The True Cost of Coal, Disasters of War, Gododdin, EXX-1, Pax, Gwynt, Glaw, Glo a Defaid, Patagonia, Ar y Traeth/Patagonia Remics, Haearn, Arturius Rex, Eisteddfod Genedlaethol Cymru Bro Colwyn, Tri Bywyd, Estronwyr/Work in Progress (Strangers), Prydain, Sawl Bywyd, Prosiect Ecs, and Mike Pearson's productions, comprising mainly production notes and ideas; work notes; production scores; devising and planning notes and papers; texts and scripts; previews and reviews; scenographic designs and sketches; production workbooks; scenarios; storyboards; publicity material; prospectuses, proposals and marketing packs; research material; budgets and financial papers; organisational and administrative papers; and also including the work papers of Lis Hughes Jones and the stage/production manager, Giles Parbery; together with a group of production photographs, scenographic designs, preparation and research papers and Lis Hughes Jones' papers.

Correspondence and papers relating to an intended performance by Brith Gof at the Sitges Teatre Internacional (Salmos), but which was cancelled because of the festival’s financial constraints, regarding matters such as arrangements and including also text for the programme, estimates of cost, budgets, details of technical requirements, and a proposal for 'Gwelais hyn' - A Dramatic Cantata.

A sketch on acetate relating to the production on which the location of television cameras has been noted.

A catalogue of slides taken during Brith Gof's 1986 visits to Patagonia.

Slides and photographs of the In Black and White production, including performance and publicity photographs; together with photographs of the Blodeuwedd and Gernika productions.

Slide images and photographs of production publications, joiner artwork, publicity material, graphics and images used in publications, scenographic designs, pages of the production scenario, production [score] and scene plans.

Photographs of the Du a Gwyn (Black and White) touring production, with negatives, some of which appear to be of the Disasters of War: Part2/Hiroshima production.