Dangos 812 canlyniad

Photographs of the performance of the Patagonia production, including photographs of cast members, possibly taken as publicity photographs.

Photographs of the performance of Ar y Traeth/Patagonia Remics at the National Eisteddfod, together with photographs of cast members.

Correspondence and papers relating to the creation, arrangement and administration of the Haearn production, including drafts, workings and translations of the production scripts; papers regarding scenographic elements such as lighting, equipment and props; research material; workplans and timetables; site plans and scenographic plans; performance structures, scenarios, storyboards and scores; notes for performers; budgets; and negatives and copies of photographs of the venue; together with correspondence and papers regarding the televised version and relating to possible UK and foreign re-stagings.

Publicity material comprising a poster and flyers.

Research and devising notes by [Clifford McLucas] for the Haearn production, relating to themes, structure and scripts.

Correspondence and papers from the stage manager, Giles Parbery, mainly relating to the Haearn production, including venue plans, some of which have details of equipment used, a production scenario and storyboard, with additional notes regarding soundtrack and other special effects, publicity material, images and details of scenographic elements such as set ‘workstations/units’ and props, some of which have details of special effects, budgets and production costs, and various production notes, including notes for performers and notes on the set ‘workstations/units’; together with correspondence and papers relating to sponsorship, the arrangement of equipment, lighting and special effects and venue arrangements including the arrangement of temporary theatre licence and alterations at the venue.

An update regarding further possible stagings of Haearn; together with a letter informing that it will not be possible to perform Haearn in Douai, France.

Correspondence and papers relating to the arrangement and administration of re-stagings of the Haearn production in Wrexham, Amsterdam, Douai, Copenhagen and Birmingham, including funding applications, income and expenditure figures, budgets, project information, proposal, timetables, a paper regarding the principles of performing Haearn abroad and a copy of a production prospectus.

Correspondence and papers relating to the arrangement and administration of re-staging the Haearn production in Wrexham, including notes from meetings, discussion notes, Welsh Arts Council (WAC) papers regarding Drama Project Plans and an application to the WAC Partnership Projects Scheme; together with an appraisal report of Pax Aberystwyth and a letter relating to the performance of Haearn at Tredegar.

Photographs of the cast members and performances of D.O.A. and Camlann.

Typed extracts from books/articles/presentations, presumably by Mike Pearson, some of which relate to D.O.A. and Camlann, and a press release for the performance of D.O.A. at the Cardiff Festival; together with a flyer and photographs relating to the In Black and White performance.

A copy of the text/scripts for the production.

Notes outlining the Pen Urien production; together with details of the Arturius Rex project with a covering letter.

Information papers relating to the production, including an information release and associated papers; together with notes and ideas relating to the production.

Mixed papers relating to the Arturius Rex project, including project information, a fragmented sketch, photographs, notes and copies of lettering and symbols.

Correspondence and papers relating to the general arrangements and planned activities for the Brith Gof stall during the Eisteddfod.

Correspondence, papers and photographs relating to the Tri Bywyd production and also associated publications, including correspondence and papers regarding arrangements and administration of all aspects of the production, research material, production ‘scores’, production texts and scripts, explanatory or descriptive notes, publicity and information material, a production proposal, reviews, devising notes and sketches, joiner photographs, and notes on performance actions.

Explanatory or descriptive notes by Clifford McLucas relating to the production.

Joiner photographs of the site at Esgair Fraith.

A list of ideas for Eddie Ladd's physical sections.