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Copies of an article by Mike Pearson and Clifford McLucas: The Host and the Ghost Brith Gof's Large-Scale Site-Specific Theatre Works, which mainly relates to Haearn.

Papers relating to 'The Host and the Ghost' publication, including mock-ups of some sections of the publication, preparatory and design papers and copies of the publication proposal.

A copy of a lecture/presentation by Clifford McLucas regarding the work and productions by Brith Gof.

Papers relating to the Pointing Finger and the Moo. . . .Wales multimedia presentation, given at the Pacific Coast Conference on British Studies at Stanford University, California, including a stage plan showing the technical set up, conference information and copies of the presentation, with an earlier version which was given at the "Performances, Places and Pasts" Centre for Performance Research Conference.

Copies of the Seven Architectures booklet by Clifford McLucas, which appears to relate to the structure and scenography of the production.

Correspondence and papers relating to an article by Mike Pearson and Clifford McLucas regarding the 'Specifics of Site' for a Theatr Institut Nederland publication.

A [lecture] on theatre archaeology by [Mike Pearson].

Correspondence and papers relating to a conference at Gregynog and meeting held at Aberystwyth to discuss theatre practice and theory in Wales; together with correspondence and papers relating to the organisation of another conference at Aberystwyth the following year and the establishment of a forum for debate following on from these meetings.

A copy of a lecture given at the EAA (?European Association of Archaeologists) Meetings Ljubljana.

Copies of lectures and a conference interview by Mike Pearson relating to the subject of Theatre/Archaeology.

Correspondence and papers relating to the Theoretical Archaeology Group 15th Annual Conference, at which Clifford McLucas and Mike Pearson gave presentations, including conference information, notes and copies of their presentations.

Details of the theoretical/academic programme of work for 1996-1997, including completed and forthcoming work.

A copy of a thesis: A Brief Study of the Influence and Effect of Welsh Culture upon the Theatre in Wales, which includes a chapter relating to Brith Gof.

A copy of the texts of the thirteen decoys which has been annotated and which may have been used as texts or a script during performances and as texts for the installation at the Bala National Eisteddfod of Wales.

Copies of the Tri Bywyd thirteen lies.

A document discussing the need for training programmes and the creation of a centre devoted to active pedagogy.

Transcripts of oral history interviews with a lady and two brothers, called Tomi and Edward, who lived in Patagonia and whose family had moved there from Wales.

Papers relating to the arrangement of travelling to Europe, including directions from Cagliari to Olbia, insurance documents and ferry tickets.

Draft, proof and mock-up copies of pages of Tri Bywyd publications, namely the proposed The Host and Ghost publication and the chapter by Clifford McLucas for the publication edited by Nick Kaye: Site-Specific Art: Performance, Place and Documentation, together with illustrative material such as scenographic designs, draft production score, maps and an outline plan, some of which were used in the publications.

Quotations from various companies for equipment and services for the Tri Bywyd production at Lampeter and invoices for equipment for the production at Lampeter and the National Eisteddfod, together with a work schedule, negatives of the site at Lampeter and product brochures.