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Correspondence, papers and photographs relating to the Tri Bywyd production and also associated publications, including correspondence and papers regarding arrangements and administration of all aspects of the production, research material, production ‘scores’, production texts and scripts, explanatory or descriptive notes, publicity and information material, a production proposal, reviews, devising notes and sketches, joiner photographs, and notes on performance actions.

A notebook containing devising notes that appear to relate to the Tuag at Hafod project, including research, workplans, performance [scores], draft texts for project publications, technical notes and scenographic designs; together with papers relating to the performance of Hafod at the Bala National Eisteddfod of Wales.

A notebook containing devising notes, research, workplans, technical notes, draft texts, prop designs and scenographic designs for Tuag at Hafod and the Lunacy in his Common Sense; and also including instructions for the press photographs.

Correspondence and papers relating to the arrangement of proposed collaborative tv/live theatre projects between Brith Gof and Criw Byw, including proposals and contracts.

A copy of Two and Two magazine, which contains an article regarding Clifford McLucas' visual diary artwork, which was inspired by the Brith Gof productions Pax, EXX-1 and Gododdin.

Unidentified typed text.

Design copies of underwater images.

An unidentified draft score, noting the musical elements of a performance and some other technical and character elements.

Unidentified lectures and presentations relating to large and small-scale productions and Brith Gof and their site-specific work, including a final script of a presentation.

Unidentified negatives, possibly of the Brith Gof office.

Unidentified notes that possibly relate to a lecture.

Photographs of a set and cast members from an unidentified production.

Unidentified slides, some of which may possibly be of the Polish theatre company Odin Teatret, Cardiff Laboratory Theatre and RAT Theatre, others appear to photographs taken from a book, again possibly relating to Odin Teatret, together with some slides of Brith Gof productions, including Fuji Musume, Branwen, Gernika!, Pedole Arian, Blodeuwedd and In Black and White.

An update regarding further possible stagings of Haearn; together with a letter informing that it will not be possible to perform Haearn in Douai, France.

Correspondence and papers relating to the Valleys Live 92 festival launch and open day, including letters of invitation and publicity material; together a brochure for the Ebbw Vale Garden Festival.

A roll of scenographic designs and sketches for various productions, including Haearn, Gododdin, Pax and Patagonia.

Various slide images, including images used in Brith Gof production publicity material, Clifford McLucas' visual diary work, production prospectuses and publicity material, scenographic designs by Clifford McLucas, research materials, venues, including joiner images of venues, and devising notes.

Correspondence and papers relating to the VII Festival Internacional de Teatro de Caracas in 1988 where Brith Gof performed The Disasters of War, regarding matters such as arrangements and funding and also including previews and reviews of the Brith Gof performance and other performances at the festival, programmes, publicity material, venue plans and details, technical requirements, and a press release.