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A copy of a scenario for the production together with some scenographic designs.

Correspondence and papers relating to the Sawl Bywyd production including, production photographs, scenario, display, flyer and draft copies of the production programme for the week, copies of a production information brochure, devising notes, draft budgets, press releases, administrative papers, production texts and scripts, scenographic sketches and designs, soundtrack list and draft and final copies of a marketing pack; together with research material relating to Dutch Schultz.

Correspondence and papers relating to a proposed performance of 8961 – Canzoni di angoscia e di speranza by Lis Hughes Jones at Santarcangelo dei Teatri, regarding arrangements and administrative matters.

Papers regarding the Rhydcymerau production, collected for a symposium, including a copy of a scenario with the production text transcribed from an audio recording; together with copies of performance photographs and notes and a running order for a [presentation].

Photographs of the Rhydcymerau production at the Lampeter National Eisteddfod of Wales and also the touring production.

A copy of the production texts, together with a production flyer and other production notes.

A handwritten copy of the production text and also including notes regarding the production structure and imagery and copies of poems.

Reviews of the Besatt production in Norway.

Reviews and previews for the various Los Angeles productions, including at Rhymney, Glasgow, Fribourg, Grenoble, Buenos Aires, and Taliesin Theatre and Theatr y Werin.

Production reviews, including correspondence and papers responding to a review in the Independent newspaper and an Aberystwyth Arts Centre programme of events.

Reviews of the D.O.A. and Camlann performances and a letter by Mike Pearson regarding the reviews and requesting opinions on the performances and the work of Brith Gof; together with a copy of a poem 'Sarajevo Story'.

Reviews relating to the Prydain production, including a review of Prydain at Mayfest, Glasgow, a letter from David Adams of the Guardian regarding his review with typed copies of some of his reviews of other work by Brith Gof, together with a review from the Cymro with a translation.

A [review] of the performance of Dead Men's Shoes at the [Londrina Festival Brazil].

A review of the In Black and White performance at the Tramway, Glasgow.

Correspondence, papers and photographs relating to re-stagings of Haearn in Wrexham, Birmingham, Amsterdam and Douai, including administrative and financial papers comprising funding applications, project information, proposals, timetables and discussion notes; together with venue plans, scenographic workings, sketches and designs, devising notes and production storyboards.

Correspondence and papers mainly comprising responses, opinions and reviews relating to the D.O.A. and Camlann productions, some of which are in response to Mike Pearson’s letter requesting opinions on the performances; together with a later review of Arturius Rex; a copy of the D.O.A. script; information regarding Brith Gof, the company’s work and other earlier productions and a pamphlet for a seminar to be given by Mike Pearson: Performance and the Past.

Research, preparation and devising material, including photocopies and research notes, synthesis notes, and draft texts and scripts; together with some scenographic designs and photocopies of photographs/stills.

Papers relating to research, some of which appear to relate to Hafod, including an access guide booklet to the Imperial War Museum collection, research contacts and contact details, and a list of Hafod research.