Showing 812 results

A draft copy of information relating to the Patagonia production.

A copy of a draft version of extracts of text from the production script, together with other [planning notes].

A proof copy of the workbook for the Hamburg production of Gododdin, which had been written specifically for that performance following a visit to the venue; together with some photographs of the venue and a festival programme.

Papers relating to the Draw, Draw yn . . . (On Leaving) production including polaroid photographs, details of performance actions, draft copies of production texts and scripts, research material, publicity material and draft copies of the text, draft scenographic designs, draft production [scores], administrative papers and a cassette recording of earthquake sounds.

Correspondence and papers relating to Brith Gof’s presentation of the first two manifestations of The Disasters of War project at the Dublin Theatre Festival, regarding matters such as arrangements and funding and also including festival publicity material, reviews, a draft contract, and details of technical requirements.

Research material relating to Dutch Schultz comprising copies of printed material and photographs, together with some pages of music and a [performance plan], possibly relating to the Sawl Bywyd production.

A cassette recording of earthquake sounds, possibly used during the performance, together with an accompanying catalogue of earthquake related sounds.

Correspondence and papers relating to the administration and arrangement of Brith Gof’s participation in the Ebbw Vale Garden Festival, including festival information and a copy of a preliminary proposal by Brith Gof.

Correspondence and papers relating to the arrangement and organisation of the Hafod production at the Bala National Eisteddfod of Wales, regarding matters such as theatre licences, accommodation, set equipment and materials, together with Eisteddfod information brochures.

Correspondence and papers relating to the general arrangements and planned activities for the Brith Gof stall during the Eisteddfod.

Correspondence and papers relating to the Estronwyr/Work in Progress (Strangers) production with La Fura del Baus, including devising notes and sketches, production texts, a project information document, a funding application, photographs and photocopies of photographs, La Fura Del Baus company publications, publicity material, performance organising principles, and research material.

Photographs and slides of Los Angeles, Llythyron o'r Nefoedd, including the rehearsals at St Germain's, Cardiff, and the Pax concert at Westminster Abbey; together with Lis Hughes Jones' workfile for the production.

Correspondence and papers regarding a monetary award for Pax: European Eco-Opera by the European Year of Tourism, including company and production information, funding applications and a European Year of Tourism information document.

Explanatory or descriptive notes by Clifford McLucas relating to the production.

Correspondence and papers relating to the arrangement of staging Pax at Expo 92 in Seville, including also budgets and a report of the Seville meeting.

Papers relating to a Pax [expo], comprising a copy of the script and of a letter of notification about a premiere of the production, with copies of the image used in one version of the letter.

Papers relating to the distribution of the EXX-1 cassette recording, together with copies of the press release regarding the recording, including draft copies.

Papers and photographs relating to the EXX-1 production comprising mainly stage directions, prospectus, scenographic designs, reviews, and a soundtrack information leaflet; together with a copy of Clifford McLucas’ visual diary artwork which was based on the EXX-1 production and a file of the production manager, Giles Parbery's papers.

Papers relating to the EXX-1 production (also referred to as Jihad?), including production and publicity images, previews and press releases, together with information relating to the recording of the EXX-1 cassette.