Dangos 812 canlyniad

Lis Hughes Jones' papers relating to the Pax Liberetto including draft copies of elements of the production texts, some of which are annotated and some which are set out in the form of a production ‘scenario’, devising notes, ideas, notes from research sources and plot outlines; together with some of Lis Hughes Jones’ working notes comprising general production notes and papers regarding the production texts, structure and music and including a scenario and notes on ideas.

Photographs of a performance workshop and of a performance of Gwynt, Glaw, Glo a Defaid, both at Chapter Arts Centre, Cardiff.

A design copy of the poster for the Gwynt, Glaw, Glo a Defaid production, together with copies of the image used on the poster.

Photographs of the performance of the Patagonia production, including photographs of cast members, possibly taken as publicity photographs.

Photographs of the performance of Ar y Traeth/Patagonia Remics at the National Eisteddfod, together with photographs of cast members.

Correspondence and papers relating to the creation, arrangement and administration of the Haearn production, including drafts, workings and translations of the production scripts; papers regarding scenographic elements such as lighting, equipment and props; research material; workplans and timetables; site plans and scenographic plans; performance structures, scenarios, storyboards and scores; notes for performers; budgets; and negatives and copies of photographs of the venue; together with correspondence and papers regarding the televised version and relating to possible UK and foreign re-stagings.

Publicity material comprising a poster and flyers.

Photographs of the cast members and performances of D.O.A. and Camlann.

Typed extracts from books/articles/presentations, presumably by Mike Pearson, some of which relate to D.O.A. and Camlann, and a press release for the performance of D.O.A. at the Cardiff Festival; together with a flyer and photographs relating to the In Black and White performance.

A copy of the text/scripts for the production.

Notes outlining the Pen Urien production; together with details of the Arturius Rex project with a covering letter.

Information papers relating to the production, including an information release and associated papers; together with notes and ideas relating to the production.

Mixed papers relating to the Arturius Rex project, including project information, a fragmented sketch, photographs, notes and copies of lettering and symbols.

Correspondence and papers relating to the general arrangements and planned activities for the Brith Gof stall during the Eisteddfod.

Correspondence, papers and photographs relating to the Tri Bywyd production and also associated publications, including correspondence and papers regarding arrangements and administration of all aspects of the production, research material, production ‘scores’, production texts and scripts, explanatory or descriptive notes, publicity and information material, a production proposal, reviews, devising notes and sketches, joiner photographs, and notes on performance actions.

Explanatory or descriptive notes by Clifford McLucas relating to the production.

Joiner photographs of the site at Esgair Fraith.

A list of ideas for Eddie Ladd's physical sections.

A fax containing a breakdown of ticket sales.

A copy of the texts used in scenes 2, 4, 6 and 8 by Brith Gof in the Work in Progress production.