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The series comprises a collection of manuscripts by David Jones which Harman Grisewood has sorted into eight folders entitled 'Wales and Religion' and 'Religion and Wales'. They were written either as essays or letters to the press, or possibly both (see the note by Harman Grisewood in file LO2/1 explaining the difficulties of sorting these papers further). The drafts are written mainly in pencil, black biro and ink, on a variety of paper, with many corrections and alterations. Most are undated, with only four folios with the folowing dates: 1957, 1962, 1966, 1968. Many of the pages are numbered by David Jones . Most of file 2 appears to be letters to the Editor of The Tablet. File 7 includes a draft letter on the foundations of the Church in Wales and the vernacularisation of the liturgy. File 8 includes an article on early Christianity in Wales.

The series comprises letters from Clarissa Eden, T. S. Eliot, Nicolette Gray, Saunders Lewis, Morag [Mac Clennan], Lady Moray, Edith Sitwell, Janet Stone, Tony Stoneburner, Helen Sutherland and Valerie Wynne-Williams.

The series comprises 13 files of artistic works by David Jones which were found amongst his papers. There are greeting and Christmas cards, dating from 1905, designed by David Jones and probably printed with the help of his father who was a printer's overseer. There are some original sketches, copies of frontispieces to his books, and copies of sketches, engravings, prints, and pictures.

The series comprises six files of manuscript drafts of the poem and its introduction, proofs, and a copy of The Listener, 1958.

'From The Book of Balaam's Ass' is a fragment of a much longer writing made in the late 1930s and early 1940s provisionally called 'The Book of Balaam's Ass' which was later abandoned by David Jones.
The series comprises three files of manuscript drafts of the poem with notes.

The series comprises material relating to some or all of the fragments published in The Sleeping Lord, including manuscript drafts, galley proofs and page proofs, instructions to printers, an introduction to a reading, and a review.

The series comprises a manuscript draft of 'The Death of Harold', which was written for The Tablet in 1966 but was unfinished and therefore unpublished.

The series comprises manuscript drafts of a letter about the Welsh dragon and a manuscript of another version entitled 'Draco and Harold'.

The series comprises one incomplete broadcast script.

The series comprises manuscript drafts, typescript carbons, part of the 1964 press proof and related correspondence.

The series comprises manuscript drafts of 'The Old Quarry', Part 1, and typescript drafts of Parts 1 and 2.
Section III of The Roman Quarry consists of 'The Old Quarry Part One', 'The Agent', and 'The Old Quarry Part Two'. 'The Old Quarry' follows on from 'The Grail Mass'. The second half of the Old Quarry is mentioned in letters in 1940 and 1962 to Harman Grisewood.

The series comprises manuscript drafts of writings by David Jones on various subjects.

The series comprises manuscript notes by David Jones which Harman Grisewood refers to as the 'Notebook notes'. Although David Jones did not keep many research note books, these papers correspond to what they might have contained. They include sketches, notes, drafts of incomplete letters and texts (possibly of parts of In Parenthesis), Welsh and Latin words, historical dates, lists etc. A few pages are dated 1944, 1946, 1955, 1962, 1963, 1951, 1971. There is a coloured list of David Jones' medication in file 1 f.1, a note on an unused illustration to In Parenthesis in file 2 f. 1, and a coloured history 'map' in file 3, ff. 1-6.

The series comprises letters from various people, relating to David Jones' literature (especially In Parenthesis and The Anathemata), literary prizes and awards, art exhibitions, pictures, and social engagements.

The series comprises letters to David Jones from the Redfern Gallery, Tate Gallery, BBC, British Council, Faber, Ganymed and other publishers and editors, University of Wales and other institutions and societies.

The series comprises letters, postcards, Christmas cards, birthday cards, telegrams and invitations from various people.

The series comprises draft and incomplete letters from David Jones to editors of newspapers, such as The Tablet, The Times, The Listener, and The Catholic Herald relating to history, literature, religion and other topics. The series also includes letters to friends and acquaintances, which are mixed within the same files.

The series comprises part of an early proof probably printed in 1936, twelve sets of proofs printed in 1937, and an unbound edition of the 1961 edition of In Parenthesis. The proofs were printed by Hague and Gill Limited, High Wycombe.

The series consists of manuscript drafts of The Anathemata, with related notes and fragments, and two black folders which David Jones used when writing The Anathemata.

The series comprises eleven files of manuscript and typescript drafts, proofs, and BBC scripts of his reading in 1956.