Dangos 683 canlyniad

The series consists of early manuscript drafts of In Parenthesis, parts I-VII, with fragments of earliest draft pp.1-6, and notes.

The file comprises an early manuscript draft of Part III 'Star-light order', numbered by David Jones 57-118 and foliated 1-172 in the Library. The file also includes a cover.

The file comprises an early manuscript draft of Part V 'Greatcoats folded', numbered by David Jones 179-208/216 and foliated 1-260, 258-260, 261-300 in the Library. The file also includes a conversion table with comments by P.W. Davies, NLW (5 ff.), and a cover.

The file comprises manuscripts of a dedication (1 f.); a preface numbered by David Jones I-XVI, with an index to the typesetting signs used by him (18 ff.); and a prologue numbered by David Jones 238-9, 247-9, 259-60, 264, 268-9 (11 ff.). There are sketches by David Jones of a girl's face (f. 22v) and of a soldier's face (f. 28v). Also included are notes on the final manuscript draft by Harman Grisewood and Daniel Huws (f. i-iv).

The file comprises a final manuscript draft of Part IV 'King Pellam's Launde' numbered 119-129, 129-131, 131 cont, 132-149, 149 i-iii, 150-177 by David Jones.

The file comprises fragments of letters, sketches etc. taken from the In Parenthesis drafts. They include incomplete letters written from Brockley in 1933 to Helen [Ede], a note by David Jones certifying to his illness, a note written from a hotel in Sidmouth, and five sketches.

The file comprises a carbon copy of the 1935 typescript draft of the Preface, dated Christmas 1935 in the typescript, but with significant manuscript revisions by David Jones dated March 1st 1937. The corrections are similar but not the same as those in LP3/3. The 1937 typescript was made from this version.

The file comprises a complete set of proofs, page i-xxii, 1-225, revise of proof No. 2., entitled 'Faber and Faber's Readers Corrections'. The corrections marked in ink are made by Faber and Faber's reader, with further corrections marked by David Jones in pencil, red crayon and red ink,

The file comprises another set of proofs No. 3 with the sections marked by David Jones 'my copy', and dated '17 Apr. 1937' by him on the second section. It has been stamped 'Marked proof' with the date '7 Apr. 1937' on page 91. It has been marked by David Jones in ink, pencil, red ink and red crayon, incorporating Faber and Faber's readers' corrections with his own. Not all corrections made in No. 5 appear in No. 4.

The file comprises a partial set of the same proof as No. 7 - preliminaries and preface and pp. 219-[225]. Both sections marked by David Jones are the same as the corrected sections of No. 7; but include one alteration on p. 223 not marked in No. 7 which nevertheless appears in the last revise. Both sections are signed 'my copy May 8th 1937' by David Jones.

The file comprises a complete unbound copy of the 1961 edition of In Parenthesis published by Faber and Faber Ltd, with a note of introduction by T. S. Eliot. This copy has a list of errata and corrigenda by David Jones written on the half-title page.

The file comprises a typescript copy of the broadcast script of In Parenthesis adapted for radio and produced by Douglas Cleverdon, transmitted on 10 November 1942 by the BBC Home Service.

The file comprises a manuscript draft written in pencil and ink, which is an insertion into the text formed by A1 and A2 made after the second foliation. The pages are mostly numbered 37 by David Jones on a mixture of blue and white paper. This insertion expanded rapidly and became the second half of 'Middle-Sea and Lear-Sea', the whole of 'Angle-Land', Redriff' and 'The Lady of the Pool' and the beginning of 'Keel, Ram, Stauros'.

The file comprises a manuscript in black ink and pencil of the draft notes on the text of The Anathemata. This material is earlier in date than the typescript text.

The file comprises a manuscript in black ink, pencil and red crayon, of material relating to The Anathemata at the proof stage. There is a list of illustrations (ff.1-6), corrections to the galley and page proofs (ff. 7-25 and 26-33) together with a typescript list of proof-reader's queries (f. 33).

The file comprises groups of manuscript drafts of The Anathemata, including drafts of alterations to p. 62 of the typescript, made after the final manuscript (ff. 1-4); alterations to p. 5 of the typescript, made between the first and second typing (ff. 5-8); draft of insertion made in page proof numbered 234 by David Jones (ff. 9-10); a note by David Jones on manuscripts A, B and C (fol. 15); and a note on 'Offeren Gwenhwyfar' dated 1966 (ff. 12-13).

The series consists of typescript drafts of The Anathemata: the final typescript, pages of the original typescript rejected after re-typing, a few re-typed pages rejected because they had been re-typed a second time, and carbons which were used by David Jones as working copies.

The file comprises two volumes of the final typescript copy, from which the galleys were set up. There are revisions in pencil and ink by David Jones throughout. It includes some manuscript pages such as the titles to the eight sections (f. 1), and the list of possible illustrations (f. 245). The four main stages of typing correspond to the four bundles in which T2 was originally found: Preface, pp. 1-43, 44-70 and 71-119. Although folio 111 is dated 1944, this implies the date of writing rather than the date of typing which was possibly 1949, and folio 48 is dated July 1951 when the finishing touches were made to the typescript.

The file comprises the original first carbon typing of the preface, text and notes, wanting a few pages. This was used as David Jones' main working copy for pp. i-xxxiv, 25A-H, 44-70, and includes pencil markings by him. None of the other pages are marked except for pp. 28 and 43. It includes revisions not made in the final typescript (T2) but made in the galleys. Pages 44-70 were found intact as a bundle, whereas the other pages were assembled in NLW (see P.W. Davies' notes).

The file comprises David Jones's complete set of galley proofs with his corrections in pencil and ink. His work on the galleys is dated February-March 1952 (pp. 13, 36, 53). Later levels of correction are given in coloured crayon marks.