- RB4/1.
- File
- 1984.
A Barn Centre discussion document produced for a Barn Centre council meeting and relating to a process of re-assessment within the Barn Centre.
A Barn Centre discussion document produced for a Barn Centre council meeting and relating to a process of re-assessment within the Barn Centre.
Diary entries recording his time as artist in residence.
Devising notes, sketches and proofs,
Draft sketches of designs that were included in the users' manual and a proof copy of the manual, together with a draft copy of notes to go in the application to the Gulbenkian.
Loose papers including notes about Glasgow, a stage plan, drawings and copies of maps, relating to the Stormy Waters production.
Devising notes for the Three Landscapes project, including plans and research material, and draft and proof copies of project documentation; together with papers relating to other projects including the Pembrokeshire Coastal Path project, the installation at 2002 Eisteddfod in St Davids, the Na Ladd installation and the Bible Banners project.
Devising notes for The Second Coming production, including sketches and plans, notes for an application to the Gulbenkian, together with publicity material and reviews.
Devising notes with sketches and plans for the works and the display of the works at the Aberystwyth Arts Centre exhibition.
Designs and instructions for the project booklet, including illustration designs and a mock-up of the publication; together with slides showing some of the banners and the work on the banners.
Design notes for the Three Landscapes book, including layout notes and notes regarding [the word count, pixel count] and text; together with a task list and an article from the Cambrian News relating to Hafod.
Design materials and notes for the Bible Banners project, including design drawings of the banners, images of the work in progress and the finished banners; designs, instructions, draft text and proof copies of the project booklet; together with project headed notepaper and compliment slip.
Papers relating to the deep mapping work and projects carried out by Clifford McLucas, including the Three Landscapes Project and the San Quentin Codex whilst at Stanford University, California; the Pembrokeshire Coastal Path project; and proposed deep mapping projects for S4C and the BBC; together with more general papers relating to his mapping work.
Information and copies of original documents relating to the abolition of the death penalty in Britain.
Correspondence, proposals, abstracts, drafts and notes relating to a book that was to be written about Archaeology (The Responsibilities of Archaeologists edited by Mark Pluciennik), to which Clifford McLucas was contributing a chapter relating to 'artistic freedom and artistic responsibilities', drawing examples from the work of Brith Gof, under the title 'Dear Yannis : a letter to an archaeologist or from one cultural producer to another'.
Dawns Dyfed brochures, which were designed by Clifford McLucas.
Papers relating to Dawns Dyfed activities and administration, including publicity material and papers relating to a bid for funding.
Untitled
Papers relating to a one day dance workshop at the Barn Centre, which included a session on dance and film makers, including a brochure about the film maker Maya Deren, devising notes, minutes of a working party meeting of the Aberystwyth Community Association in which this event was discussed, together with information regarding some of the films that were to be used at the workshop.
Articles, proposals and preparatory and associated papers relating to Clifford McLucas cultural interests.
A drawing of a scaffolding cube, presumably drawn in preparation for a piece of work.
Papers relating to the 'Creu Cof' project by Ceredigion Media Association, which was possibly an [oral history] project dealing with the themes of 'ebb and flow/the invasion' and the Welsh language, including papers regarding the oral history study of the Welsh language for the project, the discussion on the proposed approach to Channel 4 with regard to the making of a television programme, methods and politics in oral history and the Third Cinema and Wales.