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Slide images of Sitges, possibly taken in connection with a a proposed production by Brith Gof for Sitges Teatre Internacional called Salmos.

A sketchbook relating mainly to the later phase of the Earste Dagen project, containing research, devising sketches and notes, project outline notes, correspondence and administrative and financial papers.

A sketchbook containing plans and drawings of ideas for the interior of a house. The book includes notes which appear to relate to a possible project.

A sketchbook containing sketches that appear to be for various elements of a building. Loose sketches in the book may relate to a production or presentation.

A sketchbook relating to the Pembrokeshire Coastal Path work, containing research, sketches, devising notes, project outline notes, photographic joiners, notes about the Ogam language, layout plans, correspondence and administrative and financial papers.

Scenographic sketches and designs relating to the Stormy Waters production.

Slide transparencies of the Oerol festival installation and the thirteen large graphics mapping installation for the Three Landscapes Project; together with slides of the Lla'th (Gwynfyd) performance.

Slide transparencies comprising mainly preparatory images and images of finished art work by Clifford McLucas, including some produced during his time as artist in residence and for the exhibition of his work at the Barn Centre, the Na Ladd [installation], the [Gadair Ddu] banners, the Bible Banners brochure, publicity material and reports he had designed; together with still images of the CNDRLL film, his 'ghost' photographs and images of some other artwork

Slide transparencies of artwork, exhibitions, art installations, and projects by Clifford McLucas, including an exhibition of his work in the Aberystwyth Arts Centre and the Bible Banner's project, showing the work in progress, the event in Llanrhaeadr-ym-Mochnant, the installations at the Cathedrals and Aberystwyth Railway station and the finished items.

Slide transparencies of architectural features and patterns of La Alhambra in Granada.

Slides of Norway.

Slide transparencies, most of which are labelled, of artwork and engravings from publications, Welsh landscapes, many of which are of Hafod, industrial scenes, Welsh iconography, items from Hafod and individuals.

Slide transparencies of the art work created during Clifford McLucas' time as artist in residence; together with some slides of the joiner artwork created by Clifford McLucas for the 'Na Ladd' exhibition at Chapter Arts Centre.

Slide transparencies of the Earste Dagen: The First Days project, including images of the graphic works and booklet, the [Tigerstelling] bunker, design notes and aerial images, which were to be shown as an example of a deep mapping project, together with copies of the Pembrokeshire Coastal Path deep mapping project prospectus.

A colour oil pastel version of the square, circle, triangle, rectangle symbols.

A pencil version of the square, circle, triangle, rectangle symbols.

A black ink graphic using the square, circle, triangle, rectangle symbols.

Colour and black and white ink line drawings of various combinations of the square, circle, triangle, rectangle symbols.

Papers relating to the Stanford Continuing Studies presentations and the performed lecture ‘Earste Dagen’, including draft copies of the lecture, correspondence and other notes, such as a technical specification for the lecture and a timetable; together with papers relating to the subject of mapping, the Pembrokeshire coastal path, and site-specific performance; a copy of a National Baseball Hall of Fame and Museum book; a sketch plan of the installation for the Oerol Festival and letters to Clifford McLucas regarding working on the project with him.

Proof, draft and design copies of pages for the book about the Stanford Project, together with copies of pages from the Journal of the California Year.