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Seven autograph letters, one signed typescript letter, and a postcard, [1935]-1947, from Dylan Thomas to Charles Fisher, in which he mainly discusses personal news and his work, responds to CF's enquiry about his "theory of poetry" and explains his method of drafting and recording his work on paper (ff. 1-2), refers to the company at Blashford and his fondness for Swansea (f. 3), collaborating with CF on 'Murder of the King's Canary' [sic] (f. 4), his new poems and book, In the direction of the beginning (f. 7), the war and the 'Keidrych Rhyses' (f. 8), and a forthcoming stay in Italy with the family where he hopes to write poetry (f. 11).

Thirty-four unpublished autograph letters and cards, together with a telegram, 1947-1984, from Caitlin Thomas; among the recipients are Paul Ferris, Daniel Jones (with a draft reply by him), Mervyn Levy, Andrew Sinclair, Stuart Thomas, Ruthven Todd, and Gwen and Vernon Watkins. Also included is a handwritten and typescript copy of a letter, dated 16 December 1953, to George Reavey and Irene Rice Pereira, with a photograph of Caitlin and baby Colm; a typescript copy of a letter, 1954, to David [Higham]; and photocopies of two letters, 1951 and 1962, sent to Helen [McAlpine], held at the University of Texas. Personal matters are mainly discussed in these letters, and Caitlin's life and relationship with Dylan Thomas; several letters are written during the months following her husband's death, and some relate to the trial concerning ownership of the manuscript of 'Under Milk Wood'.

Autograph pencil draft, [1930x1932], of an untitled limerick by Dylan Thomas about his friend Daniel Jones. Two lines at the beginning of the verse have been crossed out by the author; a selection of rhyming words are noted at the top of the page. 'Bridg[e?]' and 'Brigid' are inscribed in ink on the reverse.

An autograph letter, [1978], from Llewelyn Thomas to Daniel and Irene Jones, together with two postcards, 1998, from him addressed to Jeff Towns. Also included are press cuttings relating to Llewelyn Thomas, [1962]-2001; a copy of the Harvard University magazine, Gadfly, containing an article by him, 'Religion in Harvard', with related papers, 1959; and a xerox copy of his article published in the Australian newspaper, The Nation (October, 1971), 'On the impossibility of remembering father'.

Bound typescript copy, 1955, of a dissertation by Malcolm A. Nelson, Williams College, Massachusetts, entitled, 'The ageless voice: a study of Dylan Thomas's ideas about his own poetry'.

Script of an untitled short play, [1939x1953], by Dylan Thomas and Daniel Jones, composed on two sides of a single foolscap page. The play is mostly a dialogue between a man and a woman, beginning "By the way, will you marry me?", and written in the hands of both authors, but mostly that of Daniel Jones.

A copy of the American poetry magazine, Three hands, number two (1952), possibly given to Dylan Thomas, containing notes in ink and pencil in Caitlin's hand on the title page and the final blank page, and signed by her. Also included is an undated shopping list, [1940x1953], written on the reverse of a brief note to Dylan Thomas from Pete Gully.

Papers, 2003, relating to the television documentary 'Dylan Thomas - man or myth' (provisionally titled 'The lives & legends of Dylan Thomas'), produced and directed by Matthew Springford.

Holograph letter, dated 21 April [1944], by Dylan Thomas to Mechthield [sic] [Nawaisky], written in black ink (recto side only) and sent from Old Bosham, regarding Bill Brandt's photographs of Caitlin and himself; he also refers to the nightly bombing of Sussex. Inscribed 'Dylan Thomas during war in his early 30 tee's' in pencil in an unidentified hand on reverse. Also included is a page from an unknown publication, [1953x1954], containing an article about Dylan Thomas, and the black and white photograph by Bill Brandt, 'Dylan Thomas and His Wife, Caitlin, in Their Room, Manresa Road, Chelsea' (1944).

Photocopies and typescript copies, produced [1955x2000], of seven letters from Dylan Thomas, dated [?1935]-1953, found loose amongst papers acquired in this group. Most were published in Paul Ferris ed., The collected letters of Dylan Thomas (London, 1985). Among the recipients are Marguerite Caetani (2), Pamela Hansford Johnson, J. Oliver Stephens, and Vernon Watkins (signed by VW).

Folded page (4 pp.) from an exercise book containing an early untitled and unpublished pencil draft, [1925x1929], by Dylan Thomas of a short story which opens "Monseiur [sic] Didot's menagerie reached the little town of Artois early in the summer morning some years ago".

Script, [1953], (71 pp.), of 'Under Milk Wood', with annotations in the hands of both Dylan Thomas and Daniel Jones. The wallet, in which the script was enclosed, is labelled "1 of New York scripts".

Correspondence, 1954-1955, relating to the proposed publication of manuscript poems by Dylan Thomas in the notebooks held by the Lockwood Memorial Library, University of Buffalo, New York.

Pencil draft, [1945], in Dylan Thomas's hand, of part of the script for the wartime propaganda film, 'Our country'; inverted text on six of the preliminary pages of Daniel Jones's copy of Samuel Johnson, The lives of the English poets, vol. III (London, 1896). Also included is a typewritten transcript, [2000x2009], (6 pp.), of these notes.

Manuscript draft, 1973-1974, in three volumes, of the autobiographical work by Pamela Hansford Johnson, Important to me (London, 1974), provisionally entitled 'What I need to say', which includes reminiscences about Dylan Thomas. Among the enclosures, 1973-2006, in the first volume is a letter, 1974, by the author. The third volume also contains book reviews by PHJ, together with fragments of her novel, The good listener (London, 1975), a summary of which is inserted at the end of the volume. In addition, the file contains three loose letters, 1958 and 1980-1981, by PHJ; a copy of The first comment treasury (London, 1937), which includes three poems by PHJ, two published under the pseudonym G. N. Oborn, and another by Dylan Thomas; and a copy of the Dylan Thomas memorial number of the journal Adam, no. 238 (1953), containing a memoir by PHJ.

Early pencil draft, [1939], by Dylan Thomas of 'The House Maid's Poem', later published as 'Paper and sticks' in Seven (Autumn, 1939), and Deaths and entrances (London, 1946). The poem is written on the reverse of a fragment of a letter, dated 13 July [19]39, to Dylan Thomas by an unidentified author.

Correspondence, 1975-2000, of Paul Ferris, including letters sent by him to Daniel Jones, Gwen Watkins and Jeff Towns, relating to his biographies of Dylan and Caitlin Thomas, and The collected letters of Dylan Thomas (London, 1985). Also enclosed are copies of three letters from Dylan Thomas to Caitlin, [1936], John L[?], 1942, and John [?Arlott], [c. 1945], and a letter-poem about New Quay, dated 1945.

Photocopies, produced 1967-1968, of autograph letters, dated 1933-1937 (predominantly 1933-1934), from Dylan Thomas to Pamela Hansford Johnson; most are included in Constantine Fitzgibbon's, Selected letters of Dylan Thomas (London, 1967).

Small Swansea Intermediate School notebook, [1928x1932], inscribed 'D. J. Jones. Homework Notebook' on the front cover, mainly containing school notes by Daniel Jones, with additional notes by Dylan Thomas (ff. 27r, 27v, 28r, 30v, inside back cover), and an unpublished poem written in pencil in the latter's hand entitled 'The Nigger-Boy's Plaint' (f. 30r).