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The file comprises photocopies of letters, [1922]-[1938], together with a photocopy of a letter from 'Dodo', 1964, to her granddaughter Rebecca John relating to T. E. L[awrence].

The file comprises photocopies of letters from Augustus John to Kit Adeane, 1943-1957, and letters from Dorelia John to her, [1951] and [1957] and Vivien John, 1957; Michael Ayrton, 1961; Tallulah [Bankhead], 1930; Sir Herbert Barker, 1930-1944, and 1950 to his widow, with a biographical note; John Beatty, Director of Fine Arts at the Carnegie Institute, Pittsburgh, 1910-1920; Lord Beaverbrook, 1918, and a letter, 1917, from Lord Beaverbrook to Sir Frederick Smith, relating to 'the greatest artist of our time'; Basil Burdett, [1935]; and typescript copies of letters to Count William de Belleroche, 1943-1961, and two letters from Dorelia John, 1960 and 1962.

The file comprises 'Augustus John. Artists, anarchist and gypsy' by Horace Shipp, Everybody's Weekly, March 1954; photocopies of galley proofs corrected by Augustus John of his review of Dora E. Yates's My gypsy days: recollections of a Romani Rawnie, [1953]; Journal of the Gypsy Lore Society, containing tributes to Augustus John by Sacheverell Sitwell and Walter Starkie, 1962, and Dorelia John by Joseta Jones, 1970; photocopies of Juliette de Bairacli Levy's 'Augustus John in the New Forest', Journal of the Gypsy Lore Society and a draft of the article; 'Hungarian gypsies in Comberton Camp' by the same author; book reviews of Sven Berlin, Dromengro: Man of the road (London, 1971), with references to Augustus John, and an article by Ronald Blythe, The Listener, June 1972, relating to sites for gypsies.